peling opera n kabuki Flashcards

1
Q
  • Sometimes called Beijing Opera
  • Combines music, vocal
    performances, pantomime, dance,
    and even acrobatic movements
  • Dates back to later 18th century,
    full development in mid-19th
    Century (Qing Dynasty)
A

Peking Opera

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2
Q

How do Performers Train?

A
  • They are handpicked by master teacher at
    young age with parent’s permission
  • 7 years practice: Wake up at 5AM,
    practicing acting and combat skills in the morning
  • Seniors perform outside theaters at night
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3
Q

2 sets of Tunes:
(happiness)

A

Xipi

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4
Q

2 sets of Tunes:

(sorrow and melancholy)

A

Erhuang

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5
Q

(slow)

A

Manban

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6
Q

(moderate-fast)

A

Yuanban

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7
Q

– civil division, accompanies singing

A

Wenchang

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8
Q

– military division, accompanies acting, dancing, and fighting

A

Wuchang

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9
Q

Four Levels of Song:

A
  1. Songs with Music
  2. Verse Recitation
  3. Prose Dialogue
  4. Non-verbal Vocalizations
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10
Q

design principle that shows relation of parts of an artwork to each other and the whole with regards to size, placement, and amount.
(insert: symmetry)

A

Proportion

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11
Q

main male
lead roles

A

Sheng

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12
Q

commonly invloved with beautiful women
- handsome and
young
- sings in high shrill voice

A

Xiaosheng

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13
Q
  • combative character
    (great martial arts skills)
  • Trained to do acrobats
  • Natural voice for
    singing.
A

Wusheng

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14
Q
  • dignified older role
  • gentle and cultivated
    disposition in life
  • wears sensible
    costumes
A

Laosheng

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15
Q

Female
Character

A

Dan

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16
Q

vivacious and
unmarried
woman

A

Huadan

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17
Q

– old woman

A

Laodan

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18
Q

– martial
woman

A

Wudan

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19
Q

– martial
woman

A

Wudan

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20
Q
  • virtuous and elite woman
A

Qingyi

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21
Q

– female warrior

A

Daomadan

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22
Q

– young
married girl
or woman

A

Guimendan

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23
Q

(Primary and Secondary roles)
- Performer must be a forceful
character
- Strong voice to exaggerate gestures

A

Ching/Jing

24
Q

Red Face

A

Loyalty and goodness

25
Q

White face

A

Evil

26
Q

Black Face

A

Integrity

27
Q
  • Usually a secondary role
  • Name means “Ugly”
  • Connotes combination of
    ugliness + laughter which
    can drive away evil spirits
A

Chou

28
Q
  • “Beautifying makeup”
A

Junban

29
Q
  • “mask-like” makeup
A

Lianpu

30
Q

– court robe worn only by imperial family members,
prime ministers, or generals.

A

Mang

31
Q

– worn as casual
clothing by imperial member or upperclass

A

Pei

32
Q

– a kind of armor
worn by warriors

A

Kao

33
Q

– casual clothes by the middle class and ordinary persons

A

Zhezi

34
Q

“The Art of Singing and Dancing”

A

Kabuki

35
Q

What does kabuki mean

A

Ka “song”, Bu “Dance”, and Ki “Skill”

36
Q

Men who portray women are known as

A

oayama
or onnagata who spoke in falsetto voice chants.

37
Q

4 Forms of Japanese
Traditional Theater:

A

Bunraku, Noh, Kyogen, and Kabuki.

38
Q

– incidental music

A

Debayashi

39
Q

– traditional narrative music accompanied by shamisen

A

Gidayubushi

40
Q

– musicians, gagaku ensembles, wooden clappers to announce beginning and ending of presentation

A

Shimoza Ongaku

41
Q

Stage features
the “True Stage”
- Aside from pillars to enclose it, it has
curtains called Joshiki-maku with black, dark green, and yellow stripes that are symbolic to kabuki

A

Honbutai

42
Q

– the “lift”
- Platform that can be raised and lowered

A

Seri

43
Q

– “revolving stage”
- Set on giant circular platform that can be rotated to reveal another set on opposite side

A

Mawari Butai

44
Q

– the “Flower Path”
- Narrow strip of stage that extends from main to stage right passing through back of the audience making distinctive sound upon entrance of performers
- Used as entrance and exit with metal rings on a steel bar at the end of the path

A

Hanamichi

45
Q

– the “terrapin”
- Small lift place on the narrow hanamachi near the main stage

A

Suppon

46
Q

– the ‘floor’
- A small section allocated for the
Takemoto

A

Yuka

47
Q

– narration accompanied by
shamisen

A

Takemuto

48
Q

– the ‘black bamboo curtain’
- Small space concealing the singers and
musicians

A

Kuromiso

49
Q
  • rope dolly-system to lift harnessed
    performers in the air for air performance
    or fights
  • no longer common but used during Edo
    era
A

Kakesuji

50
Q

Basic Process of Kabuki Makeup (Kesho)
1. Face and neck covered with oil and then thick cover of
white cream called

A

Oshiroi

51
Q

2 Distinct Styles of Kesho

– majority of characters

A

Standard

52
Q

– used for
superheroes and villains

A

Kumadori Style

53
Q

aristocratic clothes, samurai battles

A

Jidaimono

54
Q

everyday clothes of commoners contemporary setting plays

A

Sewamono

55
Q

costumes for special dances; dance drama or minimal narrative dialogue

A

Sosagoto