Othello - Quotations Flashcards

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1
Q

“My ___, my ___, and my ___ soul shall ___ me rightly”

A

“My parts, my title, and my perfect soul shall manifest me rightly”

Who: Othello to Iago
When: 1.2
Themes: Hubris
Techniques: Asyndetic listing, adjective
Explanation: Othello think highly of himself.

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2
Q

“___ Othello”

A

“Valiant Othello”

Who: Duke to Othello
When: 1.3
Themes: Nobility
Techniques: adjective, foreshadowing his downfall and destroyed reputation

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3
Q

“I love the ___ Desdemona i would not my ___ free condition put into ___ and ___ for the ___ worth”

Who:
When:
Themes:
Techniques:
Explanation:

A

“I love the gentle Desdemona i would not my unhoused free condition put into circumscription and confine for the seas worth”

Who: Othello about Desdemona to Iago
When: 1.2
Themes: Love, Domestic and Private spheres, marriage
Techniques: Motif of sea, adjective
Explanation: Othello loves Desdemona so much that he would not give her up for all the treasure in the sea. Interpreted as if is above all treasure or rather objectified by comparing her to treasure. Adjective emphasises the romantic language. Othello confesses he marries for love and not for societal benefits.

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4
Q

“___ stuffed with ___ of war”

A

“Horribly stuffed with epithets of war”

Who: Iago about Othello
When: 1.1
Themes: War, Jealousy, conflict
Techniques: Adverb
Explanation: Epithets are related to attributes or qualities - Iago expresses that Othello is full of violence and war and that is the only thing that makes his personality.

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5
Q

“My ___ upon her ___ ___”

A

“My life upon her faith!”

Who: Othello
When: 1.3
Themes: Appearance vs reality, fall from nobility, domestic tragedy, downfall of tragic hero
Techniques: foreshadowing, juxtaposition
Explanation: “Would bet my life on her honesty!” Ironic and contradictory as he does not stick to this statement as the play progresses

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6
Q

“We cannot all be ___, ___ all masters ____ be truly ___”

Who:
When:
Themes:
Techniques:
Explanation:

A

“We cannot all be masters, nor all masters cannot be truly followed”

Who: Iago
When: 1.1
Themes: Blasphemy, devil, plotting,
Techniques: Foreshadowing
Explanation: Iago reveals to the audience what his plan is. He believes that Othello should not be a leader and that even though Iago himself is not a leader, he can still choose to not follow his lieutenant. Questioning the social system.

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7
Q

“In ___ him, i follow but ___… I am ___ what I ___”

Who:
When:
Themes:
Techniques:
Explanation:

A

“In following him, i follow but myself… I am not what I am”

Who: Iago
When: 1.1
Themes: Appearance vs reality, evil, foreshadowing tragedy, blasphemy.
Techniques: Paradox, duplicity, foreshadowing, archetypal malcontent character, blasphemy, archetypal malevolent character.

Explanation: Iago explains his tactics to Roderigo. He follows Othello not out of “love” or “duty,” but because he feels he can exploit and dupe his master, thereby revenging himself upon the man he suspects of having slept with his wife. Iago finds that people who are what they seem are foolish. This speech exemplifies Iago’s cryptic manner of speaking. Iago is continually playing a game of deception, even with Roderigo and the audience. Iago revealing his duplicitous nature.

Biblical reference God states “i am what i am”. Iago refers to the old testament quotation and changes it - signals to the audience how evil Iago might be prepared to be. Appearing and pretending to be one thing but deceiving the people around him. Iago is a malevolent character.

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8
Q

___ “___ __ A fig ___

A

Monologue “Virtue? A fig!”

Who: Iago to Roderigo
When: 1.3
Themes: Duplicity
Techniques: Rhetorical question, derogatory term ‘fig’, monologue
Explanation: Virtue? Rubbish! Virtue is showing high moral standards. Iago is saying that there is no point in having high moral standards.

