Final

Question 1

Answer 1

15th Century Northern Europe

Jan Van Eyck, Ghent Altarpiece (closed)

Question 2

Answer 2

15th Century Northern Europe

Jan Van Eyck, Ghent Altarpiece (open)

Question 3

Answer 3

15th Century Nothern Europe

Van Der Weyden, Depostition

Question 4

Answer 4

15th Century Northern Europe

Van Der Weyden, St. Luke Drawing the Virgin

Question 5

Answer 5

15th Century Northern Europe

Van Der Goes, Portinari Altarpiece

Question 6

Answer 6

15th Century Northern Europe

Campin (Master of Flémalle), Mérode Altarpiece

Question 7

Answer 7

15th Century Northern Europe

Jan Van Eyck, Giovanni Arnolfini and His Bride

Question 8

Answer 8

15th Century Northern Europe

Jan Van Eyck, Man in a Red Turban

Question 9

Answer 9

15th Century Northern Europe

Schongauer, St. Anthony Tormented by Demons

Question 10

Answer 10

15th Century Italian

Gentile Da Fabriano, Adoration of the Magi

Question 11

Answer 11

15th Century Italian

Masaccio, Tribute Money

Question 12

Answer 12

15th Century Italian

Masaccio, Holy Trinity

Question 13

Answer 13

15th Century Italian

Perugino, Christ Giving the Keys to Saint Peter (Sistine Chapel)

Question 14

Answer 14

16th Century Italian

Leonardo, cartoon for Virgin and Child with Saint Anne and the Infant Saint John

Question 15

Answer 15

16th Century Italian

Leonardo, Last supper

Question 16

Answer 16

16th Century Italian

Leonardo, Mona Lisa

Question 17

Answer 17

16th Century Italian

Bramamte, plan for the new Saint Peter’s

Question 18

Answer 18

16th Century Italian

Caradosso, medal showing Bramante’s design for the new Saint Peter’s

Question 19

Answer 19

16th Century Italian

Micelangelo, Moses

Question 20

Answer 20

16th Century Italian

Michelangelo, Bound Slave

Question 21

Answer 21

16th Century Italian

Interior of the Sistine Chapel, Vatican City, Rome

Question 22

Answer 22

16th Century Italian

Michelangelo, celing of the Sistine Chapel

Question 23

Answer 23

16th Century Italian

Michelangelo, Creation of Adam

Question 24

Answer 24

16th Century Italian

Raphael, Philosophy (School of Athens)

Question 25

Answer 25

16th Century Italian

Raphael, Marriage of the Virgin

Question 26

Answer 26

16th Century Italian

Raphael, Galatea

Question 27

Answer 27

16th Century Italian

Raphael, Baldassare Castiglione

Question 28

Answer 28

16th Century Italian

Michaelangelo, tomb of Giuliano de’ Medici (New Sacristy)

Question 29

Answer 29

16th Century Italian

Michelangelo, Last Judgement

Question 30

Answer 30

16th Century Italian

Michelangelo, plan for Saint Peter’s, Vatican City, Rome

Question 31

Answer 31

16th Century Italian

Michelangelo, Saint Peter’s (lookinb northeast), Vatican City, Rome

Question 32

Answer 32

16th Century Italian

Giovanni Bellini and Titian, The Feast of the Gods

Question 33

Answer 33

16th Century Italian

Giorgione, The Tempest

Question 34

Answer 34

16th Century Italian

Titian, Assumption of the Virgin

Question 35

Answer 35

16th Century Italian

Titian, Madonna of the Pesaro Family

Question 36

Answer 36

16th Century Italian

Titian, Meeting of the Bacchus and Ariadne

Question 37

Answer 37

16th Century Italian

Titian, Venus of Urbino

Question 38

Answer 38

16th Century Italian

Titian, Isabella d’Este

Question 39

Answer 39

16th Century Italian

Correggio, Assumption of the Virgin (Parma Cathedral)

Question 40

Answer 40

16th Century Italian

Pontormo, Entombment of Christ

Question 41

Answer 41

16th Century Italian

Parmigianino, Madonna with the Long Neck

Question 42

Answer 42

16th Century Italian

Bronzino; Venus, Cupid, Folly, and Time

Question 43

Answer 43

16th Century Italian

Sofonisba (Anguissola), Portrait of the Artist’s Sisters and Brother

Question 44

Answer 44

16th Century Italian

Cellini, Salt Cellar of Francis

Question 45

Answer 45

16th Century Italian

Giovanni Da Bologna, Abduction of the Sabine Women

Question 46

Answer 46

16th Century Italian

Guilio Romano, Interior courtyard facade of the Palazzo del Te (Mantua, Italy)

