Quotes Flashcards

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1
Q

‘In married life three is company and two is none’, act 1, Algernon to Jack

A
  • theme of deception- A happy to lie and encourage others to do the same
  • considered women to be morally superior
  • epigram-comic reversal, A has little respect for victorian morality, marriage and women
  • comedy of manners- Wilde’s verbal wit here is characteristic of the comedy of manners
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2
Q

‘The truth isn’t the sort of thing one tells to a sweet refined girl’ , act 1, Jack to Algernon

A
  • irony- J is horrified of A’s idea of bunburying but reveals himself to be the same
  • stereotypical, insinuating that women need protection
  • theme of deception- Jack doesn’t care for truth- not a gentleman and doesnt have morals
  • farce- begins complex plot lines which lead to confusion and deception
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3
Q

‘You silly boy! Why, we have been engaged for the last three months’, act 2, cecily to algernon

A
  • farce-exaggerated and absurd, as expected of farce
  • cecily reveals herself to be a stereotypically hopelessly shallow romantic
  • she is unafraid to patronise him, the power appears to be hers here
  • ingenue- Cecily doesn’t conform here, she is capable of manipulation
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4
Q

‘In matters of grave importance, style, not sincerity, is the vital thing’ Gwendolen to males, act 3

A

-aesthetic movement values; they prioritise the appearance of things
- one of most important victorian morals was honesty and here they’re clearly showing this has no importance to the characters
- farce- ridiculous comment

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5
Q

Lady Bracknell disagrees with the ‘modern sympathy with invalids’ and tells Lord B that ‘health is the primary duty of life’, act one

A
  • comic reversal; Lord Bracknell’s ill health represents a comic reversal of the typical victorian female invalid and implies his emasculation by his wife, while implying her power
  • comedy of manners; a stock character from the comedy of manners is the victorian dowager, an older woman who has and uses her power
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6
Q

‘The home seems to me to be the proper sphere for the man’ Gwendolen to Cecily, act 2

A
  • epigrammatic- this seems to be a comic reversal of the phrase ‘the home is the proper sphere for a woman’
  • foreshadowed- in act 1, Algy tells Jack that ‘all women become like their mothers’. In act 2, this seems to be coming true as Gwendolen mirrors her mothers views
  • the seperate spheres debate was an ongoing debate so Wilde is challenging the idea that women should be in the domestic sphere
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7
Q

‘I have dared to love you wildly, passionately, devotedly, hopelessly’ Algernon to Cecily, act 2

A
  • ‘hopelessly’ doesn’t make sense and Cecily calls him out on this.
  • algernon’s loss of control over his language shows cecily has the power in this dynamic.
  • hyperbolic- charecterisitc of fate
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8
Q

Calling Jack a ‘parcel’, horrified that he was found in a ‘hand bag’, Lady Bracknell

A
  • Parody of the typical parents quizzing their daughters boyfriend- LB questions begin by showing concern for Jack’s social appearances rather than his moral character
  • comic reversal of what we would expect this conversation to entail
  • farce- ludicrous and absurd where he was found
  • the foundling child is a staple feature of victorian literature, assumed to be the offspring of an illicit sexual encounter
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9
Q

‘Really if the lower orders don’t set us a good example, what on earth is the use of them?’ Algy after speaking to Lane, act 1

A
  • comic reversal- real man of the upper class was supposed to have a strong sense of social responsibility and morality; Algy here admits he has neither
  • subversive- subverts and challenges the idea that the upper classes cared about morality
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10
Q

‘I didn’t think it polite to listen sir’ Lane to Algy, act 1

A
  • repartee- throughout this exchange, lane shows himself to be capable of quick wit
  • ‘sir’ establishes the relationship between the two from the beginning. We know this is a play about class.
  • wit- this is lane’s way of saying he isn’t very good
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11
Q

‘This is no time to be wearing the shallow mask of manners’ Cecily to Gwendolen, act 2

A
  • irony- cecily says this but continues to wear ‘the mask’
  • comedy of manners- they are in the company of merriman so have to uphold their public appearances
  • ‘mask’- wilde is pointing out the fakeness and shallowness of upper class
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12
Q

‘My name is Ernest in town and Jack in the country’, Jack to Algy, act 1

A
  • comedy of manners- country vs town
  • no sense of honesty and morals
  • leading a double life; repression in victorian society may lead to this
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13
Q

‘Please dont touch the cucumber sandwiches’, ‘(takes one and eats it)’, Algernon, act 1

A
  • paradox- he contradicts himself by eating them
  • aestheticism- cucumber sandwiches are substanceless but have style
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14
Q

‘But we will not be the first to speak’ ‘Mr Worthing…’ , Gwendolen, act 3

A
  • paradox- another example of upper class contradicting themself
  • can’t take any meaning from what they say, trivial
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15
Q

‘It is simply a very young girl’s record of her own thoughts and impressions, and consequently meant for publication’ , Cecily, act 2

A
  • about her diary; her way of repressing her private thoughts
  • cares about public appearances
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16
Q

‘The truth is rarely pure and never simple’ , Algernon

A

Epigram

17
Q

‘Miss Fairfax, ever since i met you i have admired you more than any girl… I have ever met since… i met you’ Jack declaring his love for Gwendolen

A

Shows hes nervous

18
Q

‘A high moral tone can hardly be said to conduce very much to either one’s health or one’s happiness’, Jack to Algernon

A

Explaining reasons for needing a second identity to escape the responsibilities of being Cecily’s guardian

19
Q

‘Ignorance is like an exotic fruit. Touch it and the bloom is gone’ and ‘The whole theory of modern education is radically unsound’

A

Lady Bracknell

20
Q

‘The good end happily, and the bad unhappily. Thats what fiction means’ , Miss Prism to Cecily

A

Comic reversal