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9
Q

“A man he is of ___ and ___…___ Iago”

A

“A man he is of honesty and trust…Honest Iago”

Who: Othello about Iago
When: 1.3
Themes: Appearance vs reality
Techniques: Foreshadowing, juxtaposition, dramatic irony, adjective, noun,

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10
Q

___ “I hate the ___, and it is thought ___ that ___ my ___ hes done my ___.

A

Soliloquy “I hate the Moor, and it is thought abroad that ‘twixt my sheets he’s done my office”

Who: Iago to Roderigo
When: 1.3
Themes:
Techniques: Soliloquy
Explanation: Iago explains why he hates Othello - there is a apparent rumour that Othello has slept with his wife, Emilia. Although there is no actual proof, Iago believe that his suspicion is enough to take revenge. This could act as a potential motive to his plotting, aiming to ruing Othello and Desdemona’s happiness.

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11
Q

___ “Ill ___ this ___ into his ear, that she ___ him for her ___ lust”

A

SOLILOQUY “Ill pour this pestilence into his ear, that she repeals him for her body’s lust”

Who: Iago
When: 2.3
Themes:
Techniques: Metaphor, Soliloquy
Explanation: Iago said that while Cassio asks Desdemona for help to get his position back, Iago will convince Othello that they are lovers and Desdemona wants to help him because she loves him. Iago is saying: I’ll poison Othello’s thoughts by whispering into his ear.

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12
Q

Desdemona leaves her “house ___” to listen with a “___ ear” and “___ up” Othello’s stories of his adventures.

A

Desdemona leaves her “house affairs” to listen with a “greedy ear’” and “devour up” Othello’s stories of his adventures.

Theme: Women at the time
Technique: Adjective, verb, metaphor

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13
Q

“___ my fair ___! … O my soul’s ___ ___”

A

“O my fair warrior! … O my soul’s joy!”

Who: Othello to Desdemona
When: 2.1
Theme: Patriarchy, atypical Jacobean woman, public and private spheres
Technique: Exclamative, ecphonesis, possessive pronoun, juxtaposition
Explanation: Could signify that Othello and Desdemona are viewed as equals in their relationship. Othello’s initial love for Desdemona. The collision of public and private spheres is evident here as Othello referring to his wife by using a war-like term ‘warrior’ emphasises how he cannot cope with separating his work from his relationship. Military term = clashing of private and public spheres.

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14
Q

A ___ of peace”

A

“A moth of peace”

Who: about Desdemona
When: 1.3
Themes:
Techniques:
Explanation: Translation: “A useless creature living a luxurious life” if she cannot go with to accompany Othello in Cyprus. Moths are attracted to light and symbolise death and endings.

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15
Q

___ Iago

A

Honest Iago

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16
Q

___ “i ___ him to ___ my turn ___ him”

A

Monologue “i follow him to serve my turn upon him”

Who: Iago about Othello
When: 1.1
Themes: Appearance vs reality
Techniques:
Explanation: Iago acknowledging his duplicitous thinking. “i follow him to get my back on him (revenge).

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17
Q

___ “ ___ and night must bring this ___ ___ to the worlds ___”

A

Soliloquy “Hell and night must bring this monstrous birth to the worlds light”

Who: Iago
When: 1.3
Themes:
Techniques: Adjective, rhyming couplets “night and light” = makes his speech sound like a spell - evil
Explanation: Iago has come up with a plan to convince Othello that Cassio is sleeping with his wife. Now he is bringing his wicked plan into action.

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18
Q

“So will I turn her ___ into ___ and out of her own ___ make the net That shall ___ them all”

Who:
When:
Themes:
Techniques:
Explanation:

A

“So will I turn her virtue into pitch and out of her own goodness make the net That shall enmesh them all”

Who: Iago
When: 2.3
Themes: Manipulation, plotting
Techniques:
Explanation: Desdemona is kind enough to plead for Cassio and Othello would do anything for Desdemona. Iago uses this to his advantage by telling Othello that Desdemona lusts after Cassio. Iago exploits Desdemonas kindness for his own personal gain. Translation: in this way I’ll turn her own virtue into a sort of tar, to entrap her—and everyone else—with her own goodness.

