Final Exam Flashcards

1
Q

Pollock’s “innovations”

A
  • use of pours, splatters and drips
  • use of sticks as opposed to brushes
  • painting on the floor as opposed to on a canvas
  • non-traditional materials such as enamel gloss used for industrial purposes
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2
Q

Pollock’s influences

A
  • pouring and dripping in experimental painting class taught by David Alfaro Siqueiros in NYC
  • Navajo sand painting in which artists worked horizontally on the floor instead of vertically
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3
Q

Clement Greenberg’s formalism

A

artists should focus on the essential properties of their medium

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4
Q

Characteristics of Abstract Expressionism

A
  • artist’s questioned rationality and the meaning of human existence
  • the human figure not present in the artwork
  • inspired by surrealists, trying to tap into the subconscious
  • break with classical traditions
  • purely abstract art
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5
Q

Institutional Theory of Art

A

the institution decides what is art and what isn’t

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6
Q

Minimalism

A
  • purely abstract work devoid of human emotion, subject and narratives
  • sought purity of three-dimensional medium (clement Greenberg’s formalism)
  • emphasized objecthood
  • basic geometric shapes
  • industrial, non-traditional materials
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7
Q

Objecthood

A

tern developed by critic Michael Fried to differentiate Minimalist works from actual “art”. They were nothing more than objects

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8
Q

Post-painterly abstraction

A

-50’s 60’s
-also known as hard edge painting
Reaction to abstract expressionism
-crisp lines and solid colors to express emotions
New group of artists championed by Clement Greenberg

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9
Q

Pop-art

A
  • early 1960’s
  • reaction to abstract expressionism, hard edge painting and minimalism
  • led by Andy Warhol, created work inspired by American consumerism and pop culture
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10
Q

Pop-art chracteristics

A
  • Influenced by communication such as advertising, comic books, TV, newspapers and magazines
  • view art as a commodity
  • satirical view of pop culture
  • recognizable imagery
  • experimental techniques such as assemblage and mixed media
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11
Q

Feminist Art

A
  • 60’s and 70’s
  • addresses American society’s gender gap
  • women’s liberation movement=second-wave of feminism
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12
Q

Feminist Art chracteristics

A
  • raise awareness to feminist issues

- use of no-traditional media such as embroidery, photo collage, and video

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13
Q

Land Art chracteristics

A
  • site specific art work
  • remote locations
  • natural materials or materials that interact with the landscape
  • ephemeral quality
  • not meant to be displayed in museums or galleries
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14
Q

Spiral Jetty

A
  • abandoned industrial site (oil extraction)
  • 1500ft
  • black basalt and limestone rocks (stones from the area)
  • often underwater due to the changing tides - gives it ephemeral quality
  • salt crystal’s molecular structure us a spiral form
  • nature reclaimed for art
  • eventually reclaimed by erosion for natures
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15
Q

Installation Art

A
  • space and the elements within it are considered a singular work of art
  • difference between installation of art and installation art
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16
Q

Installation Art chracteristics

A
  • literal presence of the viewer (the subject)
  • ephemeral
  • activation- viewer needs to be active by moving around and through the work
  • descentering- human condition is fragmented and multiplied, there is not one correct way to look at the world
17
Q

4 ways to approach the subject in installation art

A
  1. psychoanalytical-based on fantasy, places you in the surreal space
  2. Phenomenological-feel and smell
  3. Disintegration-take away all the sense and disorient viewer (subject)
  4. Political
18
Q

Grafitti

A
  • low income people of color
  • hip-hop
  • territorial, claiming space
  • style (focus on individuality)
  • lettering
  • pride in craft (free hand bombing)
  • competition-hard to reach spaces; crews, respect/disrespect; advertisements
  • Alternative to established art world of galleries and museums
  • created by young people
  • vandalistic, public, global
19
Q

Street Art (Neo-Pop)

A
  • stencils and stickers
  • pop culture (movies and music)
  • representational
  • irony and humor
  • juxtapositions of diverse imagery (“low” and “high” culture)
  • political and social commentary
  • competition with advertisements
  • often sanctioned and protected (Banksy’s works is often protected by plexiglass)
  • public, global
20
Q

“Culture Wars”

A
  • National Endowment for the Arts (NEA)
  • censorship (funding, limiting what can be displayed, destroy it, remove it)
  • critical theory and deconstruction
  • advertisement and media
  • unsettling and challenging art
  • free speech and artistic expression