physical environment Flashcards
what is wayfinding
Wayfinding (or finding your way) is part of daily life, such as moving from where you sleep to where you eat or navigating from shop to shop in a mall.
Shoppers typically feel more comfortable when they have an approximate understanding of their location relative to familiar stores or restaurants and when they know where to find the nearest exit, restroom/toilet, food and drink area and so on.
what is sinage
Signage using pictograms (to overcome language barriers) helps shoppers to navigate their way around the shopping
environment and may convey other important information.
what is legibility
When people enter a new or familiar a space, indoors or outdoors, they use their
information-processing abilities to take ni environmental information, understand and use it.
meaning a space which ‘facilitates obtaining and understanding of environmental information’
Environmental features that influence wayfinding ?
Visible cues : Access to visible, familiar cues
or landmarks within or outside a building.
Architectural design: Architectural differentiation between
different areas of a building that aid orientation and spatial recall.
Creating a sense of identity/character for different zones wil help shoppers
to break the mal down into smaller chunks, making ti easier ot recall.
Signage: Using signs and room numbers for identification or directional
information.
Building layout: The building configuration can
influence how easy it is to understand the overall plan of the building. Awell-organised, simple floor plan wilhelp shoppers move easily around theshopping environment.
dou and erkip aim
This study aimed to investigate the effect of spatial factors on wayfinding and orientation in a shopping mall in Turkey.
methodology of dogu and erkip
Questionnaires were given to 155 adult shoppers at
Karum, a mall in Ankara, Turkey. The data collection took place on weekends when the mall was busy. Karum has a
fountain at the main entrance, which leads shoppers to a central atrium (a skylighted area where the main elevator
(lift) delivers shoppers to the three floors of stores. Signs use pictograms except the words WC’ (toilet) and
‘Exit’ and shops are numbered, although the system is
described as ‘confusing’. “You Are Here’ (YAH) maps are located on all three floors. These maps have an arrow
placed at the location of the map within the mall to help
shoppers orient themselves. The YAH maps at Karum were not very noticeable and the accompanying directory of stores was poorly organised.
The questionnaires included closed multiple choice and included items about familiarity and perception of the
setting le.g. legibility, including usefulness of the ‘You Are Here’ maps) and wayfinding strategies, including
self-confidence regarding ability to give directions to a stranger. Shoppers were asked to point in the direction of a randomly chosen store.
results for dugu and erkip
Shoppers did not find signage more helpful than building configuration for wayfinding and orientation,
those
who found the signs sufficient were more likely to say they found wayfinding easy
Sixty per cent
said the signs were insufficient and 68 per cent found
the
YAH maps insufficient.
47 per cent claimed there were no
such maps at Karum, showing the maps were not well positioned.
there was no gender difference in the accuracy of the pointing task; both males and females showed around
63 per cent accuracy. However, more males than females made close guesses
what is space syntax
Space syntax research models and analyses the relationship between spatial design and social, organisational and economic performance.
gil et al aim
Gil et al. (2009) aimed ot investigate the extent to which spatial configuration impacts movement around the store, duration of store visit and interaction with other shoppers and staff. They were also interested to reveal whether certain
groups of shoppers showed distinctive movement patterns.
methodology for gil et al
Data
was gathered using interviews and
naturalistic observations of shoppers at a supermarket. The
researchers also created a detailed plan of the shop
floor, which identified the location of different products. An opportunity sample of more than 480 shoppers was
recruited at the store. The shoppers were asked for
basic details including age, gender, group size, carrier type and clothing. Coloured tabs were provided so
that the shoppers could be identified when exiting the store. As the shoppers moved around the store, their
movements were tracked by
the CCTV camera operators. On leaving the supermarket, the shoppers were
interviewed about their spending, whether they used a
list and other shopping habits. Using the CCTV footage,
the researchers were able to record many dependent
variables, including time spent in each location, total
duration of visit, average walking speed, duration of interaction with products, the percentage of the store
sections visited more than once and the percentage of the store they visited.
