Performance skills Flashcards

1
Q

Focus:

A
  • how and where the dancer looks, or the point in space where the energy of the movement is directed
  • focus can accent a line or an emotion
  • wandering focus can portray a lack of confidence
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2
Q

Musicality:

A
  • sense of rhythm and musical structure in a dancer’s movement
  • with music relies on timing, phrasing and sensitivity
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3
Q

Emphasis:

A
  • colouring expression
  • relies on knowing which aspects of the performance in terms of energy space and time to accent
  • this gives shading and expression
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4
Q

Timing:

A
  • the patterning of movement in time gives it form and rhythm
  • being in time with the other dancers
  • makes the performance look polished and have a clarity of delivery
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5
Q

Phrasing:

A
  • the way in which energy is distributed in the execution of a movement
  • is an organising factor in the performance reliant on an understanding of space, time, weight and flow
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6
Q

Projection:

A
  • the clarity, energy and power of the performance

- allows the dancer’s movement to reach out beyond the body to the audience

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7
Q

Characterisation:

A

-the way in which the dancer embodies a particular character through their posture, gesture, facial expression, quality and delivery of the movement

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8
Q

Facial expression:

A

-the face is full of expressive potential and should be used to enhance the choreographic intent

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9
Q

Sense of style:

A

-sensitivity to the distinct actions and qualities of the dance

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10
Q

Awareness:

A
  • the ability to sense what is happening around them and adjust their performance accordingly
  • dancers take movement cues from others using their peripheral vision
  • important from a safe practise point of view
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11
Q

Sensitivity:

A
  • capacity of a dancer to respond to changes, particularly in timing and spacing
  • important when dancing with others to give a cohesive portrayal of the choreographic intent
  • includes matching performance and skill levels to ensure clarity and not drawing attention from where the focal point it by upstaging
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12
Q

Contact:

A
  • the ability to ‘listen’ to others when giving or taking weight so to maintain a sensitive and safe rapport with other dancers
  • also a safe practise skill
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13
Q

Use of space:

A
  • dancer’s spatial awareness needs to be developed for a clean and consistent performance which reflects the pathways, patterns and design of the choreography
  • requires constant assessment and adjustment
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14
Q

Communication of choreographic intention:

A

-empathy with the mood or meaning of the dance and the ability to interpret and communicate this

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15
Q

What does the Royal Ballet’s Raven Girl use?

A
  • man in lunge, women kneeling on his back with arms outstretched
  • contact, focus awareness, sensitivity
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16
Q

What does Jamison’s Hymn use?

A
  • group in formation and unison, right arm outstretched and looking towards hand
  • focus, timing, sensitivity, use of space
17
Q

What does Bourne’s Nutcracker use?

A

-characterisation, facial expression