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Finals > PE > Flashcards

PE Flashcards

1
Q

is a type of art that generally involves movement of the body, often rhythmic and to music. It is performed in many cultures as a form of emotional expression, social interaction or exercise.

A

Dance

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2
Q

A traditional dances of a country which were evolved naturally and spontaneously in connection with everyday activities and experiences of the people who developed them.

A

Folk Dances

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3
Q

Types of Folk Dances

A

National
Regional
Character

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4
Q

Values of dancing

A
  1. Physical fitness
  2. Cultural
  3. Social
  4. Recreational
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5
Q

found throughout the islands with little or no modification.

A

National dance

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6
Q

National dances examples

A

• Rigodon
• Carinosa
• Jota
• Balitaw
• Pandanggo

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7
Q

Local Dances examples

A

• Tinikling- Leyte
• Maglalatik- Laguna
• Esperanza-Nabua, Camarines Sur
• Subli-Batangas
• Binigan bigat-Abra

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8
Q

Nature dances

A
  1. Occupational Dance
  2. Religious or Ceremonial Dances
  3. Comic Dances
  4. Game dances
  5. Wedding Dances
  6. Courtship Dances
  7. Festival Dances
  8. War Dances
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9
Q

depicting action of certain occupation, industry, or human labor.

A

Occupational Dance

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10
Q

Occupational Dance examples

A

• Planting
• Harvesting
• Pounding
• Winnowing
• Pabirik
• Mananguete

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11
Q

performed in connection with religious vows and ceremonies.

A

Religious or ceremonial dances

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12
Q

Religious or Ceremonial Dances examples

A

• Dugsu
• Sua – Sua
• Putong
• Sta. Clarang Pinong-Pino

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13
Q

depicting funny movements for entertainment.

A

Comic Dances

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14
Q

Comic Dances examples

A

• Kimbo – Kimbo
• Makonggo
• Kinoton

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15
Q

with play elements (dance mixers).

A

Game dances

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16
Q

Game dances examples

A

• Lubi lubi
• Pavo

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17
Q

performed during wedding feast.

A

Wedding dances

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18
Q

Wedding dances examples

A

• Panasaan
• Curacha

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19
Q

depicting love making.

A

Courtship dances

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20
Q

Courtship dances examples

A

• Hele – Hele
• Bago Quiere,
• Maramion
• Tadek
• Daling-Daling

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21
Q

suitable for special occasion or any social gathering.

A

Festival Dances

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22
Q

Festival dances examples

A

Pandanggo, Habanera, Jota, Surtido

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23
Q

War dances examples

A

Sagayan, Palu-Palo

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24
Q

showing imaginary combat or duel.

A

War dances

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25
Q

Classifications of Philippine dance

A

A. Geographical extent of origin
B. Nature
C. Movements
D. Formation

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26
Q

Formations

A
  1. Square or Quadrille
  2. Long formation
  3. Set
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27
Q

Square or Quadrille examples

A

Rigodon, Los Bailes de Ayer

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28
Q

Long Formation (two or more parallel lines) examples

A

Lulay, Sakuting

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29
Q

consisting of two or more pairs as a unit, partners facing each other or standing side by side.

A

Set

30
Q

Set examples

A

Binadyong, Haplik, Kakawati

31
Q

group of dances having special distinctive features

A

Special classification

32
Q

Special classification

A

A. Dance with songs
B. Old ballroom dances
C. Dances with implements
D. Dances of combined rhythm

33
Q

Dance with songs examples

A

Aburaray,
Manang Biday,
Lulay,
Rogelia,
Lawiswis Kawayan

34
Q

Old ballroom dances examples

A

Polka,
Mazurka,
Chotis,
Valse

35
Q

Dances with implements examples

A

Maglalatik,
Sakuting,
Jota
Moncadena,
Tinikling,
Salakot

36
Q

Dances of combined rhythm examples

A

Surtido,
Pantomina,
Los Bailes de Ayer

37
Q

Factors affecting
Folk Dances

A

• Geographical location
• Economic conditions
• Climatic conditions
• Customs and traditions

38
Q

Do’s in Folk dancing

A
  1. Dance in a natural, simple and direct manner.
  2. Dance with ease and smoothness.
  3. Use the proper costume for the dance.
  4. Follow directions and dance instructions as closely as possible.
  5. Dance with feeling and expression.
39
Q

Don’ts in Folk dancing

A
  1. Do not exaggerate the dance steps.
  2. Do not make the dances too dainty and graceful like ballet.
  3. Don’t make entrance and exit long.
  4. Don’t make steps too elaborate and complicated.
  5. Don’t call a dance a folk dance unless steps come from traditional dances.
40
Q

Girl at the right side, holds R arm of partner with her L hand, free hands down at the sides. This term is a Spanish origin and is used in Rigodon and in another dance.

