S4 Art Additional Art Pieces

Question 1

Made “Making Earth” Helen & Newton Harrison

Question 2

an early example of the Harrisons’ environmentally impactful work “Making Earth”

Question 3

When was “Making Earth” first performed 1970

Question 4

How many times did the Harrisons recreate “Making Earth” Many times

Question 5

What did “Making Earth” consist of The production of rich soil

Question 6

Why did the Harrisons feel the need to create the work “Making Earth” They created it after understanding that topsoil was endangered worldwide

Question 7

What materials did the Harrisons use to create the rich soil in “Making Earth” sand

Answer 7

clay

Question 8

Describe the process the Harrisons followed to create the soil in “Making Earth” gathered the materials

Answer 8

mixed them

Question 9

What did the Harrisons consider as indicators of the soil’s richness after completing the process in “Making Earth” richness of the soil was indicated by its rich

Answer 9

forest-floor smell and its ability to be tasted

Question 10

Made the series “Survival Pieces” Helen & Newton Harrison

Question 11

Series produced for museums between 1970 and 1972 “Survival Pieces”

Question 12

the main concept behind the Harrisons’ “Survival Pieces” a living ecosystem for a predetermined period of time

Question 13

Made “Spiral Jetty” Robert Smithson

Question 14

Organisms that the Harrisons tried to create living ecosystems for in their “Survival” series fish

Answer 14

trees

Question 15

How did the Harrisons’ “Survival” works emphasize the interrelations among organisms and climate conditions By creating highly specific and localized living conditions

Question 16

Why did the Harrisons believe that the concept of a truly closed ecosystem was a fallacy their “Survival” pieces were created for short-term durations (two or three months)

Answer 16

which did not account for the complexities and interactions inherent in ecosystems

Question 17

Made “The Lagoon Cycle” Helen & Newton Harrison

Question 18

What significant change in the Harrisons’ approach is noted with “The Lagoon Cycle” The change involved shifting from short-term “Survival” pieces to a more ambitious exploration of ecosystems across the entire Pacific Rim

Question 19

What crab species was used in “The Lagoon Cycle” Crap species native to Sri Lanka

Question 20

How long did “The Lagoon Cycle” project occupy the Harrisons 1972-1984

Question 21

What kind of environment did “The Lagoon Cycle” simulate It simulated an indoor estuary

Question 22

How did “The Lagoon Cycle” transform from its original concept It evolved into a larger exploration of ecosystems across the Pacific Rim

Question 23

WHat was the original plan for “The Lagoon Cycle” To cultivate the Scylla serrata

Answer 23

or mud crab

Question 24

Scylla serrata is mud crab

Question 25

What were the similar goals of “The Lagoon Cycle” compared to previous “Survival” works To produce an edible food source in controlled

Answer 25

replicable conditions and to study the behavior of the resulting ecosystem

Question 26

How does the ecosystem in “The Lagoon Cycle” differ from previous ones regarding duration It would not be limited to a predetermined period of time

Question 27

Where were the mud crab tanks set up for “The Lagoon Cycle” In the Harrisons’ Southern California studio

Question 28

What were implemented in the mud crab tanks for “The Lagoon Cycle” Timed lights

Answer 28

limited temperature fluctuation

Question 29

What conditions were mimicked in the aquatic environment for “The Lagoon Cycle” Conditions of a tropical

Answer 29

estuarial lagoon

Question 30

Why was the duration of “The Lagoon Cycle” critical It coincided with the monsoon season in Sri Lanka

Question 31

(The Lagoon Cycle) What unexpected change did the Harrisons notice in the crabs A change in the crabs’ behavior

Question 32

How did the Harrisons attempt to simulate monsoon conditions By decreasing salinity and increasing available food

Question 33

(The Lagoon Cycle) What behavior was triggered among the crabs as a result of the changes Mating behavior

Answer 33

the first known instance for this species in an artificial environment

Question 34

(The Lagoon Cycle) What did the Harrisons reconsider as a result of their discovery The type of enclosed

Answer 34

artificial ecosystems they had simulated to date

Question 35

What new title did the Harrisons give to their work after moving out of the laboratory “The Lagoon Cycle”

Question 36

How many cycles are included in “The Lagoon Cycle” 7

Question 37

What new methods did the Harrisons introduce for presenting their work Narrative voices