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19
Q

“I look down towards his ___; but thats a ___. If that you be’st a ___, i cannot ___ thee” (___ Iago)

A

“I look down towards his feet; but thats a fable. If that you be’st a devil, i cannot kill thee” (wounds Iago)

Who: Othello about Iago
When: 5.2
Themes: Hell, devil,
Techniques: Hellish imagery, metaphor
Explanation: Iago doesnt die in the end, this is why he is “the epitome of the devil” - critic. The devil was believed to have hoofed feet. Othello believes that Iago is a devil after finding out the truth. Iago is finally seen for what he is, a diabolical villain who was able to convince everyone of his honesty, become confidant and advisor to all, while at the same time scheming to bring down Othello, Cassio and Desdemona. Shakespeare keeps Iago’s character ambiguous for the audience because, as Othello says, “I cannot kill thee,” which in fact he is unable to do despite stabbing him. This leaves the audience wondering about the nature of Iago’s evil.

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20
Q

“___ am I in my speech, and little ___ with the ___ phrase of ___”

A

“Rude am I in my speech, and little blessed with the soft phrase of peace”

Who: Othello to the Duke when declaring his love for Desdemona
When: 1.3
Themes: Race, Othello as an outsider
Techniques: forceful tone - plosive alliteration
Explanation: Translation: “I am not good with words, and haven’t been blessed with the skill of peaceful speech”. He explains that he has led a rough military life and cannot explain himself in sophisticated language. Othello presents himself as an outsider - whether because he recognizes his exotic appeal or because he is self-conscious of and defensive about his difference from other Venetians.

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21
Q

Iago recognises that Othello is “of a ___, loving ___ nature”

A

Iago recognises that Othello is “of a constant, loving noble nature”

Who: Iago about Othello
When: 2.1
Themes: Characterisation
Techniques: Adjective, alliteration - lyrical
Explanation: Presentation of Othello’s character

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22
Q

___ “The Moor is of a ___ and open ___, that thinks men ___ that but seem to be so, and will as ___ be led by th’nose as ___ are”

A

Soliloquy “The Moor is of a free and open nature, that thinks men honest that but seem to be so, and will as tenderly be led by th’nose as asses are”

Who: Iago about Othello
When: 1.3
Themes: Iagos duplicity
Techniques: Soliloquy, adjectives, metaphor, foreshadowing
Explanation: Translation: “he Moor is gullible and trusting. He thinks men are honest when they only appear to be. I can lead him around like a donkey”. Portrays Iagos duplicity as he is willing to take advantage of Othello’s trusting personality/qualities.

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23
Q

“___ for i am ___ and have not the ___ parts of ___ …. or for I am ___ into the ___ of years —”

A

Haply for i am black and have not the soft parts of conversation …. or for I am declined into the vale of years —”

Who: Othello
When: 3.3
Themes: Race, insecurity
Techniques:
Explanation: Translation: maybe since I am black and don’t have smooth conversational skills, or maybe since I’m getting old”. Othello is insecure about his age and race.

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24
Q

“O ___, cursed ___ ___”

A

“O cursed, cursed slave!”

Who: Othello
When: 5.2
Themes: The truth being reveals after lies and deceit
Techniques: Adjective, exclamative, ANAGNORISIS
Explanation: Translation: “Oh cursed, cursed villain”. Could be interpreted in two ways: Othello is speaking about himself exclaiming how he feels unworthy - he feels the loss of Desdemona agonisingly. Or, Othello is speaking about Iago calling him a villain once he discovered the truth.

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25
Q

“An ___ murderer… ___ did i in hate, but ___ in ___”

A

“An honourable murderer… naught did i in hate, but all in honour”

Who: Othello
When: 5.2
Themes: Tragic victim
Techniques: Juxtaposition, adjective, pathos, intensifier
Explanation: Translation: “call me an honourable murderer, since i didnt do anything out of hate but instead out of a sense of honour”. Othello is trying to justify murdering his wife - could cause the audience to loose sympathy as he may only be declaring this to go to heaven.

