Representation- Revision Flashcards

GT

1
Q

Representation can be viewed either as a verb (action) in the form or presenting something

A

or as a noun (thing) in the form of referring to a concept or thought

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2
Q

Representation is a powerful tool often

A

wielded by the priveleged to construct certain perceptions and ideas

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3
Q

Universities and libraries are regions of knowledge and power

A

they are intimidating places for the power and knowledge the represent

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4
Q

writing is a common form of representation

A

printing press therefore massively increased colonial control

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5
Q

European Enlightenment

A

universalied european knowledges as representation was used as tool to consolidate this

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6
Q

representation is influenced by geopolitics

A

academic institutions dominate knowledge production –> influences who has access (GN)
maps are often swayed to produce certain perceptions e.g. NH often enlarged
capitalism –> representations that support profit focused work

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7
Q

Media representations also play a large role

A

they can perpetuate certain beliefs or ideas which are not necessarily representative e.g. Aladdin
they can also on the other hand act as a form of empowerment e.g. Black Panther and Ms Marvel

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8
Q

Representations in physical geography (climate modelling) –> simplifications of the environment

A

AGCM and COAGCM –> poor SST biases over the IO and therefore wet biases when prediction E.Africa precipitation (Hirons et al., 2018)
Convective parameterisation –> CMIP models –> simplified convective processes –> decreased model representability of short rain simulations (Wainwright et al., 2021).

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9
Q

Filming and writing –> imbued with power

A

they are not complete forms of representation as they cannot produce holistic understandings of the world (Williams, 2020).

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10
Q

fictional stories

A

effective ways to understand abstract elements as they are easy to interpret

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11
Q

NRT –> 1980s cultural turn (Williams, 2020) –> criticisms of cultural geography (Jacobs and Nash, 2003)

A

NRT criticises the use of textual and language-based representation – > world is not complete (Cresswell, 2013; Greenhough, 2013) –> their meanings are separate from pre-constructed societal structures and focus on the philosophical and spiritual elements of society as they aim to produce knowledge via relational not cartesian understandings (Cresswell, 2012)

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12
Q

NRT criticsms by Cresswell

A

dance –> subjective –> is accessible –> power is not imbued

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13
Q

NRT criticisms

A

dominated by white males (Bristol Boys) –> less women taking up the theory/feminist geographers tend to critique (Cresswell, 2012)
difficult to escape the confines of academic writing, even NRT uses it –> undermines (Cresswell, 2012)
Universalises knowledge production –> assumes actions produced are the same across bodies –> not correct (Toila-Kelly) (Lorimer, 2008)
lots of the criticisms of representation already conducted by feminist and marxist geographers (Cresswell, 2012)
it has a lack of structure and does not have clear methodologies (Cresswell, 2012)

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14
Q

Writing within academia –> filled with incorrect citations (Haussmann et al., 2013) –> calls for a peer review citation review process

A

often a result of being written too quickly, limited article access and language barriers –> correlation between more popular the paper the better referenced it is

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15
Q

anthropocene has been presented through a variety of means

A

science fiction e.g. The Great Bay
Imagery from space highlighting the changes on the surface of the earth over time (Lekan, 2010)

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16
Q

Maps are performative and can be deconstructed –> continually being constructed –> only way to detangle these is through deconstruction –> done through Actor Network Theory (Del Casino and Hanna, 2005)

A

NRT criticises maps –> takes the ability to deconstruct them and instead reinscribes binaries by producing representation|non-representation (Del Casino and Hanna, 2005)

17
Q

Map of Richmond, Virgina and Washington (Del Casino and Hanna, 2005)

A

interconnectedness of maps –> planning routes on imagined activities –> hotspots of interest –> tour operators plans –> all interact on a map

18
Q

research is conducted via writing –> polished and enhanced to convey ideas in a formal, professional way

A

the process of ‘doing’ writing is important and must be values –> writing impacts those reading as well as producing

19
Q

Moving imagery –> more-than-human research –> ‘moving’ draws together the human and nonhuman interactions (Lorimer, 2010)

A

moving images –> transcend text as everyday actions are replicated e.g. videos slowed down, sped up, replayed

20
Q

moving imagery on elephants (Lorimer, 2010)

A

elephant behaviour –> rocking –> lack of stimulation/exercise
Eric Laurier –> dog walking as a practice

21
Q

elephants and disney (Lorimer, 2010)

A

Dumbo –> recreates human experience (rejected due to his big ears) and resembles human features to recreate their emotions.
elephants in documentaries –> sound alongside movement to evoke the audience to feel a particular way e.g. David Attenborough –> climate activism
Martyn Colbeck documentary –> encourage activism through following the daily life of elephants.

22
Q

storytelling as a form of representation – used to sway behaviour in response to events e.g. climate change

A

climate/energy research –> storytelling to get people to be more environmentally friendly e.g. smart meters –> climate research needs more qualitative data

23
Q

social science –> tends to avoid storytelling as it has no theory (Moezzi et al., 2017)

A

stories have a start, middle and an end –> technically a framework –> can they therefore act as a model

24
Q

NRT focuses too greatly on performativity

A

and not enough attention is brought to embodiment e.g. dance as a way to enact everyday life (Thirft, 1997) but does not consider the deeper relational understandings (Jason and Nash, 2003).

25
Q

Sonic geogrpahies –> music and the soundscape as a tool to conduct geograpphic research –> avoids verbal and textual forms of understanding (Paiva, 2018)

A

fits NRT as it focuses on the way the body responds to music –> affective and emotional practices e.g. cities and noise pollution as annoying (Amphoux, 2017)

26
Q

sonic geogrpahies as a nrt method still privilieges certain knowledges

A

different languages make different sounds –> English will dominate the research (Paiva, 2018).

27
Q

misrepresentations in the media

A

Disney –> Aladdin –> blends all non-western culture into an ‘other’ (Said, 1978; Disney+, 1992) –> viewed as inferior and lacking in cognitive ability.
geopolitical discourse –> 2018 migrant crisis with migrants being presented as exploitative and a drain on resources (Agnew, 2020) –> public opposition when they were refugees seeking asylum due to the dangers in their home country (De Genova, 2010).

28
Q

Dear Science -> uses storytelling and the biological innate process it provides in learning about the world

A

black stories -> drawn upon this and produce knowledges from an ethical distance (McKittrick, 2021)

29
Q

cultural geography has reevaluated criticisms of representation and acknowledged that the way things are represented can provide more societal context

A

reparative and descriptive forms of analysis have emerged to facilitate this (Anderson, 2019)

30
Q

NRT -> emerged in the late 1990s/2000s by Thrift

A

since rejected nrt but the long-term influence of questioning the role that representation plays is still present within current research (Anderson, 2019)

31
Q

‘crisis of representation’ -> 1980/90s

A

forms of representation being deconstructed and analysed (Barnes and Duncan, 1991)