rta 920 Flashcards

1
Q

mediated stories

A

stories conveyed through a medium. often fantasied, idealized, entertainment, unreal. not reality for most people. can have a negative impact on viewers

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2
Q

Para-social Ineraction

A

a psychological relationship between audience and celebrities. one sided

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3
Q

Who are the usual people behind a para social relationship/interaction?

A

TV show hosts because the line between tv and regular people is blurred due to their conversational style and face-to-face gathering. their regular viewers often have this relationship

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4
Q

What is the Gold Standard Guide

A

a guide to make your shots look “fabulous”

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5
Q

Lighting - Gold Standard Guide

A

key, fill, back light. soft (more flattering, uses a diffusion gel, bouncing the light) hard (more dramatic, shining right at the subject, should be at least 15 ft away from subject, causes dark shadows)

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6
Q

lighting for best results

A

use three lights, offset the light from subject, have two lights from either side

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7
Q

How many frames per second in TV

A

30

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8
Q

How many frames per second in film

A

24

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9
Q

TV Style in North America

A

NTSC

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10
Q

What are eyes attracted to?

A

focus, movement, light, words, colour, size, angles

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11
Q

What is the rule of thirds

A

placing your subject in one column and leaving the other two open

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12
Q

long shot

A

shot from so far away subjects are indistinguishable

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13
Q

full shot

A

emphasis on scenery but the entire subject is still in frame

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14
Q

medium long shot

A

subject knees up

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15
Q

macro shot

A

subject looks larger than it is in real life

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16
Q

continuity

A

axis of interaction, storyboarding, eye trace

17
Q

axis of interaction

A

two characters in a scene should always stay in their place (left, right)

18
Q

eye trace

A

anticipating what the audience will be looking at in order to keep their attention when cutting scenes

19
Q

cross scripting

A

when the voiceover follows what is being shown on screen

20
Q

centre framing

A

subject is in the centre of the frame. utilize symmetry

21
Q

leading lines

A

lines in an image that draw the viewers eye to a specific detail

22
Q

depth of field

A

how much of the shot is in focus. depends on (1) the camera’s focal length. more zoom = less will be in focus. (2) light. the amount of light in scene will determine how deep your focus is. less light = less will be in focus

23
Q

lead space

A

the room in front of your subject. leave enough space to make it seem like they have room to move into

24
Q

nose room

A

the room in front of your subjects nose. make sure there is enough (about one columns worth)

25
Q

what is the key to engaging your audience

A

understanding who they are and which media platform you are going to distribute your project on

26
Q

key factors for interviews

A

shoot at eye level, only an MCU, do not include the reporter. place eyes 1/3 down from the top. audio must be perfect

27
Q

standup

A

when you can see the reporter on screen

28
Q

sequence

A

minimum 5 shots. cut on the action

29
Q

NYT - Why Do We Tell Stories

A

(1) we tell stories because we want people to empathize with us, to understand our situations and lives as we do. storytelling is just as important to the teller as it is to the audience.
(2) gateway to truth-telling. this helps us form opinions and make decisions. allows people to unite and share values and ideas.
(3) a story as a progression from one point to another. all of the parts of a story wouldn’t make sense on their own. stories allow us to gain more knowledge and perhaps what made us fully conscious

30
Q

CBC - Storytelling Is Not Just Entertainment, It’s A Fundamental Part of Being Human

A

stories let us share information in a way that creates emotional connection. stories have been around since humans have. internal narratives help us make sense of the world. stories create a communal experience that allows many different people to connect

31
Q

key reminders

A

tell your stories through people, emotional stories have an emotional impact on people, intellectual stories have an intellectual impact on people

32
Q

short form stories

A

commercials, social media videos, PSA’s

33
Q

long form stories

A

tv series, film