Rome as Spectacle Midterm - Florence Flashcards

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Name: Basilica di Santa Maria del Fiori

Architect Building: Arnolfo di Cambio

Architect Dome: Brunelleschi

Date Basilica: 1294-96

Date Dome: 1417-1436

Location: Florence (Cathedral Complex-Ancient city)

  • Centrally defining for the identity of the city, guilds mostly in charge of building.
  • Dome reflects shape of baptestry dome
  • Dome: Stone and timber beams clamped together together wth iron - compression rings to support dome
  • Polychrome marble (green, white, pink)
  • 19th Century gothic revival style
  • Built from the nave moving towards the dome. Dome left unfinished until competition came up with a way to complete it.
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Name: Baptistry S. Maria del Fiori

Architect: Unknown

Date: 1059-1128

Location: Florence (Cathedral Complex-Ancient city)

Pope: Nicholas II

  • Baptistry to St. John. Images of his life depicted in the dome - venetian mosaic ceiling.
  • Octagonal plan. Stands in front of the church
  • Florentine Romanesque style
  • Known for its 3 sets of bronze doors
  • South: by Andrea Pisano
  • North and East: Lorenzo Ghiberti - won after competition in which he and Brunilleschi tied and were told to make the doors together, but B quit.
  • Doors took G 21 years to complete
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Name: Bell Tower S. Maria del Fiori (Campanile)

Architect: Giotto

Date: 1334-1359

Location: Florence (Cathedral Complex-Ancient city)

  • Giotto’s only work of architecture - nominated after death of Arnolfo di Cambio
  • more dense at teh base, more perforated as it rises (following structrual need)
  • Separate from basilica
  • similarity of materials with the cathedral (polychrome marble)
  • Giotto died before its completion, his design was exicuted by Pisano, then Francesco Talenti
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Name: Basilica della Santa Maria del Santo Spirito

Architect: Filippo Brunelleschi

Date: 1444-1487 (15th c)

Location: Florence (Oltrarno quarter)

  • Brunelleschi began design in 1428, but died in 1446. the work was carried out by Antonio Manetti, Giovanni da Gaiole, and Salvi d’Andrea
  • his ideas were thworted - not carried out to original intention like S. Lorenzo
  • Originally intended to have chappels form ALL outer walls of the church, including the front, allowing for 4 entry doors (unusual as there would be no central entrance)
  • Chapels intended to be expressed on exterior - in realty plastered over to create smooth exterior walls
  • Facade never created with 4 entrys, instead one central and 2 flanking.
  • Facade never built and so left blank.
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5
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Name: Piazza della Signoria

Architect:

Date:

Location: Florence (Ancient City) - near Ponte Vecchio, Piazza del Duomo

  • L-shaped piazza in front of the Palazzo Vecchio and Uffizi
  • Political Hub
  • Bound on one side by the Loggia dei Lanzi (1376-82) - a place to disply art, and which served as a covered meeting gallery.
  • location for the original David statue
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6
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Name: Palazzo Vecchio

Architect: Arnolfo di Cambio

Date: 1299

Location: Florence (Ancient City) - On Piazza Signoria

  • Romanesque stype
  • Fortress palaca, built for better security for the Medici family.
  • cambio construced it from the ruins of Palazzos once owned by the Uberti family.
  • originally built as a cubic building, added to in 3 more stages. Each represented in a different architectural style
  • Can be seen in skyline due to its large tower, one of the only few left in Florence
  • built in solid rustic stonework, two rows of two-lighted gothic window.
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7
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Name: Santa Croce

Architect: Possibly Arnolfo di Cambio

Date: 1294-1385

Location: Florence, Piazza di santa Croce

  • Principal Franciscan church in florence. Originally built outside the ancient city wall
  • 19th centruy facade (green and white marble typical of florence)
  • Non-vauted
  • addition of classical aedicule along side in 19th c.
  • 2 dante memorials
  • Known as the “temple of itlaian glories” - burrial place of famous italians (Michelangelo, Galilei, Machiavelli, Foscolo, Gentile, Rossini)
  • Noted for 16 chapels - many decorated by Giotto frescoes (subject: st. John and St. Francis.
  • Cappella dei Pazzi - a chapter house, was added in 1470s by Brunelleschi
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8
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Name: Piazzi Chapel

