New Final Flashcards

1
Q
A

Calder, Lobster Trap and Fish Tail, 1939, American Modernism

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2
Q
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Christo and Jeanne-Claude, Surrounded Islands, 1980-83, Site-Specific Art, USA

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3
Q
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Flack, Marilyn, 1977, Superrealism, USA

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4
Q
A

Rietveld, Schröder House, 1924, De Stijl, Holland

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5
Q
A

Wright, Kaufmann House, 1937, American Modernism, USA

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6
Q
A

Dix, Der Krieg, 1929-32, Nue Sachlichkeit, Germany

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7
Q
A

Weston, Nude, 1925, American Modernism

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8
Q
A

Wood, American Gothic, 1930, American Regionalism

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9
Q
A

O’Keeffe, Jack-in-the-Pulpit No.4, 1930, American Modernism

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10
Q
A

Rothko, Number 14, 1960, Abstract Expressionism, USA

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11
Q
A

Paik, video still from Global Groove, 1973, New Media

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12
Q
A

Barner, Cremaster cycle, 2003, New Media

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13
Q
A

Newman, Vir Heroicus Sublimis, 1950-51, Abstract Expressionism, USA

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14
Q
A

Brancusi, Bird in Space, 1924, Abstract Sculputre

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15
Q
A

Rivera, Ancient Mexico from the History of Mexico, 1929-35, Mexican Social Realism

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16
Q
A

Kooning, Woman 1, 1950-52, Abstract Expressionism, USA

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17
Q
A

Orozco, Hispano-America from The Epic of Civilization, 1932, Mexican Social Realism

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18
Q
A

Mendieta, Flowers on Body, 1973, Feminist Art

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19
Q
A

Em, Nora, 1979, New Media

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20
Q
A

Stieglitz, The Steerage, 1907, American Modernism

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21
Q
A

Nevelson, Tropical Garden II, 1957-59, Abstract Expressionism, USA

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22
Q
A

Le Corbursier, Notre-Dame-Du-Haut, 1950-55, Modernist Architecture, France

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23
Q
A

Ringgold, Who’s Afraid of Aunt Jemima?, 1983, Feminist Art

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24
Q
A

Beuys, How to Explain Pictures to a Dead Hare, 1965, Perforamce Art

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25
Q
A

Kosuth, One and Three Chairs, 1965, Conceptual Art

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26
Q
A

Hamilton, Just What is it That Makes Today’s Homes So Different, So Appealing?, 1956, Pop Art

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27
Q
A

Smithson, Spiral Jetty, 1970, Site-Specific Art, USA

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28
Q
A

Alen, Chrysler Building, 1928-30, Art Deco, USA

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29
Q
A

Kiefer, Nigredo, 1984, Neo-Expressionism

30
Q
A

Chicago, The Dinner Party, 1979, Feminist Art

31
Q
A

Davis, Lucky Strike, 1921, American Modernism, America

32
Q
A

Picasso, Guernica, 1937, Cubism

33
Q
A

Rauschenberg, Canyon, 1959, Pop Art

34
Q
A

Wright, Guggenheim Museum, 1943-59, Modernist Architecture, USA

35
Q
A

Mondrain, Compostion in Red, Blue, and Yellow, 1930, De Stijl, Holland

36
Q

formalism

A

Strict asherence ro, or dependence on, stylizd shapes and methos of compostion. AN emphais on an artwork;s visual element rather than its subject.

Example:

37
Q
A

Kelly, Red Blue Green, 1963, Post-Painterly Abstraction

38
Q
A

Gropius, the Bauhaus, 1925-26, International Style, Germany

39
Q
A

Moore, Reclining Figure, 1939, Abstract Sculpture

40
Q
A

Piano and Rogers, Georges Pompidou National Center of Art and Culture, 1977, Post-Modernist Architecture, France

41
Q

color field painting

A

A variant og Post-Painterly Abstraction in which artist sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas and lettig these pigments soak into the fabric.

42
Q
A

Le Corbusier, Villa Savoye, 1929, International Style, France

43
Q
A

Benton, Pioneer Days and Early Settlers, 1936, American Regionalism

44
Q
A

Schnabel, The Walk Home, 1984-85, Neo-Expressionism

45
Q
A

Malevich, Suprematist Construction: Airplane Flying, 1915, Suprematism, Russia

46
Q
A

Demuth, My Egypt, 1927, American Modernism

47
Q
A

Judd, Untitled, 1969, Minimalist Sculpture

48
Q
A

Scheemann, Meat Joy, 1964, Performance Art

49
Q
A

Tatlin, Monument to the Third International, 1919-1920, Constructivism, Russia

50
Q
A

Stella, Mas a Menos, 1964, Post-Painterly Abstraction

51
Q
A

Stahn, The Passion of Sacco and Vanzetti, 1931-32, American Social Realism

52
Q
A

Hanson, Supermarket Shopper, 1970, Superrealism, USA

53
Q
A

David Smith, Cubi XIX, 1964, Abstract Expressionism, USA

54
Q
A

Lin, Vietnam Veterans Memorial, 1981-83, Site-Specific Minimalist Art, USA

55
Q
A

Rohe, Seagram Buidling, 1956-58, International Style, USA

56
Q
A

Pollock, Number 1, 1950, Abstract Expressionism, USA

57
Q
A

Kahlo, The Two Fridas, 1939, Mexican Social Realism

58
Q
A

Sherman, Unitiled Film Still #35, 1979, Feminist Art

59
Q
A

Utzon, Sydney Opera House, 1959-72, Modernist Architecutre, Australia

60
Q
A

Gehry, Guggenheim Bibao Museo, 1997, Deconstructivist Architecture, Spain

61
Q
A

Lange, Migrant Mother, 1935, American Social Realism

62
Q

Gestural abstraction/action painting

A

Also known as action painting. A kind of of abstract painting in which the gesture, or act of painting, is seen as the subject of art.

Example: Pollock, Number 1, 1950, Abstract Expressionism, USA

63
Q
A

Viola, The Crossing, 1996, New Media

64
Q
A

Close, Big Self-Portrait, 1967-68, Superrealism, USA

65
Q
A

Beckmann, Night, 1918-19, Nue Sachlichkeit, Germany

66
Q
A

Warhol, Marilyn Diptych, 1962, Pop Art

67
Q

Precisionism

A

An American Art Movement of the 1920’s and 1930’s. The Precisionists concentrated on portaying man-made enviorments in a clear and conside manner to express the beauty of perfect and precise machine forms.

Example:

Demuth, My Egypt, 1927, American Modernism

68
Q
A

Tony Smith, Die, 1962, Minimalist Sculpture

69
Q
A

Lichtenstein, Hopeless, 1963, Pop Art

70
Q
A

Lawrence, The Migration of the Negro No.49, 1940-41, American Social Realism