Pain/suffering Flashcards
TS1: In both poems, the speakers recall memories of their pain, which suggests that they are still haunted by them. (Walking away)
‘eighteen years ago…I can see/you walking away’
L= present tense even though in past – memory still vivid and painful. Structure: line break separates pronouns - emphasizes son parting from father. Direct address to son – suggests feelings unresolved in
‘Gnaws at my mind still’.
L = powerful verb suggests ongoing pain and guilt at leaving his parting from his son. Caesura emphasizes impact of parting. R = sympathy for father’s pain.
C = Day=Lewis dedicated the poem to his son Sean; he divorced Sean’s mother and left the family home.
D = on a deeper level, about his guilt at leaving the family, not just leaving his son at boarding school.
TS1: In both poems, the speakers recall memories of their pain, which suggests that they are still haunted by them. (Neutral Tones)
‘We stood by the pond that winter day’
L = past tense. Visual memory of parting still vivid; suggests impact on him. L= verb = lack of movement suggests an impasse in their relationship. Winter – symbolises emotional coldness and death of relationship.
TS2: Both poets use natural imagery to describe painful feelings. (Walking Away)
‘eddying…like a winged seed loosed from its parent stem’
L = simile. A seed (child) must become independent from its parent if it is to grow. Verb ‘eddying’ suggests child is vulnerable; no clear direction. Must find its own path.
‘pathos of a half-fledged thing’
L= emotive metaphor. Son = vulnerable. Not ready to become independent. R = pity for him.
‘like a satellite wrenched from its orbit’
L = simile. Verb = painful. Not ready for parting. Son’s life’s revolved around him.
TS2: Both poets use natural imagery to describe painful feelings. (Neutral Tones)
‘God-curst sun’
L= harsh consonant – bitter –sun normally symbolises life and hope C/D = Hardy was an agnostic. No sign of evidence of god’s love; speaker loses faith and hope.
‘starving sod’ / ‘greyish leaves’
L= alliteration. Barren soil symbolises dying relationship; adjective – grey – dying, like their love. R = imagery conveys bleak mood of speaker to the reader.
TS3: However, the pain and suffering takes different forms: Hardy’ speaker feels bitter, Day-Lewis’ speaker feels guilt.
(Walking Away)
‘Gnaws at my mind still’.
L = powerful verb suggests ongoing pain and guilt at leaving his parting from his son. Caesura emphasizes impact of parting. R = sympathy for father’s pain.
C = Day=Lewis dedicated the poem to his son Sean; he divorced Sean’s mother and left the family home.
D = on a deeper level, about his guilt at leaving the family, not just leaving his son at boarding school.
TS3: However, the pain and suffering takes different forms: Hardy’ speaker feels bitter, Day-Lewis’ speaker feels guilt. (Neutral Tones)
‘keen lessons that love deceives’
L= adjective suggests sharp pain of romantic rejection. Plural ‘lessons’ =he has experienced rejection many times since their relationship ended. Speaker bitter and cynical = love ‘deceives’; pessimistic. He’s lost his faith in love as a positive force.
‘Wrings with wrong’
Alliteration and verb ‘wrings’ – emphasizes the twisting pain of rejection but also implies he perceives himself as the deceived victim. R = feels speaker is self-pitying?
Monosyllabic end rhymes ‘God/sod’ emphasize his bleak depression.
STRUCTURE: Whilst ‘Neutral Tones’ has a cyclical structure that reflects the speaker’s inability to move on emotionally from the painful experience, ‘Walking Away’ uses line breaks and enjambment to reflect the need for the father to let his son become independent. (Walking Away)
‘Drifting away/ behind a scatter of boys’ – enjambment emphasizes son’s growing independence as he moves away from his father but also his father’s desire to hold on to him (there is no end stopped line)
STRUCTURE: Whilst ‘Neutral Tones’ has a cyclical structure that reflects the speaker’s inability to move on emotionally from the painful experience, ‘Walking Away’ uses line breaks and enjambment to reflect the need for the father to let his son become independent. (Neutral Tones)
‘a pond’ – Hardy’s poem begins and ends in the same place. He cannot forget the memory, suggesting deep pain. He cannot move on.