Question 47

Answer 47

16th Century Italian

Tintoretto, Last Supper

Question 48

Answer 48

16th Century Italian

Veronese, Christ in the House of Levi

Question 49

Answer 49

16th Century Italian

Palladio, west facade of San Giorgio Maggiore

Question 50

Answer 50

16th Century Italian

Palladio, interior of San Giorgio Maggiore

Question 51

Answer 51

16th Century Northern Europe

Bosch, Garden of Earthly Delights

Question 52

Answer 52

16th Century Northern Europe

Grunewald, Isenheim Altarpiece (closed), crucifuxition (center panel)

Question 53

Answer 53

16th Century Northern Europe

Grunewald, Isenheim Altarpiece (open)

Question 54

Answer 54

16th Century Northern Europe

Durer, The Great Piece of Turf

Question 55

Answer 55

16th Century Northern Europe

Durer, The Four Apostles

Question 56

Answer 56

16th Century Northern Europe

Durer, The Fall of Man

Question 57

Answer 57

16th Century Northern Europe

Clouet, Francis 1

Question 58

Answer 58

16th Century Northern Europe

Bruegel The Elder, Hunters in the Snow

Question 59

Answer 59

16th Century Northern Europe

Bruegel the Elder, Netherlandish Proverbs

Question 60

Answer 60

16th Century Northern Europe

El Greco, The Burial of Count Orgaz

Question 61

European Capitalism

Answer 61

families loaning out money as if they are banks

Question 62

Giorgio Vasari

Answer 62

acredited Jan Van Eyck to be the first artist to use oil painting in his book “Lives of the Artist” which is false.

Question 63

Posthumous

Answer 63

means afterdeath

Question 64

Burin

Answer 64

a pointed tool used for engraving or incising

Question 65

Paragone

Answer 65

is a debate from the Italian Renaissance in which one form of art (architecture, sculpture or painting) is superior to all others

Question 66

Della Rovere family

Answer 66

The family crest containes oak tree and acrons. Pop Sixtus IV who built the Sistine Chapel came fromt his family.

Question 67

Mannerism

Answer 67

the term derived from the Italian word maniera, meaning “style” or “manner”. Mannerism style is characterized by style (being stylish, cultured, elegant)

Question 68

Sibyl

Answer 68

female prophets in pagan antqiuity

Question 69

Serpentine Figure

Answer 69

the figure are twisting and turning

Question 70

Zeuxis

Answer 70

Raphael weote a letter to his friend costiglione that alludes to the story of Zexis the ancient paitner whocombined various models to create Ideal beauty. Zeuxis combined five woman feautres into one.

Question 71

Parma Cathedral

Answer 71

Correggio, Assumption of the virgin, 16th Century Italian

Question 72

Isabella D’Este

Answer 72

She was a patron of the arts she had a Studiolo (study) commisioned even though it was unheard of for women to have one. She had Titian paint mythological depections but they had virture.

Question 73

Martin Luther

Answer 73

1517

95 Thesis

Started Reformation

Question 74

Counter Reformation

Answer 74

The Catholic Church response to the counter reformation. The started the inquisition where they interrigated people who they thought needed a speaking too.

Council of Trent - Prompted by the Reformation, the Council of Trent was highly important for its sweeping decrees on self-reform and for its dogmatic definitions that clarified virtually every doctrine contested by the Protestants. The council played a vital role in revitalizing the Roman Catholic Church in many parts of Europe.

Question 75

Indulgence

Answer 75

the act or practice of indulging; gratification of desire.

Question 76

Edition

Answer 76

is a set a prints

Question 77

Relief

Answer 77

is created by carving into a surfaces. The artist must conceptualize the image negatively.

Question 78

Intaglio

Answer 78

An artist will incises a metal plate as apostive image. Then put ink on the plate where the ink will go into the incisions and the artist will wipe away the extra ink. Then the plate will put through a press onto a piece of paper.

Question 79

disegno

Answer 79

drawing