Rebellion, resistance and survival theme Flashcards
all characters rebel
every major character in the book has had some kind of disobedience against Gilead’s laws
Moira
rebels most boldly- her daring escape proves futile and she ends up at Jezebel’s resigned to her fate
Ofglen
her rebellion is more community-minded, since she works as part of an organised resistance, although her careful plotting also ends badly
Small scale rebellion
from the Commander and his wife
Commander
has the advantage- a man, powerful in the new regime and wealthy
Gilead should be his ideal society, especially as he might have helped designed it, however, he desires a deeper emotional connection
breaks the law to help and care for Offred
Commander’s wife
tries to get around the structures of Gilead- sets Offred and Nick up in an attempt to make a family
these rebellious acts add complexity to their characters and to the dystopia as well
Rebellion
large or small, by attempting to destroy the Gileadean government or merely to make one’s personal circumstances more tolerable, each character commits rebellious acts, highlighting both the horror of Gilead
Resistance quote latin
“nolite te bastardes carborandorum”
Lack of rebellion
“I’ve crossed no boundaries, I’ve given no trust, taken no risk”
Her choice to be a handmaid
“nothing going on here that I haven’t signed up for”
Attwood’s point
Atwood is questioning why people so often co-operate with totalitarian regimes
Freedom
Handmaids have the “freedom to and freedom from” but are actually free from individual choice
Suicide in both books
is a tactical weapon to escape and prevent confession - in 1984 Julia’s previous lover committed suicide to avoid confessing and Ofglen commits suicide to avoid informing on Mayday
THMT - what happened to Moira
I’d like to tell a story about how Moira escaped, for good this time…But…I don’t know how she ended
1984 - Terror of room 101
I’ve got a wife and three children. The biggest of them isn’t six years old. You can take the whole lot of them and cut their throats in front of my eyes, and I’ll stand by and watch it. But not Room 101!’