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Art of the West 1 > Quiz 2 > Flashcards

Quiz 2 Flashcards

1
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A

Early Christian,Sarcophagus of Junius Bassus. [11-7]

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2
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Early Christian, Restored view of Old Saint Peter’s, Rome, Italy. [11-9]

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3
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Early Christian,Interior of Santa Costanza, Rome, Italy. [11-11]

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4
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Early Christian,Detail of vault mosaic in the ambulatory of Santa Costanza. [11-13]

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5
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Early Christian, Christ as the Good Shepherd, mosaic from the entrance wall of the Mausoleum of Galla Placida, Ravenna. [11-16]

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6
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Byzantine, ANTHEMIUS and ISIDORUS, Hagia Sophia, Constantinople, Turkey. [12-2]

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7
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Byzantine, ANTHEMIUS AND ISIDORUS, interior of Hagia Sophia, Constantinople, Turkey. [12-4]

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8
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Byzantine, Choir and apse of San Vitale with mosaic of Christ between two angels, San Vitale, Ravenna, Italy. [12-9]

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9
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Byzantine, Justinian, Bishop Maximianus, and attendants (San Vitale church) [12-10]

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10
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Byzantine, Theodora and attendants (San Vitale Church) [12-11]

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11
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Byzantine, Virgin (Theotokos) and Child Enthroned (Hagia Sophia).[12-19]

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12
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Holy Roman Empire, Saint Matthew, from the Coronation Gospels. [16-13]

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13
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Holy Roman Empire, Saint Matthew, from the Ebbo Gospels. [16-14]

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14
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Holy Roman Empire, Crucifixion (book cover). [16-16]

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15
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Holy Roman Empire, Doors with relief panels from Saint Michael’s, Hildesheim. [16-24]

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16
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Romanesque, Aerial view of Saint Sernin, Toulouse, France. [17-4]

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17
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Romaneque, Plan of Saint Sernin, Toulouse, France. [17-5]

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18
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Romanesque, Interior of Saint Sernin, Toulouse, France. [17-6]

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19
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Romanesque, Baptistery of San Giovanni, Florence, Italy. [17-26]

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20
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Romanesque, GISLEBERTUS, Last Judgement (tympanum of Autun church) [17-12]

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21
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Romanesque, Pentacost and Mission of the Apostles (tympanum of Vezelay church). [17-13]

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22
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Romanesque, RAINER OF HUY, Baptism of Christ. [17-23]

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23
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Gothic, Ambulatory and radiating chapels of abbey church, Saint-Denis, France. [18-3]

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24
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Gothic, Aerial view from the northwest of Chartres Cathedral, Chartres, France. [18-13]

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25
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Gothic, Royal Portal from Chartres. [18-6]

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26
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Gothic, Old Testament queen and kings (Chartres) [18-7]

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27
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Gothic, Plan of Chartres Cathedral, Chartres, France. [18-14]

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28
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Gothic, Interior of Chartres Cathedral, Chartres, France. [18-15]

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29
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Gothic, ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, interior of Ameins Cathedral, Amiens, France. [18-19]

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30
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Gothic, ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, west façade of Amiens Cathedral, Amiens, France. [18-21

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31
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Gothic, Christ trumeau figure of Amiens Cathedral. [18-22]

32
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Gothic, Interior of the upper chapel, Sainte-Chapelle, Paris, France. [18-25]

33
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Gothic, God as architect of the world. [18-32]

34
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Early Renaissance, NICOLA PISANO, The Annunciation and the Nativity. [19-3]

35
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Early Renaissance, GIOVANNI PISANO, The Annunciation and the Nativity. [19-4]

36
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Early Renaissance, CIMABUE, Madonna Enthroned with Angels and Prophets. [19-7]

37
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Early Renaissance, GIOTTO, Madonna Enthroned. [19-8]

38
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Early Renaissance, GIOTTO, Lamentation, Arena Chapel. [19-9]

39
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Early Renaissance, DUCCIO, Virgin and Child Enthroned with Saints (Maesta) [19-10]

40
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Early Renaissance, AMBROGIO LORENZETTI, Peaceful City. [19-16]

41
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41

A

Early Renaissance, AMBROGIO LORENZETTI, Peaceful Country. [19-17]

42
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A

Early Renaissance, ARNOLFO DI CAMBIO, Florence Cathedral, Florence, Italy. [19-18]

