Exposition

Question 1

First Exposition 1-14

Answer 1

5 bar piano solo introduces first phrase of theme x in homorhythm, decorative run to imperfect cadence , median key orch, perfect cadence back to G

Question 2

Link Passage 14-28

Answer 2

Full orch, violin oboe flute play theme x, stretto (lower string play delayed theme x) leads to climax in 23

Question 3

Transition 1 29-40

Answer 3

4 bar modulatory phrases with lively dotted rhythms, Am G C, triplet/dotted accompaniment in strings

Question 4

Link Passage 40-49

Answer 4

Rising sequence built on x, F# Bm G C then G for codetta

Question 5

Codetta 50-74

Answer 5

Full orch, rhythmic diminution for energy, oscillating quavers in lower strings, antiphony 60-67, 68-74 theme x 3X and dynamic contrast

Question 6

Second Exposition 74-88

Answer 6

Piano enters, outlines theme x rhythm (and tritone), rhythmic diminution to build energy, after sparkling scales/trills plays material based on x

Question 7

First subject 89-96

Answer 7

Orch plays 1st subject answered by piano

Question 8

Link Passage 97-104

Answer 8

Piano plays triplet figuration, dialogue bassoons and woods, Em the Dm with melodic decoration in paino

Question 9

Transition 2 105-119

Answer 9

Bb Dm D, new lyrical theme in upper piano register (require modern piano of era), wide tessitura (polarised texture), rhythmic augmentation in strings of x, scale/arpeggio/contrary motion triplet semi quaver

Question 10

Second subject 119-126

Answer 10

D, get true second subject in strings in dominant, repeated by piano highly decorated and chromatic version

Question 11

Link Passage 127-133

Answer 11

D, Idiomatic piano passage + two bar sequential figure in orch

Question 12

Transition 1 134-145

Answer 12

Dm F C, theme in 1st violins then flute then oboe

Question 13

Link Passage 145-156

Answer 13

Piano semi quaver B Em C, strings and woods antiphony/dialogue based on x rhythm

Question 14

Codetta 157-192

Answer 14

Codetta theme in dominant + piano triplets, sudden dim7th b164, then chromatic piano scale over theme x in strings into long classical cadential trill, doesn’t resolve/dissipates, codetta theme again in piano now, 174 orch interrupts and ends 192 in dominant