Purcell Trumpet Sonata Flashcards
Type of melodies
Conjunct
Fanfare (mvt 3, b 115)
Neutral
monotone
Phrasing
Irregular phrase lengths
Melodic devices
Motivic; Same rhythm different notes fragmentation (mvt 1, b 5) repetition/echo (mvt 1, b 11) diminution sequences (mvt 3, b 77-78) melodic inversion (mvt 3, b 82) playes around with intervals cadentail trills (mvt 1, b 3)
Non-harmony notes
Auxilary notes (mvt 1, b 1 UA) Anticipation notes (mvt 1, b 3) Chromatic notes Suspensions (mvt 1, b 5) False relations
Overall harmony
Mainly consonant
Less reliance on functional harmony (mvt 2, b 45)
parallel triads
mainly perfect cadences (mvt 1, b 3-4)
Harmonic devices and unsual chords
Suspensions (mvt 1, b 5) Tierce de picardie (mvt 2, b 49) False relation (mvt 3, b 104) Chromatic (mvt 2, b 40-41) Augemented chords (mvt 2, b 48) 7th chords (mvt 2, b 32)
Tonality
Diatonic Major-minor modulation Modulation to related keys Pivot chords Inverted pedal Modal changes Chromatic chords
Structure
3 mvts
1) through composed, 3 ideas one after the other (1st idea b. 1-4, 2nd idea b. 11-10, 3rd idea b. 11-end)
2) short, grows organically from opening idea
3) ABA’CA type structure, where B and C resemble episodes (mvt 3, B section b 65-75, C section b 76-81)
Sonority
Trumpet - only 8 notes
Trumpet in D - restricts both key and type od melody trumpet can play
Strings in same style as trumpet part
continuo - generic writing
trumpet and continuo alone (mvt 1, b 1-3)
strings alone (all of 2nd mvt)
trumpet and 1st violins in unison (mvt 1, b 26-end)
violin writing never very difficult
Texture
Main texture - homophony and antiphony Some - imitation (mvt 1, b 7), redundant entry (mvt 3, b 95), inverted pedal (mvt 1, b 17), parts in 3rds/10ths (mvt 1, b 22), some parts in unsion Fugal entries (mvt 3, b 1)
Tempo, rhythm and metre
Probably fast, slow, fast 1st mvt, 2/2 2nd mvt, 4/4 3rd mvt, 3/8 rhythmic techniques - anacrusis, homorhythm, rest in all parts, even notes, diminution, shorter value notes
Dynamics and articulation
Not marked in score
Mood of 1st mvt
1) Bright and festive: fanfare melodies consonant harmony major tonality trumpet and strings antiphony homophony jaunty rhythm with anacrusis shorter note values
Mood of 2nd mvt
More intimate: chromatic melody suspensions minor tonality augmented and 7th chords chromatic writing grows organically just strings irregulkar phrase lengths homophonic and homorhythmic tecture adagio simple rhythms rest in all parts
Mood of 3rd mvt
Cheerful: variety of melodic styles conjunct monotone traidic major tonailty (brief moduation to minor) mainly consonant cadential suspension variety of textures triple time and fast