43
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A

Early Renaissance, FRANCESCO TRAINI or BUONAMICO BUFFALMACCO, Triumph of Death. [19-20]

44
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A

Renaissance, BRUNELLESCHI, Sacrifice of Isaac. [21-2]

45
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Renaissance, GHIBERTI, Sacrifice of Isaac. [21-3]

46
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Renaissance, GHIBERTI, Gates of Paradise doors. [21-10]

47
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Renaissance, GHIBERTI, Isaac and His Sons. [21-11]

48
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A

Renaissance, NANNI DI BANCO, Four Crowned Saints. [21-4]

49
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A

Renaissance, DONATELLO, Saint Mark. [21-5]

50
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Renaissance, GENTILE DA FABRIANO, Adoration of the Magi. [21-17]

51
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Renaissance, MASACCIO, Tribute Money. [21-18]

52
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A

Renaissance, MASACCIO, Holy Trinity. [21-20]

53
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A

Renaissance, BRUNELLESCHI, dome of Florence Cathedral, Florence, Italy. [21-30]

54
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A

Renaissance, BOTTICELLI, Birth of Venus. [21-28]

55
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A

Renaissance, PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter (Sistine Chapel) [21-40]

56
Q

Apse

A

Alter Location

57
Q

Saint Peter

A

Christ’s Best friend he told him that he would be the Rock of the Church. The Pope’s trace their power to him.

58
Q

Martyrium

A

tomb of a Martyr

59
Q

Tessera

A

small tiles to make mosaic

60
Q

Luxury Arts

A

illuminated manucript

61
Q

Constantine

A

Constantine defeated Maxentius at the Battle of Livian. Constantine then became the sole ruler of the Roman Empire. He had a vision fo a cross which led him to pass the Edict of Milan which allowed to freely practice without prosecution.

62
Q

Emperor Theodosius

A

made christianity the state religion,

63
Q

Theodora

A

Justinian’s Wife she was not of noble birth, she was a former actress, she was described as “surpassing in intelligence all men who ever lived”

64
Q

Hagia Sophia

A

Holy Wisdom

65
Q

Pendentives

A

a concave, triangular section of a hemipshere, four of which provide the transiton from a square area to the circular basse of a covering dome. Although pendentives appear to be hanging from he dome, they in fact support it.

66
Q

Theotokus

A

Greek, “she who bore God.” The Virgin Mary, the mother of Jesus.

67
Q

Iconoclasm

A

The destruction of religious or sacred images. Iconoclasts were the destroyers of images.

68
Q

Typology

A

In Christian theology,the recognition of concordances betweenevents,epecially between episodes in the Old and New Testaments.

69
Q

Mandorla

A

An almond-shaped nimbus surrounding the figure of christ or other sacred figure.

70
Q

Hildegard if Bingen

A

Hildegard was a German nun and eventualyl the abbes of the convent at Disibonberg in the Rhineland. Possibly oversaw the production of the Manuscript “Know the Ways of God”. The book containes a record of Hildegard’s vision of the divine order of the cosmos and of humankind’s place in it.

71
Q

Crusades

A

In mediveal Europe, armed christian pilgrimages aimed at recapturing the Holy Land from the Muslims.

72
Q

Tympanum

A

a semi-circular wall surface over a doorway and often contains sculpture.

73
Q

Opus Modenum

A

latin, “modern work.” The late medieval term for Gothic art and architecture.

74
Q

Gothic Architecture

Rib Vault

Flying Buttress

Clerestory

A

Rib Vault - a vault in which the disagonal and transverse ribs compose a structural skeleton that partially supports the masonry web between them

Flying Buttress - A exsterior masnory structure that opposes the lateral thrust of an arch or vault. A flying buttress consist typically of an inclined member carried on an arch or a sereies of arches and a solid buttress to which it transmits it lateral thrust.

Clerestory - The fenestrated part of a building that rises above the roods of the other parts. Clerestories are the windows that form the nave;s uppermost level below the timber ceiling or the vaults.

75
Q

Lux Nova

A

Latin, “new light.” Abbot Suger’s term for the light that enters a Gothic church through stained glass windows.

76
Q

Suger

Bernard

A

Suger liked art and Bernard was agisint art for the church.

77
Q

Urban Workshops

A

Book began being created in monstaries but moved to urban workshops to where more coomon folk were creating the books.

Art of the West 1 (4 decks)

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