representations Flashcards
symbolic annihilation - tuchman
argue women’s achievements are often not reported, or are condemned or trivialised by the mass media. moreover, when women are portrayed, they are generally shown in a narrow and limited range of social roles and their achievements are often presented as less important their their looks and sex appeal
tunstall
- mainly represents women as busy housewives, as contented mothers, eager consumers and as sex objects.
- ignores that well over half of british women go to work
- in contrast, men are often portrayed as active and in positions of power
mulvey - male gaze
refers to the way the camera looks at a woman in the same way a man does and consequently portrays women as sexual beings or as decorative
bates
music industry is particularly guilty of sexually objectifying women in lyrics and videos.
observes that as consumers, young girls learn that women are almost without exception, required to bare as much skin as possible. opposite for men who have women as decorations
ferguson (1983) cult of femininity
found that women were encouraged through magazines to focus on their appearance, marriage, domestic roles, and raising children
wolf
dominant media message aimed at women is that their bodies are a project in constant need of improvement e.g dieting, fitness ads
newbold
researched sports reporting and found that women’s sport was marginalised and also sexualised
transgressive representations - gauntlett
- media aimed at women now emphasises women doing their own thing and being themselves. being tough and independent whilst ‘wearing perfect makeup and wearing impossible shoes’
plant
internet is feminist and can destabilise patriarchy because it allows women to explore, subvert and create new identities
plant eval
Feminist author Caroline Criado Perez received 50 rape/murder threats per house for 2 days in 2013
those identities women are exposed to on the internet are still hugely based on beauty standards and objectification of women, such as internet aesthetics
mc namara
media reps of men and boys generally failed to portray the reality of masculine life
- 80% of reps were negative. routinely shown as violent and aggressive, when in reality only a small proportion of men act out these roles
- men and boys also shown as irresponsible risk takers and incapable of communicating feelings or controlling anger
in contrast, 20% reps showed metrosexual male
metrosexual male
men who take of their appearance in terms on consuming toiletries and fashion products and who are unafraid to express emotional vulnerability
the new man
they should be in touch with their emotions or feminine side; they should treat women as equals’ active fatherhood is an experience worth having
rutherford - retributive masculinity
an attempt to reassert traditional masculine authority by celebrating traditionally male concerns in their content e.g ‘birds, booze and football’, page 3 of the sun
mcrobbies
calls independent woman focus popular feminism and suggests it’s commercialised
gill
argues the independent women stereotype can be highly sexualised and can involve women using their sexuality to get what they want - this is not empowering reps as it still shows women to be sex objects
liberal feminist perspective on gender media reps
believe that reps lag behind the reality of social and economic conditions. however, they acknowledge that representations of women have changed significantly for the better in the last 30 years. increasing the number of women who own and control media content will lead to further improvements
marxist fem perspective on gender media reps
believe the roots of the stereotypical images of men and women are economic; e.g the media emphasis on womens bodies as projects is the result of the growth of cosmetic and diet industries which make huge profits
radical fem perspective on gender media reps
believe it is no coincidence that at the same time as women are achieving social, political and professional equality, media products symbolically relegate them to subordinate positions as sex objects or mother-housewives
postmodernist perspective on gender media reps
gauntlett; mass media today challenge traditional definitons of gender and are actually a force for social change. has also been a new emphasis in on mens emotions and problems, which has challenged masculine ideals such as toughness and emotional reticence. as a result, the media are now providing alternative gendered images and ideas, which are producing a greater diversity of choices for people in constructing their gender identities
pluralist perspective on gender media reps
argue the media reflects society - so as our attitudes change so do media reps today. as women have gained greater equality the media has adjusted its reps. media does not create gender stereotypes, but reflects them
batchelor et al
content analysis
- some aspects of sexuality were represented very positively e.g exploration of issues such as consent
- however findings also suggest three limitations
1. contraception was clearly represented as a female responsibility
2. distinct differences in terms of how young men and women in media texts, felt, and acted in relation to sex. classic tropes
3. lack of positive images of lesbian and gay teenagers. failure to represent sexual diversity
dyer
the media constructs stereotypical signs of ‘gayness’ such as vocal tics, facial expressions, stances and clothing in order to make the ‘invisible the visible
symbolic annihilation (sexuality)
underrepresentation, lack of visibility and limited roles of lgbtq+ people/characters.
- batchelor; heterosexuality is the norm
-
- glaad; over 100 major studio films released in 2014, only 7 of the 17 films that included lgbt characters who, if removed from the film, would significantly affect the plot
craig
three media signifiers of gayness that are common in media reps of homosexuality;
1. camp
2. macho
3. deviant
craig
three media signifiers of gayness that are common in media reps of homosexuality;
1. camp
2. macho
3. deviant
more symbolic annihilation - stonewall
2011- out of a total of 126 hours of TV aimed at young people, only 5 hours43mins were focused on LGBT. and only 46 mins of this portrayed them realistically and positively/realistically
pink economy, pink pound
def; spending power of lgbt community
- power of pink economy has been recognised and many gay people are professionals with no dependants and large disposable income. advertisers seek gay consumers through gay-positive advertising and marketing campaigns
increase in rep of lgbt
e.g glee, its a sin, orange is the new black