Answer 37

performance

Question 38

How is “The Lagoon Cycle” exhibited as a series of 7 large panels incorporating text

Answer 38

maps

Question 39

(The Lagoon Cycle) Who are the two characters in the dialogue on the panels A Lagoonmaker and a Witness

Question 40

(The Lagoon Cycle) What do the first three panels examine The move from indoor tanks to outdoor environments

Question 41

(The Lagoon Cycle) What does the fourth panel describe Moving the crabs to ponds cultivated in California’s Salton Sea

Question 42

(The Lagoon Cycle) What proposal is introduced and reflected upon in the fifth and sixth panels To regulate salinity

Answer 42

herbicide

Question 43

(The Lagoon Cycle) What does the seventh panel meditate upon The Pacific Ring of Fire

Answer 43

connecting Sri Lanka to the American West Coast

Question 44

Made “Condensation Cube” Hans Haacke

Question 45

What years did the Condensation Cube span 1963-65

Question 46

What material is the “Condensation Cube” made of Plexiglas

Question 47

What natural processes are demonstrated inside the “Condensation Cube” Evaporation and condensation

Question 48

What influences the cycle of evaporation and condensation in the “Condensation Cube” The relative temperature of the box’s environment

Question 49

Artpiece that features a rectangular prism suspended from the ceiling “Wave”

Question 50

Made “Wave” Hans Haacke

Question 51

What causes the rectangular prism in “Wave” to move Air currents in the room and the movement of liquid within the box

Question 52

What name did Jack Burnham give to Haacke’s works Wind and Water Works

Question 53

Named Haacke’s works “Wind and Water Works” Jack Burnham

Question 54

One of the seminal early exhibitions of Land art “Earth Art”

Question 55

Where did Haacke create works for Earth Art Both indoors and outdoors

Question 56

Made “Grass Grows” Hans Haacke

Question 57

What did “Grass Grows” depict during the exhibition A full cycle of life and death

Answer 57

from sprouting to withering

Question 58

Where did Haacke create his outdoor piece for Earth Art In one of Cornell’s gorges beneath a waterfall

Question 59

Made “Ice Rope” Hans Haacke

Question 60

Sculpture that Haacke intended for natural water spray frozen on the rope “Ice Rope”

Question 61

Why did “Ice Rope” not form as intended Weather was unpredictable and a warm snap melted the ice

Answer 61

leaving only the exposed rope

Question 62

Where was the location for “Ice Rope” Upstate NY

Answer 62

Cornell

Question 63

What was the title of Haacke’s 1970 work “MoMA Poll”

Question 64

What was the Plexiglas box in “MoMA Poll” used for It had a slot cut into the top for participants to vote

Question 65

What did participants in “MoMA Poll” vote on A question about the Southeast Asian policy of Governor Nelson Rockefeller; included yes or no answer

Question 66

What was Nelson Rockefeller’s role at MoMA He was a member of the Board of Trustees and its former president

Question 67

What broader issues did MoMA Poll ask participants to consider The relationship between the museum

Answer 67

U.S. politics

Question 68

Made “Shapolsky et al Manhattan Real Estate Holdings

Answer 68

A Real Time Social System as of May 1

Question 69

What was the title of Haacke’s 1971 work Shapolsky et al Manhattan Real Estate Holdings

Answer 69

A Real Time Social System as of May 1

Question 70

What did Haacke’s “Shapolsky” work include 146 photographs of Manhattan apartment buildings and documents about a slumlord’s activities

Question 71

Where was Haacke’s “Shapolsky” originally scheduled to be shown Solomon R. Guggenheim Museum

Question 72

(Shapolsky) Why was Haacke’s exhibition canceled The museum director attempted to censor the artwork

Answer 72

despite it using public records

Question 73

(Shapolsky) How long before the exhibition was the cancellation 6 weeks before it was scheduled to open

Question 74

With whom did Holt collaborate on the film “East Coast/West Coast” Robert Smithson

Question 75

What Earthwork was Robert Smithson working on when Holt began planning “Sun Tunnels” “Amarillo Ramp”

Question 76

What happened to Robert Smithson on July 20 He crashed and died while flying over the site of “Amarillo Ramp”

