Riptide Flashcards

1
Q

Introduction

A
  • released by Vance Joy (australian singer/song writer) in 2013
  • references Sergei Eisenstein and Wes Anderson
  • Ideology – tribute to great directors including a stereotypical representaion of femininity (presented as weak, submissive and as objects for the pleasure of a male audience)
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2
Q

Context

A
  • pastiche to many intertextual references
  • Lius Bunuel and Salvador Dali (‘Un Chien Andalou’) — similar as they have themes such as violence to women and scopophilia (eye cutting and knife cutting hand) and a surrealist dream like approach
  • voyeuristic camera perspective
  • unrelated scenes/images edited together back to back
  • symmetry, framing, reccuring character types and shot preferences taken from Wes Anderson
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3
Q

Analysis: Clothing

A
  • clothing of women is short and tight — oversexualised for the male gaze, used to accentuate body parts as the camera lingers on them
  • mid shot of woman taking off swimsuit with her back to the camera
  • men staring at her — voyeuristic camera perspective
  • high level of scopophilia
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4
Q

Analysis: Singer

A
  • woman lip syncing to song
  • high key, flattering setting and immaculate makeup — conforming to social norms of beauty (fitting to stereotypes)
  • makeup becomes smuged throughout the video, her expression becomes vacant, the lighting becomes low key and she can no longer sing the words correctly — destruction of social expectations of women
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5
Q

Theory of Identity

A
  • David Gauntlett
  • “media provides us with tools to construct our identities and offers us a diverse range of stars and icons form who we pick and mix ideas”
  • constructed female representation to promote the idea of a ‘perfect body’ — puts pressure on young girls
  • as it progresses, these representations are challenged as her makeup becomes smuged and her appearance deteriorates and she is framed in a less flattering way — deconstruction of societal expectations
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6
Q

Analysis: Subverting Stereotypes

A
  • long shot of woman freeing herself from being tied to a tree (metaphor for freeing herself from a suffocating relationship)
  • subversion of patriarchal oppression, breaking free from the ‘damsel in distress’ archetype
  • graveyard scene – woman gives orders to men telling them where to go and what to do
  • challenges patriarchal oppression
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7
Q

Feminist Theory

A
  • bell hook
  • “feminism is a struggle to end patriarchal oppression, women must free themselves from the sexist and oppressive views”
  • challenges the theory through the scenes where the women are victims of patriarchal oppression
  • also supports theory in the moments where the women save themselves, subverting stereotypes and patriarchal oppression
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8
Q

Conclusion

A
  • representations of femininity constantly clash and contradict eachother
  • women are objectified for pleasure of a male audience
  • women are encouraged to fight and break free from societal expectations and patriarchal oppression
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