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26
Q

___ “One that loved not ___, but too ___… one not easily ___, but being ___ ___ in the extreme”

A

Monologue “One that loved not wisely, but too well… one not easily jealous, but being wrought perplexed in the extreme”

Who: Othello
When: 5.2
Themes: Realisation
Techniques:
Explanation: Translation: “Speak of me as a man who loved not wisely, but too much; a man who was not easily made jealous, but was manipulated and tricked into extreme jealously;”. Othellos speech of defence. Othello suggests that the reason he acted so rashly and killed his wife with no real proof was that his love was strong, but not wise. Could be interpreted as Othello not wanting to accept the consequences of his actions - going to hell.

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27
Q

___ “Like the ___ Indian, (i) threw a ___ away ___ than all his ___”

A

Monologue “Like the base Indian, (i) threw a pearl away richer than all his tribe”

Who: Othello
When: 5.2
Themes: Regret
Techniques: Simile, metaphor (Desdemona is the pearl), anagnorisis

Explanation: Translation: “a man who behaved like a vile Indian that throws away a pearl worth more than his whole tribe”. Othello stabs himself in the chest. In this farewell speech, Othello reaffirms his position as a figure who is simultaneously a part of and excluded from Venetian society.

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28
Q

“So ___ to marriage that she ___ the wealthy curled ___ of our ___”

A

“So opposite to marriage that she shunned the wealthy, curled darlings of our nation”

Who: Brabantio about Desdemona
When: 1.2
Themes:
Techniques: Intensifier, adjective, asyndetic listing - emphasises how she could have the most suited Ventian husband but continues to choose Othello. Emphasises the love she has for him. Adjective ‘shunned’ portrayed Desdemona’s power and authority to reject and ignore suitors - staying loyal to Othello.

Explanation: Translation: “one who was so opposed to marriage that she shunned even the wealthy, good-looking young men of our city”

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29
Q

“A ___ never ___of ___ and quiet”

A

“A maiden never bold of spirit and quiet”

Who: Brabantio about Desdemona
When: 1.3
Themes: Women, Patriarchy, oblivion
Techniques: adverb of frequency ‘never’ emphasises how little he actually knows about his daughter. Highlights the contradictory statement. Adjective.
Explanation: There is a contradiction in what Brabantio tells us about his daughter, and the young woman we see. How are we to reconcile the image of a “maiden never bold; of spirit so still and quiet” with Othello’s description of Desdemona as ‘half the wooer’? How would a Jacobean audience have reacted to the idea of a woman choosing her own husband? STRONG FEMALE PROTAGONIST

30
Q

Who describes who as “perfection”

A

Brabantio and Cassio about Desdemona

31
Q

“My ___ father i do ___ here a ___ duty”

A

“My noble father i do perceive here a divided duty”

Who: Desdemona
When: 1.3
Themes: Patriarchy
Techniques: Adjective
Explanation: Desdemona says this line when she realizes she is torn between her father and her new husband. At this time, a woman was expected to show complete obedience to the male authority in her life, but Desdemona is now transitioning from loyalty to her father to loyalty to her new husband. The quote reveals that Desdemona is very aware of the social expectations of showing loyalty to her husband. This loyalty will later endanger Desdemona because she refuses to defend herself or challenge Othello’s authority over her.

32
Q

Who is described as “delicate”

A

Desdemona

33
Q

“I saw Othello’s ___ in ___ mind”

A

“I saw Othello’s visage in his mind”

Who: Desdemona
When: 1.3
Themes: Love
Techniques: Metaphor
Explanation: Translation “I saw Othello’s true nature in his mind”. Suggests that Desdemona overlooks his blackness in favour of his inner brilliance. Desdemona’s initial attraction to [Othello] was not provoked by his physical appearance. There is no question of their deep sincerity, but an audience might wonder whether Othello and Desdemona fell in love with an image or idea of the other.

34
Q

Describe the significance of Cassio describing Desdemona as “the divine Desdemona”

A

Alliterative epithet cements Cassio’s vision of Desdemona in this scene. He portrays her as a goddess; emphasising her beauty.