Architect: Filippo Brunelleschi

Date: 1443-1460s

Location: Florence (iin 1st cloister of Basilica di S. Croce)

  • Comissioned by the Pazzi family
  • Main purpose of the building was as a chapter house
  • Chapel behind the altar where family members were to be burried,
  • Plan based on a square and circle. Plan references the Old Sacrasty. The rectangular plan component has been widened to fit predetermined wall boundaries.
  • Common use of grey (pietra serena/serene stoen) and white stone.
  • Between the pilasters in the transept there are tall, blank, round headed panels ans above them roundels, a common renaissance motif.
  • Umbrella dome.
  • Circular inset decoration (Apostles) wtih glazed blue tile featured (artist:Luca della Robbia)
  • Figures of the Evangelists may be by Donatello.
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9
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Name: Piazza and Church Santissima Annunziata

Architect: Michelozzo di Bartolomeo (originally given comission) and Leon Battista Alberti

Date: 1419

Location: Florence - near duomo

  • Church of the Servite order (order also responsibe for the logia opposite the hospitol)
  • Space given baroque dressing in the 17th c, basic scheme of a domed circular space flanked by altar niches is still visible.
  • Facade loggia designed to respond to the logia of the Ospedale degli Innocenti (later 3rd piazza facade would complete the composition
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10
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Name: Ospedale degli Innocenti

Architect: Brunalleschi

Date: 1419

Location: Florence - near duomo

  • Originally a childrens orphanage, and hospital
  • Example of Italian early renaissance style
  • features a 9 bay logia, slender columns of the composit order, with 9 semi-circular springing arches
  • revival of the classical style.
  • upper tier intended ot have pilasters to continue the vertical line fo the columns
  • Bllue glazed teracotta roundels, depectign babies, designed by Andrea della Robbia
  • column is a representation fo dimensions and proportions of the building.
  • Hospital loggia was common in his time, he did not invent the concept, but reinterpreted its representation.
  • does not featuer inpost blocks, (rep of entablature) but these would be added to his later designs for other building.
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11
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Name: Galleria dell’Academia

Architect:

Date: founded 1784 (david added 1873)

Location: Florence

  • Contains Michelangelo’s David and unfinished statues (prisoners, statues from tomb of pope Julius II and statue fo Satin Matthew, and a Pieta). (michelangelo’s museum)
  • Room built ot house the David statue
  • contains a large qualtity fo plaster casts such as art students woudl study from
  • david unique in the representation of him as an older figure in contemplation before slaying galioth.
  • figure moved inside (from piazza delle signoria) to protect from the elements.
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12
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Name: Pialazzo Medici Riccardo

Architect: Michelozzo di Bartolomeo

Date: 1444-1484

Location: Florence (near S. Lorenzo)

  • Renaissance palace
  • Stone masonry with rusticated ashlar
  • tripartite elevation used expresses the renaissance spirit of rationality, order, and classicism on human scale
  • division emphasizes horizontality of building and decreasing story height
  • transition from ground to top of rustication to delicately refoned stonework.
  • open colonnaded court in center of palazzo (roman peristyle)
  • expanded by Ricardi family
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13
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Name: Church San Lorenzo

Architect: Brunelleschi

Date: 1420

Location: Florence

  • Unfinished facade - michelangelo asked to design a space for the burrial of 2 unexpeced deaths in the medici family. (old sacrasty)
  • principa burial place for Medici family
  • Attempt to create proportional relationship between nave and side aisles
  • relationship between columns and pilasters
  • modified frieze to connect column to arch
  • use of italian pietre serena
  • Barrel Vaulted side chapels
  • Impost blocks on colonnades. Mimics brunalleschi’s idea of classical
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14
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Name: Laurentian LIbrary

