Putting the metal into RPDs Flashcards
what is the lost wax technique
- Old technique, done for centuries
○ Precise
○ Useful
○ Accurate - Whereby a wax shape made
- a mould is made to surround the shape
- The wax is removed from the mould by melting the wax
- The shape is filled with molten metal
why is the lost wax technique of casting different for producing other denture castings compared to RPDs
This type of casting is different for producing other dental castings since this method involves a refractory model whereas other casting (crowns, bridges or implant bars) are waxed on a definitive cast and cast directly from the cast itself
- CoCr is designed on a model
- Then removed from the model
- Then made into cast
- Little difference between the techniques
what is the refractory model made from
phosphate-bonded investment material
what is the problem with using phosphate-bonded investment materials
phosphate-bonded investments are stronger than gypsum-bonded investment
BUT
on heating they are subject to surface wear and must be treated by hardening the surface of the model
○ Not as strong at the surface
○ Wear easily
○ Be careful - can chip and break easily
what materials can be used to harden the refractory model
○ Beeswax
§ The model is heated and dipped into hot wax
○ Resin
§ The model is heated and dipped into cold resin
§ Most common
○ Aerosol
§ The cold model is sprayed
how is the model hardener procedure carried out
• The model is heated to 200°C for 45 minutes and then dipped for 10 seconds in the model hardener
• The hardener is absorbed into the model - no dimensional change takes place to the cast
○ Important to create a precision framework
○ Any dimensional changes means the overall result would prove to be inaccurate
• The model is allowed to cool (15-20 minutes)
○ If you place wax straight onto the hot model it will melt so it needs this time to cool
• The wax pattern can be placed directly onto the model surface
what are wax patterns
- Profiled wax
- Self assemble CoCr model box
- Design something on your own - put wax into your model
what are the stages in making the maxillary plate
• Stage 1
○ Fill the space made by the preparation wax for the internal finishing line
§ Looking to start where there are potential weak points with the CoCr framework - occlusal rests?
§ Mid palate - deep vault that the alloy could easily vault - needs extra wax
• Stage 2
Although the plate will be 0.5mm a sheet of 0.2mm is adapted over the centre of the plate to provide strength and resistance to flexure
how can the palate be adapted
• A wax sheet of 0.5mm is used and adapted in 2 stages, I and ii
○ Appropriate thickness for CoCr base
• The second sheet is placed overlapping the first sheet and using a fine blade the knife is drawn down the junction and the 2 pieces fitted together, iii
○ Deep vault in the palate - once you have wax in there it is likely to thin too much
○ Using 2 sheets stops this problem Overlaps first shape
• The 2 halves are adapted and lightly burnished to remove any visible junction, iv
○ Use instrument to burnish down junction
Good technique for deep palate
how is a wax retention joined
attached close to the major connector and joined using joining wax
an external finishing line is added using round profile wax smoothed against the connector (represents where the acrylic will be finished when it comes to putting it into the CoCr)
what is advisable for anterior teeth for retention
advisable to use posts as retention as space in this area can be limited for acrylic retention
can be on the fence with this idea
space can be a huge issue when setting teeth -having to over reduce the anterior can increase the translucency and then there is potential to see the metal posts through the teeth
how are clasps included in this design
the appropriate wax pattern is selected and positioned on the prepared ledge
The mesh has been filled to the clasp attachment to join with the major connector, this ensures the clasp is fed from the thickest part of the casting and not from the mesh which is thinner than the clasp which might result in a miscast
mesh is very thin - molten alloy will travel through and the clasp can be miscast so filling in the channels gives a better success rate
what does a sprue do
A sprue conducts the molten metal into the mould
where is a sprue attached
The sprue is attached to the thickest area and closest to the ingress of metal
○ The ingress of metal is where the metal is getting cast
sometimes parts are closer to the ingress of metal but they are thinner so would not support the sprue requirements
attached to a plastic cone which will be aligned in the casting machine
the plastic cone creates mould for the metal to pour into
the other wax attached to the cone is to stabilise it
the cone and sprue attachment must be higher than any part of the wax pattern
how should the casting cool
• The casting should progressively cool from the exterior to the centre of the metal inflow
• This should prevent cooling shrinkage producing voids in the casting
Important to follow these processes