Perception Flashcards

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1
Q

Accommodation

A

Monocular depth cue that involves the automatic adjustment of the shape of the lens to focus an object in response to changes in how far away the object is. Information about how much the lens bulges or elongates is used by the brain to determine the depth and distance of the object in focus.

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2
Q

Cones

A

photoreceptors that allow someone to see colour and fine details in well-lit conditions p. 308

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3
Q

Cranial nerves

A

the nerves which extend from the tongue to the brain, along which gustatory information is transmitted p. 320

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4
Q

Depth cues

A

visual clues that allow someone to judge the distance or depth of stimuli in their environment p. 312

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5
Q

Eye

A

the sensory organ for vision p. 308

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6
Q

Fallibility

A

the quality of being prone to error or experiencing difficulties in judgement p. 327

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7
Q

Gestalt principles

A

guiding rules of perception that allow us to organise independent visual signals into meaningful wholes p. 310

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8
Q

Gustatory receptors

A

the sensory receptors which detect chemical molecules in food p. 320

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9
Q

Interpretation

A

the process of understanding and assigning meaning to sensory information p. 303

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10
Q

Neuronal reception

A

the process in which a neuron accepts (receives) a message p. 99

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11
Q

Optic nerve

A

the two nerves which extend from the back of the eye to the brain, along which visual information is transmitted to the brain p. 308

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12
Q

Organisation

A

the process of regrouping features of sensory stimuli together in order to form cohesive and meaningful information p. 302

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13
Q

Perception

A

the process of selecting, organising, and interpreting sensory information to be able to understand it (giving sensory information MEANING) p. 302

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14
Q

Perceptual distortion

A

an error in the judgement or interpretation of sensory stimuli p. 327

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15
Q

Perceptual set

A

a predisposition to perceive stimuli in a certain way due to a range of factors including a perceiver’s mood, motivations, context, culture and past experiences p. 314, 323

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16
Q

Photoreceptors

A

the sensory receptors of the eye which receive light and are responsible for the process of transduction p. 308

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17
Q

Reception

A

when a sensory stimulus is first detected by a sensory organ p. 299

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18
Q

Receptive field

A

the space in which a sensory stimulus can be detected by a sensory receptor p. 300

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19
Q

Rods

A

photoreceptors that allow someone to see in low levels of light. Exist mainly around the outsides/edges of the retina. p. 308

20
Q

Selection

A

the process of attending to certain features of sensory stimuli to the exclusion of others p. 302

21
Q

Sensation

A

the process of receiving and detecting raw sensory information via our sensory organs and sending it to the brain p. 299

22
Q

Synaesthesia

A

a perceptual phenomenon characterised by the experience of unusual perceptions in one sensory system after another sensory system has been activated p. 331

23
Q

Synaesthete

A

a person who experiences synaesthesia p. 331

24
Q

Taste

A

the sensation and perception of flavour p. 319

25
Q

Taste buds

A

clusters of gustatory receptors on the tongue p. 320

26
Q

Tongue

A

the primary sensory organ involved in taste p. 320

27
Q

Transduction

A

the conversion of raw sensory information detected by sensory receptors into a form that can be sent to the brain p. 300

28
Q

Transmission

A

the process of sending sensory information as a neural impulse to the part of the brain responsible for processing sensory information p. 301

29
Q

Vision

A

the sensory system which allows us to see our internal and external environment p. 307

30
Q

Visual constancy

A

our ability to perceive visual objects as staying the same even though the sensation of the objects may change p. 312

31
Q

Visual illusion

A

the perception of a visual stimulus in a way that conflicts with how it is in physical reality p. 327

32
Q

Visual perception principles

A

guiding rules that apply to visual signals and determine how they are organised and interpreted p. 310

33
Q

Figure-Ground

A

Gestalt Principle. When we use figure–ground, we organise visual information by perceptually dividing a visual scene into a ‘figure’, which stands out from the ‘ground’, which is its surroundings. We use the contour (boundary line) to separate the two features.

34
Q

Closure

A

Gestalt principle. the perceptual tendency to mentally ‘close up’, fill in or ignore gaps in a visual image and to
perceive incomplete objects as complete (‘whole’).

35
Q

Similarity

A

Gestalt principle. the tendency to perceive parts of a visual image that have similar features — such as size, shape, texture or colour — as belonging together in a unit, group or ‘whole’.

36
Q

Proximity

A

Gestalt principle. (also called nearness) is the tendency to perceive parts of a visual image which are positioned close together as belonging together in a group.

37
Q

Linear perspective

A

Pictorial depth cue (monocular).
Linear perspective is the apparent
convergence of parallel lines as they recede (‘go back’)
into the distance- creating the impression of increasing distance/depth in an image or scene.

38
Q

Interposition

A

Pictorial depth cue (monocular)
also called overlap, occurs when one object partially blocks or covers another, and the partially blocked object is perceived as further away than the object that
obscures it (and vice versa).

39
Q

Texture gradient

A

Pictorial depth cue (monocular)
refers to the gradual reduction of detail that occurs in a surface as it recedes into the distance, compared with a surface that is close and perceived in fine detail. We perceive objects for which fine detail is clear as being closer and those that lack detail, as being further away.

40
Q

Relative size

A

Pictorial depth cue (monocular)
refers to the tendency to visually perceive the object that produces the largest image on the retina as being closer, and the object that produces the smallest image on the retina as being further away. However, the objects being perceived must be expected to be about the same size in real life.

41
Q

Height in the visual field

A

Pictorial depth cue (monocular)
refers to the location of objects in our field of vision, whereby objects that are located closer to the horizon are perceived as being more distant than objects located further from the horizon.

42
Q

Size constancy

A

involves recognising that an object’s actual size remains the same, even though the size of the image it casts on each retina changes.

43
Q

Shape constancy

A

the tendency to perceive an object as maintaining its shape despite any change in shape of the image of the object on the retina.

44
Q

Brightness constancy

A

the tendency to perceive an object as maintaining its level of brightness in relation to its surroundings, despite changes in the amount of light being reflected from the object to the retina.

45
Q

Papillae

A

On the tongue, the taste buds are located within
the thousands of small bumps called papillae that
you can see and feel on the surface. An individual
papilla may hold one or more taste buds.

46
Q

Tastant

A

the dissolved chemical molecules that can be tasted (combination of chemical molecules and saliva).