Final Flashcards
15th Century Northern Europe
Jan Van Eyck, Ghent Altarpiece (closed)
15th Century Northern Europe
Jan Van Eyck, Ghent Altarpiece (open)
15th Century Nothern Europe
Van Der Weyden, Depostition
15th Century Northern Europe
Van Der Weyden, St. Luke Drawing the Virgin
15th Century Northern Europe
Van Der Goes, Portinari Altarpiece
15th Century Northern Europe
Campin (Master of Flémalle), Mérode Altarpiece
15th Century Northern Europe
Jan Van Eyck, Giovanni Arnolfini and His Bride
15th Century Northern Europe
Jan Van Eyck, Man in a Red Turban
15th Century Northern Europe
Schongauer, St. Anthony Tormented by Demons
15th Century Italian
Gentile Da Fabriano, Adoration of the Magi
15th Century Italian
Masaccio, Tribute Money
15th Century Italian
Masaccio, Holy Trinity
15th Century Italian
Perugino, Christ Giving the Keys to Saint Peter (Sistine Chapel)
16th Century Italian
Leonardo, cartoon for Virgin and Child with Saint Anne and the Infant Saint John
16th Century Italian
Leonardo, Last supper
16th Century Italian
Leonardo, Mona Lisa
16th Century Italian
Bramamte, plan for the new Saint Peter’s
16th Century Italian
Caradosso, medal showing Bramante’s design for the new Saint Peter’s
16th Century Italian
Micelangelo, Moses
16th Century Italian
Michelangelo, Bound Slave
16th Century Italian
Interior of the Sistine Chapel, Vatican City, Rome
16th Century Italian
Michelangelo, celing of the Sistine Chapel
16th Century Italian
Michelangelo, Creation of Adam
16th Century Italian
Raphael, Philosophy (School of Athens)
16th Century Italian
Raphael, Marriage of the Virgin
16th Century Italian
Raphael, Galatea
16th Century Italian
Raphael, Baldassare Castiglione
16th Century Italian
Michaelangelo, tomb of Giuliano de’ Medici (New Sacristy)
16th Century Italian
Michelangelo, Last Judgement
16th Century Italian
Michelangelo, plan for Saint Peter’s, Vatican City, Rome
16th Century Italian
Michelangelo, Saint Peter’s (lookinb northeast), Vatican City, Rome
16th Century Italian
Giovanni Bellini and Titian, The Feast of the Gods
16th Century Italian
Giorgione, The Tempest
16th Century Italian
Titian, Assumption of the Virgin
16th Century Italian
Titian, Madonna of the Pesaro Family
16th Century Italian
Titian, Meeting of the Bacchus and Ariadne
16th Century Italian
Titian, Venus of Urbino
16th Century Italian
Titian, Isabella d’Este
16th Century Italian
Correggio, Assumption of the Virgin (Parma Cathedral)
16th Century Italian
Pontormo, Entombment of Christ
16th Century Italian
Parmigianino, Madonna with the Long Neck
16th Century Italian
Bronzino; Venus, Cupid, Folly, and Time
16th Century Italian
Sofonisba (Anguissola), Portrait of the Artist’s Sisters and Brother
16th Century Italian
Cellini, Salt Cellar of Francis
16th Century Italian
Giovanni Da Bologna, Abduction of the Sabine Women
16th Century Italian
Guilio Romano, Interior courtyard facade of the Palazzo del Te (Mantua, Italy)
16th Century Italian
Tintoretto, Last Supper
16th Century Italian
Veronese, Christ in the House of Levi
16th Century Italian
Palladio, west facade of San Giorgio Maggiore
16th Century Italian
Palladio, interior of San Giorgio Maggiore
16th Century Northern Europe
Bosch, Garden of Earthly Delights
16th Century Northern Europe
Grunewald, Isenheim Altarpiece (closed), crucifuxition (center panel)
16th Century Northern Europe
Grunewald, Isenheim Altarpiece (open)
16th Century Northern Europe
Durer, The Great Piece of Turf
16th Century Northern Europe
Durer, The Four Apostles
16th Century Northern Europe
Durer, The Fall of Man
16th Century Northern Europe
Clouet, Francis 1
16th Century Northern Europe
Bruegel The Elder, Hunters in the Snow
16th Century Northern Europe
Bruegel the Elder, Netherlandish Proverbs
16th Century Northern Europe
El Greco, The Burial of Count Orgaz
European Capitalism
families loaning out money as if they are banks
Giorgio Vasari
acredited Jan Van Eyck to be the first artist to use oil painting in his book “Lives of the Artist” which is false.
Posthumous
means afterdeath
Burin
a pointed tool used for engraving or incising
Paragone
is a debate from the Italian Renaissance in which one form of art (architecture, sculpture or painting) is superior to all others
Della Rovere family
The family crest containes oak tree and acrons. Pop Sixtus IV who built the Sistine Chapel came fromt his family.
Mannerism
the term derived from the Italian word maniera, meaning “style” or “manner”. Mannerism style is characterized by style (being stylish, cultured, elegant)
Sibyl
female prophets in pagan antqiuity
Serpentine Figure
the figure are twisting and turning
Zeuxis
Raphael weote a letter to his friend costiglione that alludes to the story of Zexis the ancient paitner whocombined various models to create Ideal beauty. Zeuxis combined five woman feautres into one.
Parma Cathedral
Correggio, Assumption of the virgin, 16th Century Italian
Isabella D’Este
She was a patron of the arts she had a Studiolo (study) commisioned even though it was unheard of for women to have one. She had Titian paint mythological depections but they had virture.
Martin Luther
1517
95 Thesis
Started Reformation
Counter Reformation
The Catholic Church response to the counter reformation. The started the inquisition where they interrigated people who they thought needed a speaking too.
Council of Trent - Prompted by the Reformation, the Council of Trent was highly important for its sweeping decrees on self-reform and for its dogmatic definitions that clarified virtually every doctrine contested by the Protestants. The council played a vital role in revitalizing the Roman Catholic Church in many parts of Europe.
Indulgence
the act or practice of indulging; gratification of desire.
Edition
is a set a prints
Relief
is created by carving into a surfaces. The artist must conceptualize the image negatively.
Intaglio
An artist will incises a metal plate as apostive image. Then put ink on the plate where the ink will go into the incisions and the artist will wipe away the extra ink. Then the plate will put through a press onto a piece of paper.
disegno
drawing
