Quiz 10 Flashcards

1
Q

How is sound generated in an electric instrument?

A

the sound is generated by a physical vibration and picked up and modified by electrical/electronic circuits

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2
Q

What is a disadvantage of analogue instruments based on additive synthesis?

A

they require lots of oscillators to make the harmonic components needed to build a complex sound

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3
Q

What occurs in voiced sound?

A

the vocal folds vibrate causing sound with harmonic content

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4
Q

how is the distinctive sound made in yodelling?

A

making a fast transition between the chest register and head register

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5
Q

what is a formant?

A

a broad peak in the voice frequency spectrum

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6
Q

How is waveform generated in an electronic instrument?

A

an analogue or digital circuit generates waveform directly

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7
Q

what is subtractive synthesis?

A

it starts with waveforms that have lots of harmonics and applies filters

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8
Q

What are some examples of fricatives and plosives?

A

fricatives: z, v, s, f, j, ss
plosives: b, p, g, k, d, t

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9
Q

Why is the replacement of valves with transistors important?

A

transistors are much lower power and much smaller than valves

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10
Q

how is a hammond organ similar to a conventional pipe organ?

A

both use addition of harmonics to build up a complex sound

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11
Q

what do the positions of the hands affect in a theremin (early analogue synthesiser)?

A

the position of the hands controls the pitch and volume of the oscillator

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12
Q

What class do the membranes of chordophones, membranophones and idiophones fall under?

A

percussion

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13
Q

why does a struck xylophone bar not have a harmonic series with integer multiples of a fundamental?

A

the bar is rigid and therefore does not have the same harmonic modes as a stretched string

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14
Q

why do drums/membranophones not have a harmonic series with integer multiples of a fundamental?

A

they are 2D systems with excited states that are more complicated than those of a 1D system

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15
Q

why is the playing position in drums important?

A

it allows selection, or damping, of modes to change the harmonic content

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