Renaissance and Mannerism Cinquecento Italy Flashcards
Hatching
Lines that are very close together to create a shadow ||||
Cross Hatching
Deeper shadow, hatching lines \|||\||\\
Contour Hatching
bent fine lines that bend in motion
ex: shoulders and arms to show motion
Sfumato
smoky haziness, mistness, like atomospheric perspective but over whole painting and soft
Trump l’oiel
French for “fool the eye”
Reformation
Date: 1500s
Where: Northern Europe
What: dissatisfaction with Church leaders and beliefs, that individuals should have a direct connection with God not through the Catholic Church.
Who: Martin Luther, wrote 95 theses that debated but did not intend to separate from Catholic Church. He ended up creating his own Church (Protestant)
Protestant artwork feared idolatry fear of praising the artwork and not God, art was from woodcut: cheap, efficient, and to teach. Smaller figures in fear of idolatry. and more focus on God and not on art. Moralistic view.
Counter-Reformation
Catholic’s way of countering the reformation, created more dramatic, detailed artworks that were darker and showed what would happen if did not follow Church and rules and big and grand artworks
Martyrium
building over the grave of a Saint
Narthex
enter from one place (in building, architecture)
Pilasters
not column, not load-bearing but a sculpture of a column not creating support but creates unifying force around the building, a sculpture of a column
Sacra Conversazione
sacrad, Saints from all periods gather together in one artwork
Mannerism
Date: 1520s-1580s
Renaissance wanted to hide artificial nature wanted to create a window to another world
Mannerism: was an rxn to high ren and harmonized the ideas and celebrated nature of work and didn’t show the traits of ren of symmetrical and clam and stable and humanely figure.
Color: opposite on color wheel green and red offputting and has a jarring effect
Space: confused and undefined
Erotic and impossible movements
Overall: courtly, grace, sophistication, stylish
lack calm and balance eye has to move around a lot and twist and turn and figures had impossible movements and visually complex