Part 1 Exam 2 Flashcards

1
Q

Mothers are associated with mortality and are the chief mourner as seen with

A

Thetis and Achilles

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1
Q

Women and dirt; death as polluting ____

A

miasma

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2
Q

How do women act during ritual lamentation

A

They raise their arms, tear their hair, beat their breasts, and create lacerations while men are often more restrained to just outstretched hands

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3
Q

Lekythoi

A

Offering of tomb scenes are depicted on funerary vases

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4
Q

What were females identified with

A

the body, life cycle, and impurity

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5
Q

T/F women were perceived to have a lack of emotional control

A

True

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6
Q

What were most public venues for women’s authority associated with

A

religious activity

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7
Q

Kanephoros

A

sacraficial procession

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8
Q

Citizens, we will begin to say a few useful words for the polis. which makes sense, for it reared me in splendor. when I was seven years old straight away I was a ritual weaver for Athena. Then wearing a yellow gown, I played the bear at the rites of Brauron; and I once carried the basket as a beautiful girl, wearing a necklace of figs.

A

Chorus of older women in Lysistrata by Aristophanes’

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9
Q

Priesthood was a _____ position

A

temporary

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10
Q

What did priesthood result in for women

A

public authority; political influence

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11
Q

Thesmophoria

A

State-sponsored women’s only festival

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12
Q

T/F Thesmophoria was a subversion of social order

A

yes

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13
Q

During Thesmophoria, all public business ceased and women were

A

appointed to oversee the festival

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14
Q

What was Thesmophoria celebrating

A

Demeter and Persephone

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15
Q

Lysistrata was the first

A

comic female protagonist

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16
Q

Scene 1 Lysistrata: greek women were used as a ______ not of the polis

A

politics

17
Q

Lysistrata:
Were males suspicious of the Greek women’s activities when they were alone?

A

yes

18
Q

Lysistrata:
Who was the manliest of women

A

Lampito

19
Q

Lysistrata:
“Grab the brim, _______, you and all the others. someone repeat for all the rest of you the words I say– that way you’ll pledge your firm allegiance: no man, no husband, no lover….

A

Lampito

20
Q

Who responds to Lysistrata in Scene 1?

A

Calonice (her chief)

21
Q

…you get near me with a stiff prick. O ______, my knees are getting weak”

A

Lysistrata
Speaker: Calonice

22
Q

What is the main point of Lysistrata Scene 2

A

Gender conflict as a framing device, symbolizing the war between Athens and Sparta

23
Q

“Come on, _______, let’s hurry there as fast as we can go up to the city. We’ll see these logs down in a circle, stack them up so we keep them bottled up, those women who’ve combined to do this. then with our own hands, we’ll set alight a single fire and, as we all agreed in the vote we took, we’ll burn them all, beginning first with _______ wife.”

A

Philurgus

Lycon’s

24
Q

Fire and water represent what in Lysistrata

A

male and female elements in ancient medicine

25
Q

Who wins the battle of elements in Aristophanes Lysistrata?

A

women

26
Q

What is the main point of Scene 3 in Lysistrata

A

fighting choruses introduced a conflict between the magistrate and Lysistrata

27
Q

What does Scene 3 do?

A

challenge the Homeric adage that war is a man’s concern

28
Q

We men ourselves share in the blame for this. we teach our wives their free and easy lives, and so intrigues come flowering out from them. (who speaks and to whom?)

A

Magistrate to Lysistrata

29
Q

“you’d (who?) have been smacked if you had not been quiet and held your tongue”

A

Lysistrata; speak: magistrate

30
Q

So there I am at home, saying nothing. Then You’d (who?) tell us of another project, “how can you carry out a scheme like that?” It’s foolish. Immediately He’d frown and say to me (who?) “If you don’t spin your thread, you’ll get a major beating on your head. War is men’s concern”

A

Magristate; Lysistrata

31
Q

“and how will you (who?) find the power to stop so many violent disturbances?”

A

Lysistrata (speaker Magristate)

32
Q

What does Lysistrate compare winning the war to

A

making wool

33
Q

What happens during Scene 4 in Lysistrata

A

Women start to desert the acropolis using excuses

34
Q

“well then, I’ll (who?) leave here, when it seems all right. But now I’m under Oath.”

“At least lie down with me (who?) a little while”

A

Myrrhine
Cinesias

35
Q

“you’d like to? then, my little ______, lie down right here.”

You (who?) must be joking– in front of our dear baby child?

A

Myrrhine
Cinesias

36
Q

What does the quarrel between Magistrate and Lysistrata represent

A

the larger theme of the battle between sexes

37
Q

T/F Lysistrata proves the democracy is a fragile institution

A

yes

38
Q

When men harm the family, through war and injury, who must step in

A

women

39
Q

Explain how Greece is a closed society

A

earthborn idea
citizenship laws
anti-immigration

40
Q

Explain how Rome is an open society

A

Assimilation of other culture
religious tolerance
promotes immigration (dual citizenship)

41
Q
A