Development

Question 1

192-216

Answer 1

Begins with tritone figure in piano, moves from D to Fm using triplet and motif x rhythm , pianissimo to Dm then Bm , woods develop x strings copy piano triplets, move through circle of fifths, F#m then C#m

Question 1

216-231

Answer 1

Now in C#m, virtuosic piano rhythmically complex punctuated chords from orch, fantasia-like, repeat short motivic ideas with lots of chromaticism, build to climax in b227 then trills to final section of development

Question 2

231-253

Answer 2

C#m Em E Em G V of G, In C#m (tritone from G) basses play motif x with 5 note falling scale in piano to E, woods play x over piano triplet, brief fugato with fugal subject in piano in G (scales trills off beat accents), wood countersubject and horns, subject in strings, piano triplets with x in orch b248, crescendo, rhythmic diminution and sfz to build tension to return