q3 Music Flashcards

1
Q

largest country in south asia?

A

India

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2
Q

singing with nasal vocal quantity

A

melismatic

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3
Q

style of singing developed into a strong and diverse tradition

A

Samagana

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4
Q

a sacred text that is sung as samagana

A

sama veda

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5
Q

sama veda is —– out —– vedas of hinduism

A

3rd out of

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6
Q

what is the veda before sama veda

A

rig veda

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7
Q

first among 4 canonical sacred text

A

rig veda

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8
Q

cananonicalsacred text of hinduism

A

Veda

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9
Q

—- an ancient indian sacred collection ofvedic sanscrit hymns

A

Rig veda

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10
Q

music that is directed for hindu gods

A

carnatic music

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11
Q

Also known as temple music

A

carnatic music

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12
Q

lyric composition of carnatic music

A

krti

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13
Q

music that back tracks from the vedic period

A

hindustani music

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14
Q

north indian music

A

Hindustani sangeet

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15
Q

south indian music

A

Carnatic Sangeet

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16
Q

5 Classificatrion of musical instrument in india

A

Ghan
Avanaddh
Sushir
Vitat
Tat

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17
Q

CMI: a non membranous percussive instrument with solid resonators

A

ghan

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18
Q

Oldest class of instruments

A

Ghan

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19
Q

one of the most ancient percussion instrument in india

A

ghatam

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20
Q

a clay pot with a narrow mouth

A

ghatam

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21
Q

ancient instrument mainly used in devotional / folk songs

A

khartal

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22
Q

Sanskrit words ‘kara’ meaning hand and ‘tala‘
meaning clapping.

A

khartal

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23
Q

a traditional percussion instrument of Bhàrata India

A

manjeera

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24
Q

s a pair of small hand cymbals

25
a small pot used in Kashmir as a percussion instrument
nout
26
CMI: membranous percussive instrument typically drums
avanaddh
27
CMI: blown air, characterized by the use of air to produce sound
sushir
28
as vina during the old civilization.
tat
29
Instruments in this class are plucked
tat
30
Instruments in this class are plucked
vivat
31
This is of the oldest classifications of instruments and yet did not occupy a place in classical Indian music until the last few centuries.
vivat
32
rhythm in india
tala
33
literally meaning ‘clap;’ variously transliterated as “tal”, “taal” or “taala”
tala
34
plays an important role in Indian music.
rhythm
35
- a sequence of drum-syllables or ''bol'' - in Indian classical music,
theka
36
part of South Asia, its western part is considered as an extension of Central Asia.
pakistan
37
2 vocal music of pakistan
Ghazal qawwali
38
devotional music of the Chishti Order performed mainly at Sufi shrines
qawwali
39
s a pair of twin hand drums from the Indian
tabla a
40
is a two headed hand drum from the Indian subcontinent.
dholak
41
called “melodeon”,” reed organ” or pump organ. Is a keyboard instrument that is not like an organ. It makes sound by blowing air through reeds.
ahrmonuim
42
lute like musical instrument originating from Afghnistan.
rubab
43
time signiture of israel
1/4`
44
4 uses of the sounds of israel
communal worshipping mystic rituals life passage events Enterntainment
45
s spacial prayer and repntance
shofar
46
almost entirely voca  featured during Sabbath and other holy days
devotional
47
played during life passage events
secular
48
Wazn literally means --
measure
49
only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and pulse
wazn
50
the rhythmic pattern in Arabian music
Ipa
51
--- similar to the Philippine banduria
lute
52
a dance that often has strong off beats and asymmetric meters. Jewish Lyre Psalterion (Harp) Shofar Goblet Toft
hora
53
an ancient Israelite musical instrument , generally translated as “harp” or “lyre”
kinnor
54
ancient musical horn typically made of a ram's horn, used for Jewish religious purposes
shofar
55
is a single head membranophone with a goblet shaped body used mostly in Egypt and is considered the National symbol of Egyptian Shaabi music
goblet drum
56
means in Turkish language a big hand frame drum, which is known as Duff in Arabic language
toft/ bendir
57
The music from North India with an influenced by ancient Hindu musical traditions, historical Vedic religion/Vedic philosophy, native Indian sounds and enriched by the Persian performance practices of the Mughal era is called ____________.
hindustanic music
58