Question 77

Who helped Holt complete “Amarillo Ramp” after Smithson’s death Other artist friends

Question 78

What video work did Holt create with Richard Serra “Boomerang”

Question 79

Where was “Boomerang” created In an Amarillo television studio

Question 80

Made “Dark Star Park” Nancy Holt

Question 81

Over what period did Holt create “Dark Star Park” From 1979 to 1984

Question 82

What organizations provided funding for “Dark Star Park” The National Endowment for the Arts

Answer 82

Arlington County

Question 83

What type of site was transformed into “Dark Star Park” A debris-ridden site that had formerly housed a gas station and warehouse

Question 84

What was the purpose of commissioning “Dark Star Park” To accompany the construction of an office building at a narrow intersection of several streets feeding traffic into nearby Washington D.C.

Question 85

How does “Dark Star Park” engage with visitors It communicates with visitors passing on foot and those in cars

Question 86

What materials make up “Dark Star Park” Concrete spheres

Answer 86

tunnels

Question 87

(Dark Star Park) What does Holt’s work create through its sculptural arrangement A complex arrangement that plays upon a series of framed sightlines

Question 88

How does the viewer’s approach affect the experience of “Dark Star Park” The sightlines change with the direction and speed of the approaching viewer

Question 89

What patterns does “Dark Star Park” operate between The real time spent looking at the artwork and more permanent celestial patterns

Question 90

What unique feature aligns with the sun’s shadows in “Dark Star Park” Shaped metal “shadows” on the ground

Question 91

(Dark Star Park) At what precise time do the metal shadows align with the actual shadows cast by the sun 9:32 am on August 1 each year

Question 92

Besides the visual experience

Answer 92

what other quality does “Dark Star Park” embody A cyclical time calibrated to the movement of the sun

Question 93

Time of the day that is an arbitrary choice by the artist 9:32 AM

Question 94

What is the significance of the date August 1 in relation to “Dark Star Park” It references the day in 1860 that William Henry Ross purchased the land from his father-in-law that would later be named Rosslyn

Question 95

What did Holt say about selecting August 1 for the shadow patterns She mentioned that it integrated the historical time of the place with the cyclical universal time of the sun

Question 96

What does the site of “Dark Star Park” symbolically celebrate The founding of Rosslyn and its proximity to the nation’s capital

Question 97

What aspect of the land does “Dark Star Park” aim to recuperate A formerly derelict and polluted plot of land

Question 98

What is the title of the video work Holt produced in response to “Dark Star Park” “Art in the Public Eye: The Making of Dark Star Park” (1988)

Question 99

(Dark Star Park) Why was the video created It was made on the occasion of the fourth anniversary of the park

Question 100

How did Holt describe the site before the creation of “Dark Star Park” She described it as a “trash site” that had been a gas station and turned into a place with broken asphalt

Answer 100

weeds

Question 101

What motivated Holt to create “Dark Star Park” She felt there was an overwhelming need for a park in that location

Question 102

(Dark Star Park) What does Holt indicate about the condition of the site prior to the park’s development It was not even a proper parking lot; it was a disordered place where people parked

Answer 102

marked by broken asphalt and debris

Question 103

Who are the individuals featured in the video discussing “Dark Star Park” The developer of the adjoining Park Place office building

Answer 103

the owner of the swimming pool construction company that crafted Dark Star Park’s spheres with shotcrete

Question 104

What realization does Holt express about art and its creation She realizes how much art comes out of the matrix of society and how things are simply put together

Question 105

What systems do “Sun Tunnels” and “Dark Star Park” address according to Holt They address the systems that humans use to understand and experience time

Question 106

Made “Neukom Vivarium” Mark Dion

Question 107

What is “Neukom Vivarium”

Answer 107

and where was it installed A work where Dion installed a sixty-foot hemlock tree in a purpose-built greenhouse in Seattle’s Olympic Sculpture Park

Question 108

What does “Neukom Vivarium” allow visitors to witness It allows visitors to witness the decomposition of the tree within its ecosystem

Question 109

What is “Milred’s Lane”

Answer 109

and where is it located A permanent art site and artist residency located in rural northeastern Pennsylvania

Question 110

Who did Dion collaborate with to create “Milred’s Lane” J. Morgan Puett

Question 111

What intersection does “Milred’s Lane” commit to It is committed to the intersection of art and ecology.