Architect: Michelangelo

Date: 1524

Location: Florence - S. Lorenzo Complex

  • built in a cloister of S. Lorenzo
  • Built to house the Medid family manuscript collection
  • Example of Mannerist archtieture
  • Michelangelp left florence 1534, project comlpeted according to his design under Tribolo, Basari, and Ammannati.
  • intricate wooden ceiling in the reading room, pattern reflecred in the floor.
  • Vestibule - use of pietra serena. columns set into wall and “held up” on curvaing base pieces set into the wall.
  • Features monumental stair. Central with 2 falnking sides. cetnral steps are curved, the bottom 3 being oval like in form
    *
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15
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Name: Old Sacrasty

Architect: Brunelleschi

Date: 1419 (21?) - 1440

Location: Florence - S. Lorenzo Basilica off the left transcept

  • Built mostly before the rest of the church, which was built aroudn the sacristy.
  • Square plan, with smaller sq for altar with dome - umbrella dome, 12 vaults
  • pendentives and pilasters articulate wall and extress structure. entablature divides teh sapce into 2 equal horizontal zones
  • entered from a corner
  • use fo pietre serena
  • in center of the room, under the large marble table, is teh tomb of the patron Medici and his wife (the to first Medici)
  • Tomb of this son and grandson are in the space (not the two who died unexpectedly)
  • Actaully functioned as a scaristy at one point
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16
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Name: New Sacristy

Architect: Michelangelo

Date: 1521

Location: Florence - S. Lorenzo Basilica off right transcept

  • For medici brothers (the one who dies unexpectedly, also the project that interrupted the facade construction)
  • Similar format to Old sacristy, square plan with circular dome.
  • Pantheon dome.
  • decorated niches set into wall featuring statue of dead medici.
  • features statues fo day, night, dawn and dush on tomb monuments
  • entered from the corner. located on teh
  • when michelangelo left florence work was completed by Vassari and Ammanati
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Name: Capella dei Prinicipi

Architect: Matteo Nigetti

Date: 1560-1649

Location: Florence - S. Lorenzo Basilica

  • Octagonal plan, surmounted by a dome, which can be seen towering the rest of the church
  • equivilant to an apsal chapel fir the church
  • burrial place for memebers of the medici family.
  • intricate pieces made of inlaid marble and semi-precious stone - plaques with coats of arms around base of chapel indicating the cities florence conquered, display of the power of florence
  • Shows that this, the grand Dukal line of the family, no longer ruled from the shadows but in the open.
  • tombs/sarcophagi actually empty, people burried below ground.
  • enter from the exterior of the basilica.
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Name: Ponte Vecchio

Architect: Giorgio Vasari

Date: 1345

Location: Arno River, Florence

  • Medieval stone closed-spandrel segmental arch bridge
  • Rebuilt in 1345 after destroyed in floods in 1117 and 1333
  • Oldest bridge crossing the Arno River in Florence
  • Once inhabited by food shops, now known for jewelry shops
  • The bridge spans the Arno at its narrowest point where it is believed that a bridge was first built in Roman times- 105’ wide and longest span is 98’
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Name: Piazzale degli Uffizi

Architect: Vasari

Date: 1560

Location: Florence

  • houses the Medici Collections
  • designed for Cosimo I de’ Medici - offices for Florentine magistrates
  • two wings scaling the sides and connected on one end
  • emphasized the perspective length by the matching facades’ continuous roof cornices
  • Alfonso Parigi and Bernardo Buontalenti took over and construction ended in 1581
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Name: Santa Felicita

Date: 1736-1739

Architect: Ferdinando Ruggieri

Location: Florence

  • Vasari corridor passes through the facade- Medici walkway
  • semi-spherical dome
  • square plan
  • The Brunelleschian sacristy dates from 1473 and was under the patronage of the Canigiani family
  • The Barbadori (or Capponi) chapel (1419-1423) was designed by Filippo Brunelleschi
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Name: Piazza/Palazzo Pitti

Architect: Fancelli

Date: 1458

Location: Florence

  • Renaissance Palace
  • Luca Pitti was an ambitious Florentine banker
  • Rusticated roman style
  • Connected to the Palazzo Vecchio by Vasari corridor
  • Boboli gardens behind palazzo
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