Riptide Flashcards
1
Q
Introduction
A
- released by Vance Joy (australian singer/song writer) in 2013
- references Sergei Eisenstein and Wes Anderson
- Ideology – tribute to great directors including a stereotypical representaion of femininity (presented as weak, submissive and as objects for the pleasure of a male audience)
2
Q
Context
A
- pastiche to many intertextual references
- Lius Bunuel and Salvador Dali (‘Un Chien Andalou’) — similar as they have themes such as violence to women and scopophilia (eye cutting and knife cutting hand) and a surrealist dream like approach
- voyeuristic camera perspective
- unrelated scenes/images edited together back to back
- symmetry, framing, reccuring character types and shot preferences taken from Wes Anderson
3
Q
Analysis: Clothing
A
- clothing of women is short and tight — oversexualised for the male gaze, used to accentuate body parts as the camera lingers on them
- mid shot of woman taking off swimsuit with her back to the camera
- men staring at her — voyeuristic camera perspective
- high level of scopophilia
4
Q
Analysis: Singer
A
- woman lip syncing to song
- high key, flattering setting and immaculate makeup — conforming to social norms of beauty (fitting to stereotypes)
- makeup becomes smuged throughout the video, her expression becomes vacant, the lighting becomes low key and she can no longer sing the words correctly — destruction of social expectations of women
5
Q
Theory of Identity
A
- David Gauntlett
- “media provides us with tools to construct our identities and offers us a diverse range of stars and icons form who we pick and mix ideas”
- constructed female representation to promote the idea of a ‘perfect body’ — puts pressure on young girls
- as it progresses, these representations are challenged as her makeup becomes smuged and her appearance deteriorates and she is framed in a less flattering way — deconstruction of societal expectations
6
Q
Analysis: Subverting Stereotypes
A
- long shot of woman freeing herself from being tied to a tree (metaphor for freeing herself from a suffocating relationship)
- subversion of patriarchal oppression, breaking free from the ‘damsel in distress’ archetype
- graveyard scene – woman gives orders to men telling them where to go and what to do
- challenges patriarchal oppression
7
Q
Feminist Theory
A
- bell hook
- “feminism is a struggle to end patriarchal oppression, women must free themselves from the sexist and oppressive views”
- challenges the theory through the scenes where the women are victims of patriarchal oppression
- also supports theory in the moments where the women save themselves, subverting stereotypes and patriarchal oppression
8
Q
Conclusion
A
- representations of femininity constantly clash and contradict eachother
- women are objectified for pleasure of a male audience
- women are encouraged to fight and break free from societal expectations and patriarchal oppression