Piano Concerto in G Major, K 453 Flashcards
1
Q
Mozart composed his concerto for _
A
Barbara von Ployer, one of his most gifted students
2
Q
Piano Concerto background information
A
- concerto
- comp 1784
- 3 mvts
- piano and orchestra
3
Q
Piano Concert essay sections
A
- First Movement
- Orchestral Exposition: First theme
- Bridge (1)
- Second Theme (1)
- Solo Exposition: First Theme
- Bridge (2)
- Piano Theme
- Second Theme (2)
- Codetta
- Development
- Recapitulation
- Cadenza
4
Q
Piano Concerto First Movement
A
- G major
- Allegro
- C (meter)
- sonata form, with double exposition (first-movement concerto form)
5
Q
Piano Concerto Orchestral Exposition: First Theme
A
- elegant four-measure phrases
- occasional chromatic appoggiaturas
- violins featured, graceful woodwind figurations
6
Q
Piano Concerto Bridge (1)
A
-forcefully by orchestra
7
Q
Piano Concerto Second Theme (1)
A
- gently lilting figures
- syncopation
- violins and woodwinds
- brief minor keys (E minor, A minor) (2, 6)
8
Q
Piano Concerto Solo Exposition: First Theme
A
- piano play decorated version of first theme in G major
- left hand accompaniment: Alberti-bass pattern
9
Q
Piano Concerto Bridge (2)
A
- now has piano figurations
- modulate to D major (dominant)
10
Q
Piano Concerto Piano Theme
A
- D major (dominant)
- angular melody: quiet playfulness
- legato and staccato articulation (contrast)
- woodwinds echo statements
11
Q
Piano Concerto Second Theme (2)
A
- now in D major
- piano and strings
12
Q
Piano Concerto Codetta
A
- closing section
- decisive affirmation of D major
13
Q
Piano Concerto Development
A
- feature piano theme
- modulate various keys: B flat major, C minor, E minor (3bM, 4m, 6)
- piano: rapid scale w/ woodwind accompaniment
- woodwind solos: triplet arpegiated figures accompaniment on piano
- domnant preparation leads to return to home key
14
Q
Piano Concerto Recapitulation
A
- first theme by strings and woodwinds
- decorated version of firs theme on piano
- piano and second theme in G major
15
Q
Piano Concerto Cadenza
A
- after orchestral “tutti” leading to cadential 6/4 chord, general pause sets stage for cadenza
- unique to each performance
- improvisatory style
- based on thematic material
- soloist’s technical virtuosity and musical imagination
- after cadenza, full orchestral play final concluding passage, lead to authentic cadence in tonic key