Rococo and Neoclassicism Flashcards
Content
Subject matter and underlying meanings or themes - the “what”
Form (formal properties)
The visual elements and the medium - the “how”
Style
Characteristic methods of expression - the “what” + the “how” + the time period
Fete galante
A type of painting depicting French aristocrats entertaining themselves outdoors. I.e. The Swing by Jean-Honore Fragonard
Rococo characteristics (or form)
- Patel colors
- curvilinear, organic (shapes that come from nature)
- swirls and she’ll forms in decorative arts
- intimate scale painting (small scale)
- soft, feathery, loose brushstrokes
Rococo content
- erotic, lighthearted subject matter
- mythological subject matter
Hierarchy of genres
- History painting (story painting)
- Portraiture
- Genre painting
- Landscape
- Still life
* Fete galante falls in between genre painting and landscape
The swing
- Title: The Swing
- Artist: Jean-Honore Fragonard
- “Style”/category: Rococo
- Medium: Oil on canvas
- Date range: 1767, mid 1700’s
Academy
An institution that trained artists in a traditional style of drawing and painting with a focus on anatomy and drawing from live models
Salon
Annual exhibition of academic paintings
History painting
Large scale painting depicting a mythological scene, biblical scene or historical event
Oath of the Horatii
- Title: Oath of the Horatii
- Artist: Jacques-Louis David
- Style: Neoclassical
- Medium: oil on canvas
- Date range: late 1700’s
Neoclassicism content
Liberty, civic virtue, morality and sacrifice
Neoclassicism form
- emphasis on drawing (design or disegno)
- symmetry and balance
- classical proportions, idealization
- linear perspective
- Meticulous handling of paint (artist trying to hide brushstrokes)
- high chroma (intense colors)
Neoclassicism context
- Pompeii and Herculaneum
- renewed interest in antiquity unearthed Greek and Roman works of art
- grand tour
- French revolution: downfall of absolute monarchies and declining power of the church
- re-establishment of republics and democracies
- enlightenment + antiquity = “double dose” of rationality and logic