Quiz 2 Flashcards

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1
Q

Smallest Interval used in the Western System. Also the distance between two adjacent keys on a piano.

A

Half Step

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2
Q

Interval between two notes that are eight diatonic pitches apart.

A

Octave

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3
Q

An Interval consisting of two half steps.

A

Whole Step

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4
Q

Melody or Harmony built from many, if not all 12 pitches of the octave. Consists of an ascending or descending sequence of half steps.

A

Chromatic (Out of Key) Scale

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5
Q

Melody or Harmony built from the 7 pitches of a major or minor scale. Encompasses patterns of seven whole steps and half steps.

A

Diatonic (In the Key) Scale

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6
Q

Scale consisting of 7 different pitches that comprise a specific pattern of whole and half steps. It’s third degree is raised half a step.

A

Major Scale

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7
Q

Scale consisting of 7 different pitches that comprise a specific pattern of whole and half steps. It’s third degree is lowered half a step.

A

Minor Scale

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8
Q

Musical symbol that indicates raising a pitch by a half step.

A

Sharp (Up a Half Step)

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9
Q

Musical symbol that indicates lowering a pitch by a half step.

A

Flat (Down a Half Step)

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10
Q

Triad built on the first scale note, the I chord.

A

Tonic Chord

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11
Q

In the diatonic system, chords that need to resolve to the tonic chord. Includes the dominant and subdominant chords.

A

Active Chords

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12
Q

The interweaving of melodic (horizontal) and harmonic (vertical) elements in the musical fabric.

A

Texture

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13
Q

Single line texture, or melody without accompaniment. One sound, one melody.

A

Monophony

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14
Q

Two or more melodic lines combined into a multivoiced texture. Multiple sounds, not moving together.

A

Polyphony

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15
Q

Texture with a principal melody and accompanying harmony. More than one sound, all moving together.

A

Homophony

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16
Q

Melodic idea presented in one voice or part, and then restated in another.

A

Imitation

17
Q

Texture in which all voices, or lines, move together in the same rhythm.

A

Homorhythm.

18
Q

Structure and design in music, based on repetition, contrast, and variation; the organizing principle of music.

A

Form

19
Q

Melodic idea used as a basic building block in the construction of a piece.

A

Theme

20
Q

Musical expression of theme by varying its melodic outline, harmony, or rhythm.

A

Thematic Development

21
Q

Short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rhythmic unit.

A

Motive

22
Q

Restatement of an idea or motive at a different pitch level.

A

Sequence

23
Q

Performance style with a singing leader who is imitated by a chorus of followers.

A

Call and Response

24
Q

Singing, especially in Gregorian chant, in which a soloist or a group of soloists alternates with the choir.

A

Responsorial Singing

25
Q

The creation of music while it is being performed.

A

Improvisation

26
Q

A short melodic, rhythmic, or harmonic pattern that is repeated throughout a work or section.

A

Ostinato

27
Q

Complete, self-contained part within a larger work.

A

Movement

28
Q

The use of opposing musical elements to emphasize difference and variety.

A

Contrast

29
Q

The compositional procedure of altering a pre-existing musical idea.

A

Variation

30
Q

A scale which uses only FIVE notes, and contains NO HALF STEPS.

A

Pentatonic Scale