Pop Quiz Gay Flashcards

1
Q

Elements of Central Asian Music

A
  • Buddhist influence
  • mountainous influences
  • low-pitch singing
  • throat singing
  • multiphonic
  • overtones
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2
Q

throat singing

A
  • sound from the back of the throat
  • low pitch
  • multiphonic
  • overtone
  • ties to the Buddhist/simple culture
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3
Q

overtone

A

low pitch and a high pitch resonating above

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4
Q

Buddhist ritual music

A
  • one note/long time
  • chants
  • bright/dark timbre (overtone)
  • tone color melody
  • structure: unfolds over a long period, percussion
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5
Q

tone color melody

A

melody starts on one note, only quality (dark/bright) changes

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6
Q

mandala

A
  • basically a ragamala
  • images that depict various musical modes (ragas)
  • shows moods/emotions of music
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7
Q

puja

A

hour-long Buddhist ritual

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8
Q

rul-no cymbals

A

controls a puja music time demension

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9
Q

dung-chen trumpet

A

lower/darker timbre

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10
Q

brdung

A
  • series of accelerating strikes on the cymbals
  • builds tension
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11
Q

kungling trumpet

A

higher timbre

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12
Q

how to describe a puja

A
  • disorienting
  • singing is non pulsatile
  • instrumentation is pulsatile
  • nonimprovised
  • only participate if you are part of the ritual
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13
Q

morin khuur

A
  • guitar like
  • ancient
  • 2 strings
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14
Q

Tibetan music

A
  • Buddhist, spiritual, ritual
  • folk songs (often horse influences)
  • Dranyen
  • costumes
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15
Q

dranyen

A
  • Tibetan lute
  • 3 courses, 6 strings
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16
Q

Dranyen Shapdro

A
  • Tibetan
  • marching into funning feel
  • change of tempo
  • building tension
  • sounds like horses trotting then galloping
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17
Q

Mongolia

A
  • Ghengis Khan
  • long song: epic in scope, more serious, nomadic
  • short song: lighter
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18
Q

Hoyor Bor

A
  • long song about horses
  • morin khuur
  • urtyn duu singer (shigshill)
  • hoomi singer (throat singing)
  • mostly nonpulsatile rhythm
  • whistling hoomi melody
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19
Q

long song

A

more serious, epic in scope, nomdaic

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20
Q

short song

A

lighter

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21
Q

shigshill

A

ornamented melody using vibrato (rapidly fluctuating pitch)

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22
Q

hoomi singer

A
  • throat singing
  • whistling pitch
  • drone pitch
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23
Q

Indian classical music

A
  • religious/spiritual/meditative
  • improvisation
  • drums
  • solo instrumentals
  • drones
  • chord
  • nonparticipatory
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24
Q

karnatic (kriti) music

A
  • classical indian music
  • primarily vocals
  • ragas: scales
  • talas: time cycles
  • improvisation
  • highly expressive/moods/emotions
25
Q

raga

A
  • similar to mode(s)
  • associations with nonmusical ideas (love, night, heroic)
  • specific mood/emotion
  • poetic ish
  • has a set of rules
26
Q

tala

A
  • rhythmic framework/timekeeping
  • similar to the clave
27
Q

tabla

A
  • drums governed by the tala
28
Q

ragamala

A
  • painting/tapestry
  • depicts certain scenes that illustrate the mood of a raga
29
Q

tonic

A

homebase pitch

30
Q

motive/motif

A

short repeating pattern/idea

31
Q

alap

A

nonpulsatile section that begins a raga

32
Q

tanpura

A
  • indian chordophone
  • strums scale tones, drone pitches
33
Q

sarod

A
  • indian chordophone
  • more expressive than the tanpura
34
Q

saval-jarab

A
  • faster tempo in raga khamaj
  • call and response between meldoic soloist and drummer
35
Q

saval-jarab

A
  • faster tempo in raga khamaj
  • call and response between melodic soloist and drummer
36
Q

raga khamaj

A
  • improvisation
  • alap (nonpulsatile section)
  • tanpura
  • sarod
  • saval- jarab (faster tempo)
37
Q

what is indian classical musical comparable to

A

middle eastern takhat ensembles

38
Q

ta-ka-di-mi

A

indian drumming syllables

39
Q

kanada ragam

A
  • piano
  • aroh: ascending path of a raga
  • avaroh: descending path of a raga
40
Q

aroh

A

ascending path of a raga

41
Q

avaroh

A

descending path of a raga

42
Q

how would you describe indian religion

A

polytheistic

43
Q

Ninnada Nela (Kannada)

A
  • pallavi section
  • tambura drone, followed by the singer and violinist
  • tabla drum and kinjira (tambourineish)
  • violinist and singer acting heterophonically
44
Q

pallavi section

A
  • opening section of a kriti
  • main melodic phrase/theme
45
Q

Bollywood

A
  • syncretic: American + Indian
  • films
  • Hindi
  • timbre: nasaly, high, sounds like Kriti
  • sitar and tabla
  • participatory
  • glamorizes indian life
  • community based culture
46
Q

Chinese music

A
  • Buddhism
  • socialist realsim (propaganda)
  • confucianism
  • taoism
47
Q

Confucianism

A

emphasises intellectual traditions/ceremonies, conduct poetry and philosophy

48
Q

Taoism

A

simplicity, philosophy, and everything connected to the divine

49
Q

chinese classical music

A
  • guqin
  • slow/sparse playing
  • nonparticipatory
  • player read poem
  • not a lot of notes
50
Q

Ping sha lo yen
- wild geese desend onto the sand bank

A
  • guqin
  • yudino scale (5 notes)
  • pentatonic
  • fan yin (harmonies)
  • emphasizing one note (ornamentation)
  • calming/meditative
  • original theme, variation, variation, etc
51
Q

guqin

A

zither, traditional chinese chordophone

52
Q

guqin

A
  • zither, a traditional Chinese chordophone
  • plays few notes
  • drone sounds
53
Q

why did socialist realism shut down chinese classical music?

A

because it is individualistic and and for the intellectual class

54
Q

zither

A

chordophone laid out in front of you

55
Q

Guzheng

A
  • more active than the guqin
  • no poem
  • paints portraits with just the music
56
Q

pipa

A
  • pentatonic scales
  • more brittle, bright timbre
  • sparse texture
  • music paints a picture
  • more pitches
57
Q

sizhu

A
  • similar to takht
  • heterophonic
58
Q

heterophonic

A

same melody but variations

59
Q

Cui Jian

A
  • western instrumentation + chinese flute
  • syncretic