Ludwig van Beethoven Flashcards
Ludwig van Beethoven musical style and contributions
- widely recognized and admired composers of all time
- both Classical and Romantic styles
- innovator, original, influential
- designer, architect
- developed, expanded Classical forms, transform every genre he touched
- explosive accents, extreme dynamic contrasts
- new orchestral instruments
- exploit piano tech improvements
- 3 style periods
What are examples of Beethoven’s innovations?
- replace menuet and trio w/ scherzo and trio (Sym No. 5)
- cyclical structure (Sym No. 5)
- programmatic elements (Sym No. 6)
- chorus in symphony (Sym No. 9)
How was Beethoven a designer/architect?
planned, revised compositions in sketchbooks
Which Classical forms did Beethoven devlope/expand?
- sonata
- concerto
Which new orchestral instruments did Beethoven incorporate?
- piccolo
- trombone
- contrabassoon
When and hat was Beethoven’s early period?
“Imitation” (up to 1802)
When and what was Beethoven’s middle period?
“Externalization” (1803 - 1815)
When and what was Beethoven’s late period?
“Reflection” (1815 - 1827)
Beethoven early period
- Classical style (Haydn, Mozart): ex. sonata form
- Sturm und Drang: minor keys (particularly C minor), tremolo, abrupt contrast
Beethoven early period representative works
- six string quartets, op. 18
- Sym Nos. 1 and 2
- 1st 10 piano sonatas, up to op. 14
Beethoven middle period
- Romantic: chromatic harmony, abrupt modulation
- expanded development of coda sections in sonata-form movements
- replace menuet and trio w/ scherzo and trio
- cyclical form
- linked mvts together
- expanded orchestra: include piccolo, trombone, contrabassoon
Beethoven middle period representative works
- Fidelio (opera)
- Violin Concerto
- Sym Nos. 3 to 8
Beethoven late period
- abstract and meditative
- counterpoint, fugal writing
- experimented form & content( include SATB solosts and chorus in final mvt of Sym No. 9)
- variation technique
Beethoven late period representative works
- Piano Sonatas op. 109, 110, 111
- Missa solemnis
- Sym No. 9 (“Choral)
- String Quartets op. 131, 132, 135