35
Q

Explain what is meant by this declarative sentence: “Our general’s wife is now the general”. Identify the significance of this statement.

A

“Our general’s wife is now the one who’s actually in charge”. Desdemona is being portrayed (by Iago) as more superior than her husband. Desdemona is portrayed as an atypical Jacobean woman, full of authority and speech. Clashing of public and private spheres is evident, emphasising Othellos inability to separate the two.

36
Q

Identify the theme portrayed through this quotation:

“She loved me for the dangers i had passed and i loved her that she did pity them”

A

Othello’s & Desdemonas relationship, romantic love, idealised love, desire

37
Q

“She loved me for the ___ i had ___ and i ___ her that she did ___ them”

A

“She loved me for the dangers i had passed and i loved her that she did pity them”

Who: Othello
When: 1.3
Themes: Othello’s & Desdemonas relationship, romantic love, idealised love, desire
Techniques:
Explanation: Desdemona was seduced by Othello’s story-telling powers, while the Moor was enchanted by the Venetian’s sympathetic response to his history.

38
Q

“She is with me”

A

Possessive pronoun voiced by Othello in 3.1 about Desdemona. Portrays the theme of love, desire, relationship, romance

39
Q

“Excellent ___! Perdition catch my ___ but i do love thee ___ and when i love thee ___, ___ is come again”

A

“Excellent wretch! Perdition catch my soul but i do love thee! And when i love thee not, chaos is come again”

Who: Othello to Desdemona
When: 3.3
Themes: Deterioration of their love as a result of jealousy and deceit
Techniques: Exclamative, derogative, foreshadowing her death, adverb ‘again’, oxymoron, dramatic exaggeration.
Explanation: Translation “If i love you everything is good, if not, then everything is chaos”.

In saying this Othello explains that if he did not love Desdemona, the consequences would be catastrophic.
‘Perdition’ means ‘hell’, comes from Latin word ‘perder’ which means ‘to put completely to destruction’. Shakespeare uses dramatic exaggeration to tell the audience that if Othello were to fall out of love with Desdemona, his life would fall into chaotic destruction. ‘Excellent wretch’ is an oxymoron used to describe Desdemona, ‘wretch’ has connotations of a despicable person and from this point on he believes this to be true due to Iago’s misleading manipulations.

40
Q

“Ill tear her to pieces” … “Damn her, lewd mix! O damn her, damn her! I will withdraw to furnish me with some swift means of death. Now art thou my lieutenant”

A

“Ill ___ her to pieces” … “___ her, lewd mix! O damn her, damn her___ I will withdraw to ___ me with some swift means of death”

Who: Othello about Desdemona
When: 3.3
Themes: Deterioration of love, Iago-nisation, charcater shift
Techniques: Metaphor, derogative, exclamative and short sentence portrays deterioration of mental state - iago-nisation

Explanation: Translation “Damn her, that lusty flirt! Oh damn her, damn her! Come on, come leave with me. I will go to figure out some quick way to kill the beautiful devil”. Iago has persuaded Othello that Desdemona had cheated with Cassio. The verb ‘withdraw’ could mean:
1. taking away Desdemona’s position as the generals wife, since he no longer believes that she is loyal
2. or it could mean that Othello is turning to the hidden part/qualities of him, his anger and the devil keeps telling him to secretly take revenge.

Iago-nisation is clear within Othello’s speech - prominent character shift

41
Q

“Your ___ my lord. Your ___ and ___ wife”

A

“Your wife my lord. Your true and loyal wife”

Who: Desdemona to Othello
When: 4.2
Themes: Deterioration of relationship, atypical Jacobean woman
Techniques: Possessive pronoun, adjectives, repetition emphasises that it is a wife’s duty to remain loyal to their husband - Desdemona’s kind qualities/characteristics wouldn’t necessarily put Othello’s reputation at risk. Portrays how Iago is a master manipulator - Othello believing Iago over his wife.

