Prose (25%) Flashcards

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1
Q

What is level 1 of communication?

A

the context (empirical author on one side, and the reader on the other) (outside of the box)

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2
Q

What is level 2 of communication?

A

text (novel, short story…) (inside the outer box)

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3
Q

What is level 3 of communication?

A

enunciation (fictional situation of narration –> so the narrator and the narratee)

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4
Q

What is level 4 of communication?

A

enounced (contents of the story –> so the story per se and what it tells)

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5
Q

Explain how the “communication model for narrative prose” is build:

A

1.extratextual level of communication: real author and real reader
2.intratextual level of communication 1(level of narrative transmission): fictive narrator and fictive reader
3.intratextual level of communication 2(level of the characters and the story)

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6
Q

What is the “story”?

A

What is told? (L4)
* events (actions and happenings)
* existents (characters and settings)

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7
Q

What is the “discourse”?

A

How is it told? (L2 and L3)
* text (what we read)
* narration (process of production of the story)

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8
Q

How do you analize discourse and story relation(according to Gerard Genette)?

A
  1. Tense/Time
  2. Mood/Mode
  3. Voice
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9
Q

Story Time:

A

refers to the temporal duration of the action that is described in the
course of the narrative

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10
Q

Discourse Time:

A

refers to the period of time required in order to narrate a text

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11
Q

Three aspects of time:

A
  1. Order of events
  2. Duration or speed of narration
  3. Frequency
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12
Q

Chronological narrative:

A

Event A-Event B- Event C

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13
Q

Anachronic:

A

chronology gets interrupted

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14
Q

Analepsis:

A

Flashback
Event B - Event A- Event C

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15
Q

Prolepsis:

A

Flashforward
Event A- Event C- Event B

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16
Q

Form of temporal structure: Scene

A

narration is equal to the story

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17
Q

Form of temporal structure: Stretch

A

narration is longer than the story

18
Q

Form of temporal structure: Summary

A

narration is shorter than the story

19
Q

Form of temporal structure: Ellipsis

A

story continues after the narration was ommited

20
Q

Form of temporal structure: Pause

A

story time stands still after the narration had been going on

21
Q

When analyzing the Mood/Mode, which two points are important to look at?

A

a. Distance
b. Perspective and Focalisation

22
Q

Voice: What is a narrator?

A

‣ Two distinct questions:
‣ Who speaks? (voice)
‣ Who sees/perceives? (focalisation)

23
Q

Overt (explicit)narrator:

A

▸ refers to him/herself in the first person
▸ directly or indirectly addresses the narratee
▸ offers reader-friendly exposition
▸ exhibits a ‘discoursal stance’ or ‘slant’ toward characters and
events (e.g. evaluative phrases)
▸ one who ‘intrudes’ into the story in order to pass philosophical or
metanarrative comments,
▸ one who has a distinctive voice

24
Q

Covert(neutral) narrator:

A

▸ doesn’t refer to him/herself in the first person
▸ doesn’t address the narratee
▸ doesn’t offer reader-friendly exposition
▸ doesn’t exhibit a ‘discoursal stance’ or ‘slant’ toward characters and events (e.g. evaluative phrases)
▸ one who doesn’t ‘intrude’ into the story in order to pass philosophical or metanarrative comments,
▸ one who doesn’t have a distinctive voice

25
Q

What is the “diegesis”?

A

the storyworld

26
Q

Extradiegetic narrator:

A

first-degree narration, no embedding

27
Q

Intradiegetic narrator:

A

second-degree narration, the story is explicitly embedded
in another narrative

28
Q

Hypodiegetic narrator:

A

third-degree narration, the is embedded in an intradiegetic narrative (could be continued, hypo-hypo …)

29
Q

Homodiegetic narrator:

A

narrator also features as character in their story

30
Q

Autodiegetic narrator:

A

narrator features as main character in their story

31
Q

Heterodiegetic narrator:

A

narrator does not feature as character in their story

32
Q

Unreliable narrator:

A
  • explicit contradictions within the narrator’s comments
  • inclusion of contrasting versions of the same event (narrated by the same
    narrator)
  • contradictions between the self-characterisation of the (homodiegetic)
    narrator and characterisations of the narrator by other characters
  • addresses to the reader that clearly attempt to manipulate the reader’s
    interpretation of events
  • (too) frequent insistence on the credibility (or incredibility) of his/her own
    account
  • paratextual signals (e.g. title, chapter headings)
33
Q

Which 3 modes of speech exist?

A

1.Narrated speech
2.Transposed speech
3.Quoted speech

34
Q

What is “voice”?

A

Who speaks?

35
Q

What is focalisation?

A

-Who sees/perceives/thinks/feels?
-Whose consciousness, whose perspective?

36
Q

What does narrative consist of?

A

Voice and focalization

37
Q

Zero focalisation:

A

narrator>characters (Übersicht)

38
Q

Internal focalisation:

A

narrator=characters (Mitsicht)

39
Q

External focalisation:

A

narrator<characters (Außensicht)

40
Q

fixed focalisation:

A

one focalizer throughout the whole story

41
Q

variable focalisation:

A

different scenes/events/episodes are
presented through different perspectives

42
Q

multiple focalisation:

A

one scene/event/episode is presented repeatedly through different perspectives