Recapitulation

Question 1

Link Passage 266-275

Answer 1

G Eb, only half as long as in expo, piano interrupted by woods

Question 1

First Subject 253-266

Answer 1

Piano opens in G but fuller, louder and rhythmically colourful chords, decorate orch response with triplets, gentle mood

Question 2

Transition 3 275-286

Answer 2

Eb to V of G, new theme similar to transition of solo expo, (3rd below instead of 3rd above Bb), widely spread broken chord accompaniment, builds on augmented sixth chord in b280 to move to G, more scales from piano to lead to second subject

Question 3

Second Subject 286-293

Answer 3

Now in G and moves through same key relationships

Question 4

Link Passage 294-300

Answer 4

Same as expo

Question 5

Transition 1 301-312

Answer 5

Gm Bb F same as

Question 6

Link Passage 312-323

Answer 6

Am G same as

Question 7

Coda 324-346

Answer 7

Same, b341 orch takes over, rests on second inversion tonic chord

Question 8

Cadenza

Answer 8

Two Beethoven cadenzas and from other composers, provide chance to show off virtuosity, improvised usually and uses themes, dynamics and textures of rest of piece

Question 9

Codetta theme 347-356

Answer 9

G major, reprise of codetta theme adding decoration

Question 10

First subject theme 356-370

Answer 10

G major, piano and first violins exchange ideas from first subject, piano triplets against stings quavers, more piano scales, increase in texture and bring movement to a an end