Explanation: Desdemona is defending herself saying that she has never been unloyal.

42
Q

“___ myself to die ___ a ___”

A

“Killing myself to die upon a kiss”

Who: Othello to Desdemona
When: 5.2
Themes: Remorse, love, death
Techniques: Plosive alliteration = ‘kissing’ and ‘killing’ are so markedly different as to be almost opposites, their sounds sync up here, thanks to the alliteration of kiss’d and kill’d.
Explanation: In his last words, Othello speaks to his murdered wife. Because he kissed her before he smothered her, he kisses her once more before he takes his own life. Othello is speaking poetically about his relationship with Desdemona. His love, and eventual jealousy, killed Desdemona. If he had never loved or kissed her, she never would have died. So, Othello kisses her again and kills himself, as his personal repentance.

43
Q

What does Desdemona claim when she is asked who killed her? Identify the significance in her response.

A

Desdemona: “A guiltless death i die”
Emilia: “Who hath done this deed?
Desdemona: “Nobody. I myself”

Emphasises her love for Othello as she is not blaming him or making him responsible for her death. UNCONDITIONAL LOVE. “Myself” is an intensive pronoun that emphasizes the personal pronoun “I.” You may pair the two pronouns to intensify your statement about what you did yourself. “I myself” means that the speaker wants to emphasize the point he or she is about to make. It takes an ordinary statement and stresses the fact slightly more. “I myself” adds more assertion and importance to what the speaker is saying than if they had merely used “I” by itself.

44
Q

“O beware my lord of ___ it is the ___ eyed ___ which doth ___ the meat it ___ on”

A

“O beware my lord of jealousy it is the green eyed monster which doth mock the meat it feeds on”

Who: Iago
When: 3.3
Themes: Jealousy, manipulation, revenge, destructive revenge
Techniques: Colour symbolism, metaphor, foreshadowing, dramatic irony, corrosive verb ‘feeds’, graphic imagery, the verb ‘beware’ emphasises the dangerous nature of jealousy.

Explanation: Translation - “Oh, my lord, beware of jealousy! It is a green-eyed monster that mocks whoever it eats away at”. “Mock on” means that it makes the person who is jealous more and more ridiculous. Shakespeare turns jealousy into a ‘monster’. The colour green symbolises sickness and jealousy - foreshadowing Othello getting sick from jealousy and having a fit in 4.1. Metaphor describes jealousy as a monster.

45
Q

“The Moor already ___ with my ___”

A

“The Moor already changes with my poison”

Who: Iago
When: 3.3
Themes: Jealousy, manipulation, revenge, destructive revenge
Techniques: Motif of poison, metaphorically referring to his persuasive speech as poison.
Explanation: Translation: “The Moor is already being changed by my poisonous advice”.

46
Q

Identify the language used to describe the theme of jealousy within Shakespeares Othello

A

“poison” or drugs: “poppy”, “mandragora”

Jealousy being described as a drug is significant as it portrays the negative effects it has on ones well being and behaviour.

47
Q

“Like to the ___ sea… so my ___ thoughts with ___ pace shall ___ look back, ne’er ___”

A

“Like to the Pontic sea… so my bloody thoughts with violent pace shall ne’er look back, ne’er ebb”

Who: Othello
When: 3.3
Themes: Jealousy, manipulation, revenge, destructive revenge
Techniques: Sea imagery, simile, metaphor
Explanation: Othello is declaring that he will never change his mind about planning to kill Desdemona. He exclaims “just how the Black sea never ebbs back but keeps flowing, so my bloody thoughts only move forward with a violent current and never look back”. His mind has been irreversibly infected with jealousy.

48
Q

Identify the significance of Desdemona’s statement in 3.4: “Heaven keep that monster from Othello’s mind”

A

Metaphorically referring to jealousy as a monster - emphasising its fatal effects.

