Purcell Trumpet Sonata Flashcards

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1
Q

Type of melodies

A

Conjunct
Fanfare (mvt 3, b 115)
Neutral
monotone

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2
Q

Phrasing

A

Irregular phrase lengths

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3
Q

Melodic devices

A
Motivic;
Same rhythm different notes
fragmentation (mvt 1, b 5)
repetition/echo (mvt 1, b 11)
diminution
sequences (mvt 3, b 77-78)
melodic inversion (mvt 3, b 82)
playes around with intervals
cadentail trills (mvt 1, b 3)
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4
Q

Non-harmony notes

A
Auxilary notes (mvt 1, b 1 UA)
Anticipation notes (mvt 1, b 3)
Chromatic notes
Suspensions (mvt 1, b 5)
False relations
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5
Q

Overall harmony

A

Mainly consonant
Less reliance on functional harmony (mvt 2, b 45)
parallel triads
mainly perfect cadences (mvt 1, b 3-4)

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6
Q

Harmonic devices and unsual chords

A
Suspensions (mvt 1, b 5)
Tierce de picardie (mvt 2, b 49)
False relation (mvt 3, b 104)
Chromatic (mvt 2, b 40-41)
Augemented chords (mvt 2, b 48)
7th chords (mvt 2, b 32)
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7
Q

Tonality

A
Diatonic
Major-minor modulation
Modulation to related keys
Pivot chords
Inverted pedal
Modal changes
Chromatic chords
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8
Q

Structure

A

3 mvts

1) through composed, 3 ideas one after the other (1st idea b. 1-4, 2nd idea b. 11-10, 3rd idea b. 11-end)
2) short, grows organically from opening idea
3) ABA’CA type structure, where B and C resemble episodes (mvt 3, B section b 65-75, C section b 76-81)

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9
Q

Sonority

A

Trumpet - only 8 notes
Trumpet in D - restricts both key and type od melody trumpet can play
Strings in same style as trumpet part
continuo - generic writing
trumpet and continuo alone (mvt 1, b 1-3)
strings alone (all of 2nd mvt)
trumpet and 1st violins in unison (mvt 1, b 26-end)
violin writing never very difficult

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10
Q

Texture

A
Main texture - homophony and antiphony
Some - imitation (mvt 1, b 7), redundant entry (mvt 3, b 95), inverted pedal (mvt 1, b 17), parts in 3rds/10ths (mvt 1, b 22), some parts in unsion
Fugal entries (mvt 3, b 1)
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11
Q

Tempo, rhythm and metre

A
Probably fast, slow, fast
1st mvt, 2/2
2nd mvt, 4/4
3rd mvt, 3/8
rhythmic techniques - anacrusis, homorhythm, rest in all parts, even notes, diminution, shorter value notes
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12
Q

Dynamics and articulation

A

Not marked in score

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13
Q

Mood of 1st mvt

A
1) Bright and festive:
fanfare melodies
consonant harmony
major tonality
trumpet and strings
antiphony
homophony
jaunty rhythm with anacrusis shorter note values
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14
Q

Mood of 2nd mvt

A
More intimate:
chromatic melody
suspensions
minor tonality
augmented and 7th chords
chromatic writing
grows organically
just strings
irregulkar phrase lengths
homophonic and homorhythmic tecture
adagio
simple rhythms
rest in all parts
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15
Q

Mood of 3rd mvt

A
Cheerful:
variety of melodic styles
conjunct
monotone
traidic
major tonailty (brief moduation to minor)
mainly consonant
cadential suspension
variety of textures
triple time and fast
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