what were the results of gil et al
Analysis of the shop floor plan revealed that the central aisle was the most accessible space in the store,
followed by the two parallel aisles, while the non-food aisles (e.g. CDs, DVDs, books, etc.) were the most segregated spaces. Although spatial layout was linked to
movement needs, shopper behaviour was mainly based on product location. Milk, bread, fruit and vegetable sections had the greatest level of shopper interaction, whereas baby products and non-food products were interacted with least. There was a correlation between spatial accessibility and movement patterns but
not between accessibility and product interactions. The researchers identified four different types of
supermarket visit (short, round, central and wave; see Table 7.71 and five distinct types
of shopper (specialist,
native, tourist, explorer and raider; see Table 7.8). There were wide individual differences in terms of the
demographics of the shopper in each type/category. although raiders were more likely to be male and lone females were more likely to be explorers.
what is a silent sales person
Pavesic describes a restaurant’s menu as a silent
salesperson. The menu is one of the first things customers see outside or inside the restaurant. This is
why menus are such an important marketing tool. Awell- designed menu can create a positive mindset, educate and even entertain, as well as increase the average spend per
diner. They may also increase customer loyalty, meaning diners are more likely to return and recommend the
restaurant or café to others.
how is a menu a restraunts busniess card
Pavesic also calls
the menu the restaurant’s business card, stating that colour and style should be congruent with the decor
and price range
of
the dishes. Like business cards, customers often take print menus home as souvenirs or
reminders
of their visit. As such, an attractive and well- organised menu may also be an important advertisement
for
the restaurant. The main message of this article is that the time, effort and money spent on the restaurant decor should be matched by that spent on the menu
design. Asimple overhaul of the layout and design can cheaply and rapidly increase profits and bring greater
customer loyalty. Pavesic provides a useful checklist of common menu mistakes (see Table 7.9),
all of which could have a negative impact on the restaurant’s
success.
what are common menu design mistakes
Common mistakes
Inadequate management commitment
Hard to read
Overemphasised prices Monotonous design
Poor salesmanship Poor use of space
Incongruent
To big
Explanation
- Not treating the design of the menu as important, not being involved with it, not realising the impact on sales.
- Not checking font size, crowding and background colour so the print fails to stand out clearly and items may not be seen.
- Putting prices in a column so people reading will choose a dish based on price, possibly ignoring more costly items.
- Not varying the graphic design to make certain items stand out, not making the menu look interesting.
- Not emphasising ni a visual way the items you most want to sell so they may be overlooked.
- Not using part of the menu, such as the back, ot identify the restaurant, address and contact details, as some guests wil take the menu away. Menus can eb your business cards.
- Failing to match the menu design to the restaurant, communicating alack of care about the business.
- This can make the menu difficult to hold, flap around or get ni the way.
what are the organisation and sequencing of menu designs ?
Pavesic refers to the use of ‘eye
magnets’, graphic techniques which attract the diners’ eyes to specific areas of the menu. Careful use of boxes,
borders, different colours, interesting fonts, shadows and arrows, for example, help organise the menu items, speeding up the processing time needed to make a selection. Items which are gluten-free or suitable for vegans can be signposted with a graphic/icon. Anything that decreases time spent looking at the menu helps
to increase revenue as it means customers receive, consume and pay for their orders more quickly, leaving tables free for further diners.
what is lightening the cognitive load in menu design?
One reason organisation is so important is that Pavesic
suggests diners spend an average of 109 seconds before choosing their meal, suggesting that fi menus are too
long and complicated, diners simply won’t process all of the information. Pavesic notes that 60-70 per cent of
menu choices come from the same 18-24 dishes; limiting
the number of options to this number will cut the cost of ingredients for dishes that are rarely ordered. Therefore, shorter menus make sense economically as well as
psychologically, as they are easier to process and less overwhelming.
what is eyetracking in menu design ?
Eye-tracking si commonly used by Consumer Psychology researchers as an objective measure of visual attention. Trackers often use pupil centre corneal reflection (PCCR), whereby the exact location of a person’s gaze can be detected and monitored by projecting an invisible beam of light into the eye and tracking the direction of the reflection using a camera.
Eye-trackers can be fitted into glasses so that they are wearable, meaning that eye-tracking studies can be conducted both in the laboratory and also in more naturalistic settings, such as supermarkets or restaurants.
Eye-trackers can also be used to create gaze motion plots or maps to show how the eyes move around or scan a
document such as a menu