Question 112

What year were both “A Meter of Jungle’s” & “The N.Y. Bureau of Tropical Conservation” created that reflect Dion’s concern for the tropics 1992

Question 113

What artwork from the previous year served as an outgrowth for Dion’s 1992 installations “On Tropical Nature”

Question 114

How long did Dion spend in the Venezuelan rainforest collecting flora and fauna for “On Tropical Nature” 3 weeks

Question 115

Where did Dion send the collected flora and fauna To the Sala Mendoza in Caracas

Question 116

How were the collected samples arranged upon arrival at the museum They were placed in rows on tables according to the order in which they were removed

Question 117

What comprises the form of “On Tropical Nature” today A sample of the deposits collected

Question 118

How many discrete sculptures were created from the samples of “On Tropical Nature” 4 discrete sculptures

Question 119

Where are the sculptures from “On Tropical Nature” now located They’re dispersed among different museum collections

Question 120

What was done with other samples collected for On Tropical Nature They were reused in The N.Y. Bureau of Tropical Research

Question 121

What years did Dion’s engagement with “On Tropical Nature” span 1991 and 1992

Question 122

Which continents are mentioned in relation to Dion’s projects during the engagement with “On Tropical Nature” North & South America

Question 123

What primary theme has Dion’s practice consistently dealt with since the late 1980s Ecological crisis

Question 124

How have most critics addressed the environmental importance of Dion’s work As either an antiquated passion for “natural history” or strictly an activist call to action

Question 125

What specific ecological area does Dion’s extended treatment provide a more exacting view on The tropical rainforest

Question 126

Two forms “tropics” took in Dion’s work in 1989 1) interactive information stations 2)didactic video programs and pamphlets reporting on rainforest depletion

Question 127

An example of an interactive information station a library-looking-cart called “Tropical Rainforest Preserves”

Answer 127

created by Dion and William Schefferine

Question 128

Made “Tropical Rainforest Preserves” Mark Dion & William Schefferine

Question 129

When did “tropics” first appear in Dion’s work 1989

Question 130

Made “7000 Oaks” Joseph Beuys

Question 131

Where did the conclusion of the Annlee project take place At “Basel Miami Beach” in 2002

Question 132

What literary work inspired the title of the fireworks display Lewis Carroll’s “Alice in Wonderland”

Question 133

Wrote “Alice in Wonderland” Lewis Carroll

Question 134

What event marked the conclusion of “No Ghost Just a Shell” A fireworks display titled “Smile Without a Cat (Celebration of Annlee’s Vanishing)”

Question 135

When did the project “No Ghost Just a Shell” abruptly end 2002

Question 136

What does Annlee recite in Rirkrit Tiravanija’s interpretation Hours of Philip K. Dick’s “Do Androids Dream of Electric Sheep”

Question 137

Wrote “Do Androids Dream of Electric Sheep” Philip K. Dick

Question 138

Made “The Third Memory” Pierre Huyghe

Question 139

What project did Huyghe launch in collaboration with Philippe Parreno “No Ghost Just a Shell”

Question 140

Made the project “No Ghost Just a Shell” Pierre Huyghe & Philippe Parreno

Question 141

What inspired the title of the project “No Ghost Just a Shell” The 1995 Japanese animated film “Ghost in the Shell”

Question 142

What is the title of Huyghe’s 1999 video work “The Third Memory”

Question 143

Which organization commissioned “The Third Memory” The Renaissance Society at the University of Chicago

Question 144

How was “The Third Memory” displayed On two channels

Answer 144

appearing on two side-by-side screens

Question 145

What event is the subject of “The Third Memory” An attempted 1972 robbery at a Chase bank in Brooklyn

Answer 145

New York

Question 146

Who conducted the bank robbery depicted in “The Third Memory” John Wojtowicz and two accomplices

Question 147

What Hollywood film was based on the same robbery? “Dog Day Afternoon”

Question 148

Who directed “Dog Day Afternoon” Sidney Lumet

Question 149

Who starred in “Dog Day Afternoon” Al Pacino

Question 150

What does “The Third Memory” toggle between Scenes from Lumet’s film and present-day interviews with Wojtowicz