49
Q

Monologue “O curse of marriage! That we can call these delicate creatures ours and not their appetites”

A

Monologue “O curse of marriage! That we can call these delicate creatures ours and not their appetites”

Who:
When: 3.3
Themes: Men and women, power and control, marriage
Techniques: Adjective, exclamative
Explanation: Translation “Oh, this is the curse of marriage, that we can have control over our delicate wives, but not their desires”. This quote can connect back to the feminists lens, where we can see that women are portrayed as “delicate creatures”. Shakespeare intentionally chose to characterize women as “delicate” because he wants the reader to notice how women are seen weak compared to men (Othello, which is Desdemona’s lord). He also chose to characterize women as “creatures” because back in the day, women were mostly controlled by men.

50
Q

“They are all but ___, and we are all but ___. To eat us ___, and when they are full, they ___ us”

A

“They are all but stomaches, and we are all but food. To eat us hungrily, and when they are full, they belch us”

Who: Emilia
When: 3.4
Themes: Men and women, power and control
Techniques: Metaphor, feminist view point
Explanation: Translation “They’re nothing but hungry stomachs, and we women are the food. All they want is to get their fill of us, and when they’ve had enough they throw us back up”.

51
Q

“Have we not ___, ___ for sport, and ___, as ___ have___”

A

“Have we not affections, desires for sport, and frailty, as men have?”

Who: Emilia
When: 4.3
Themes: Men and women, power and control
Techniques: Listing, rhetorical question
Explanation: Emilia demanding equality in marriage. Translation: “And don’t we have physical attractions, desire for fun, and weakness, just like men?”

52
Q

Identify the significance of the quotation “Yet she must die, else she’ll betray more men” within Othello’s final monologue in 5.2

A

“Yet she must die, else she’ll betray more men”

Translation: Still, she must die or else she’ll betray more men.
Links to themes of marriage, adultery and reputation.

53
Q

Identify the theme prevalent within Othellos statement: “I think my wife be honest, and i think she is not”

A

Appearance vs reality

54
Q

Identify the significance of Othello exclaiming “ill see before i doubt”

A

“Ill see before i doubt” is a contradictory to what Othello decides to believe later on in the play. He believes Iago when he says that he saw Cassio with the handkerchief, proving that he juxtaposes his own statement/speech. Ironic as he does not stick to this statement as the play progresses.

55
Q

Explain the significance of the way Roderigo describes Othello within 1.1

A

“Thick lips” - racist comment reducing Othello to a racialised physical attribute. Alternatively, this description could refer to Othello’s hypersexual nature that black people were stereotyped to have - lips, especially big lips, are often a symbol of sexuality. An abusive description of a black man.

56
Q

“Even now, ___ , ___ now, an old ___ ram is ___ your white ___”

A

“Even now, now, very now, an old black ram is tupping your white ewe”

Who: Iago
When: 1.1
Themes: Race, society
Techniques: Repetition of adverb ‘now’ creates hurried tone portraying how eager Iago is to confront Othello, metaphor, animalistic imagery, graphic verb ‘tupping’ portrays Othello in a negative manner towards Brabantio, Iago’s first attempt at revenge, colour imagery, black and white imagery, heaven and hell imagery.
Explanation: Iago uses an overtly sexual metaphor alluding to Othello (old black ram) having sex (mating) with Desdemona (white ewe).

57
Q

“Reputation, ___, reputation! O, i have ___ my reputation, i have ___ my ___ part of ___ - and what remains is ___”

A

“Reputation, reputation, reputation! O, i have lost my reputation, i have lost my immoral part of myself - and what remains is bestial”

Who: Cassio
When: 2.3 - after the orchestrated fight
Themes: Reputation
Techniques: Repetition, exclamatives, metaphor, adjective
Explanation: Cassio exclaims these lines in shame and sadness after Othello has angrily stripped him of his position. Although not physically hurt, Cassio knows that he has lost his public image and respect from Othello. It is clear that Cassio placed heavy value on his honour and reputation.