A

Abrasete

41
Q

– Both arms are at one side, either sideward right or left. This may be at done at shoulder, chest, or waist level.

A

Arms in Lateral Position

42
Q

– Arms are side horizontal, elbows bent at right angles, forearms parallel to head, palms forward or facing inward, fists loosely closed.

A

Arms in Reverse “T”

43
Q

– To turn palms of hands up and down alternately, hands at waist level in front, elbows closed to waist.

A

Bilao

44
Q

– Weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.

A

Brush

45
Q

– When dancers are in square formation, the couples occupying the width of the hall are called “cabeceras” or head couples. This is of Spanish origin.

A

Cabeceras

46
Q

– Like the motion of the hands of a clock. R shoulders toward the center of an imaginary circle. When facing center, the movement is towards the left.

A

Clockwise

47
Q

– The reverse direction of clockwise. L shoulder is toward the center of an imaginary circle. When facing center, the movement is toward the right.

A

Counterclockwise

48
Q

– Partners are facing each other or standing side by side, girl at the right of boy. They join their L and R hands together either R over L or L over R hands.

A

Crossed Arms

49
Q

– To displace quickly one foot with the other, thus completely taking off the weight of the body from the displaced foot.

A

Cut

50
Q

– The vis-à-vis (opposites) both advance forward, pass each other’s right or left side, step across to the right or left, move backward without turning around pass each other’s left or right side to proper places. This is a foreign origin and is used in many Philippine dances.

A

Do-si-do (“Dos-A-Dos”)

51
Q

– To pull one foot along the floor close to other which has the weight of the body. The weight may or may not be transferred.

A

Draw

52
Q

– The foot not bearing the weight of the body.

A

Free Foot

53
Q

– The hand not placed anywhere or not doing anything.

A

Free Hand

54
Q

– Place hands on waistline (at the smallest part of the trunk). Knuckles in, fingers pointing in rear.

A

Hands on waist

55
Q

– To place on forearm Infront and the other at the back of the waist. This is a Visayan term.

A

Hayon-hayon

56
Q

– A spring from one-foot landing on the same foot in place or in any direction. The other foot may be raised in any direction.

A

Hop

57
Q

– The foot nearer one’s partner, when partners stand side by side.

A

Inside Foot

58
Q

– The hand nearest one’s partner when partner’s stand side by side

A

Inside Hand

59
Q

– Moving the hand from the wrist either in a clockwise or counterclockwise direction. This is an Ilocano term.

A

Kumintang

60
Q

– The foot away from one’s partner, when partners stand side by side.

A

Outside Foot

61
Q
  • The hand away from one’s partner, when partner stand side by side.
A

Outside Hand

62
Q

– To put foot in a certain or desired position without putting weight on it. The sole of the footrests on the floor.

A

Place

63
Q

– To turn wit the ball heel, or whole foot, on a fixed place or point.

A

Pivot

64
Q

– Touch the floor lightly with the toes or one foot, weight of the body on the other foot.

A

Point

65
Q

– Partners bow to each other, to the audience opposite dancers, or to the neighbors with feet together. This term is a Spanish origin and is used in almost all Philippine dances.

A

Saludo

66
Q

– A dance formation like a square or a unit formation composed of two or more pairs.

A

Set

67
Q

– To bring down the foot forcibly and noisily on the floor (like doing a heavy step) with or without transfer of weight.

A

Stamp

68
Q

– To advance or recede by raising or moving one foot to another

A

Step

69
Q

– The foot that bears the weight of the body.

A

Supporting Foot

70
Q

– To rap slightly with the ball or toe of the other foot. There is no change or transfer of weight.

A

Tap

71
Q

– To make fast turn by executing small steps in place to right or left.

A

Whirl

Finals (6 decks)

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