58
Q

“If you do find me ___ in her ___, not only take ___, but let your ___ fall upon my ___”

A

“If you do find me foul in her report, not only take away, but let your sentence fall upon my life”

Who: Othello
When: 1.3
Themes: Hubris
Techniques: Exaggeration
Explanation: This is evidently the peak of Othello’s love for Desdemona. He is trusting her with his life, indicating that he believes that she loves him as much as he loves her. Equality and love in their relationship shows he is a supportive husband and honorable man.

59
Q

“If it were now to ___, ‘twere now to be most ___”

A

“If it were now to die, ‘twere now to be most happy”

Who: Othello
When: 1.3
Themes: Love
Techniques: Ironic moment
Explanation: Ironic moment as Othello believes if he was to die in this moment he would be happy as he is content with his life at this point as he has achieved everything he wants in life, Desdemona makes him feel complete

60
Q

“No, to be once in ___ is once to be ___…for she had ___, and chose me”

A

“No, to be once in doubt is once to be resolved…for she had eyes, and chose me”

Who: Othello
When: 1.3
Themes: Love, hubris
Techniques:
Explanation: Confident in his relationship, doesn’t think Desdemona would be unfaithful as it is her own choice to be with him.

61
Q

Identify why Desdemona is a complexed character

A

Desdemona occupies contradictory positions in Othello; she is both half the wooer (an active female who makes her own choices – to marry Othello and to defend Cassio) and the passive prey or victim.

62
Q

Using quotational evidence, identify when Desdemona is uncharacteristically submissive and obedient

A

1) Act 4 she becomes increasingly vulnerable to Othello’s anger. He strikes her in public and calls her a “strumpet” and “whore”.

2) Despite this, she defends Othello when she says “we must think men are not gods” (we shouldn’t expect men to always be nice). She blames herself for his anger and accept his abuse - even when he strikes her. Desdemona acknowledges his authority and continues to be obedient: “We must not now displease him”

3) After the verbal threats and physical abuse, Desdemona continues to be obedient and loyal “your wife my lord, your true and loyal wife”

4) The manner of her death (smothered) emphasises that she completely passive and defenceless. She even defends Othello claiming, to Emilia, that she killed herself “Nobody, i myself”

63
Q

Describe the character of Emilia

A

Emilia is critical of men and cynical about marriage, but remains loyal to Iago - therefore being a contradictory character. She is loyal to Desdemona when she clears her name after her death, however, betrays her when she steals the hanker-chief (to please ad gain validation from Iago as she is stuck in an unhappy marriage)

64
Q

“I ___ but to please his ___”

A

“I nothing but to please his fantasy”

3.3 Emilia betraying Desdemona by giving her handkerchief to Iago. Iago shows her little appreciation, snatching the handkerchief and saying “leave me”.

65
Q

Why is Iago’s speech “Ha! i like not that” significant in 3.3

A

Iago enters the scene to talk to Cassio who he finds is talking to Desdemona. Upon seeing this, Iago hints to Othello that Desdemona and Cassio may be having an affair. This statement hints to Othello that Desdemona and Cassio may be having an affair, allowing for doubt and jealousy to grow.

66
Q

Explain the meaning of a ‘suitor’ within Shakespeares Othello

A

Suitor:
1) A man who has a romantic interest
2) Someone who needs something from a person

67
Q

Explain the literary technique ‘stichomythia’

A

Back and forward statements that mimic a real conversation. Used in arguments with a fact pace.

68
Q

Explain the literary technique ‘innuendo’

A

Subtly hinting to something - Iago in 3.3 hinting that Desdemona and Cassio are having an affair

69
Q

Identify the literary technique: ‘O’ within Othello

A

Ecphonesis: EC-PHON-E-SIS
an emotional, exclamatory phrase used in drama e.g. “O!”

70
Q

Identify the technique being described: a speaker poses a question and then answers it.

A

hypophora: HY-PO-PH-ORA

71
Q

“Our generals ___ is now our ___”

A

2.3 “Our general’s wife is now the one who’s actually in charge”. Desdemona is being portrayed (by Iago) as more superior than her husband. Desdemona is portrayed as an atypical Jacobean woman, full of authority and speech. Clashing of public and private spheres is evident, emphasising Othellos inability to separate the two.