Mid-Term Flashcards
1715
(death of Louis XIV, ruling as the Sun King 1661-1715)
Rococo
A style, primarily of interior design, that appeared in France around 1700. Rococo interiors featured lavish decoration, including small sculptures, ornamental mirrors, easel painting, tapestries, reliefs, wall paintings, and elegant furniture. The term Rococo derived from the French word rocaille (‘pebble”) and refereed to the small stones and shells used to decorate grotto interiors.
fête galante
French “amorous festival. “A type of Rococo painting depicting the outdoor amusements of French upper-class society.
Enlightenment
The Western philosophy based on empirical evidence that dominated the 18th century. The Enlightenment was a new way of thinking critically about the word and about humankind, independently of religion, myth, and tradition.
1776
America declares its independence from Great Britain
Neo-Classicism
A style of art ad architecture that emerged in the late 18th century as part of a general revival of interest in classical cultures. Neoclassical artist adopted themes and styles from ancient Greece and Rome.
exemplum virtutis
Latin, “example or model of virtue”
1789
beginning of the French Revolution
Romanticism
A Western cultural phenomenon beginning around 1750 and ending about 1850, that gave precedence to feeling and imagination over reason and thought. More narrowly, the art movement that flourished from about 1800 to 1840. (c.1780-1850)
1789
the beginning of French Revolution
1804-14
Napoleon is Emperor of France
etching
A kind of engraving in which the design is incised in a layer of wax or varnish on a metal plate. The parts of the plate left exposed are then etched by the acid in which the plated is immersed after incising.
aquatint
a print resembling a watercolor, produced from a copper plate etched with nitric acid.
subjectivism
the doctrine that knowledge is merely subjective and that there is no external or objective truth.
optical mixture of color
The visual effect of juxtaposed complementary colors.
Pre-Raphaelite Brotherhood
(founded 1848) group of English 19th-century artists who consciously sought to emulate the simplicity and sincerity of the work of Italian artists from before the time of Raphael.
lithograph
A printing making technique in which the artist uses an oil-based crayon to draw directly on a stone plate and then wipes water onto the stone. When ink is rolled onto the plate, it adheres to the drawing.
Daguerreotype
A photography made by an early method on a plate of chemically treated metal; developed by Louis J.M. Dauguerre.
Calotype
From the Greek kalos, “beautiful”. A photographic process in which a positive image is made by shining light through a negative image onto a sheet of sensitized paper.
Wet plate photography
An early photographic process in which the photographic plate is exposed, developed, and fixed while wet.
albumen print
First, a thin piece of paper is coated with an emulsion containing both egg white (albumen) and salt. A subsequent immersion in a bath of silver nitrate renders the paper light-sensitive. The paper is next dried in the dark, then placed in a frame under a glass negative and exposed in direct sunlight until the image achieves the proper level of darkness.
1863
Salon des Refusés
1874
first Impressionism group show
Impressionism
A late 19th centrury art movement that saught to capturea fleeting moment, therby conveying the illusiveness and impermance of images and conditions(c.1869 - 1886)
plein air
An approach to painting much popular among the Impressionist, in which an artist sketches outdoors to achieve a quick impression of light, air, and color. The artist then takes the sketches to the studio for reworking into more finished works of art.
Japonisme
The French fascination with all things Japanese. Japonisme merged in the second half of the 19th century.

Bernini, Ecstasy of Saint Teresa, Cornaro chapel, Santa Maria della Vittoria, Rome, 1645-52, Italian Baroque

Caravaggio, Conversion of Paul, Cerasi Chapel, Sta. Maria del Popolo, Rome, c.1601, Italian Baroque

Velázquez, Las Meninas (The Maids of Honor), 1656, Spanish Baroque


Peter Paul Rubens, Elevation of the Cross, from Saint Walburga, Antwerp, 1610, Flemish Baroque

Rembrandt von Rijn, Anatomy Lesson of Dr. Tulp, 1632. Dutch Baroque

Jacob van Ruisdael, View of Haarlem from the Dunes at Overveen, c.1670, Dutch Baroque

Vermeer, Allegory of the Art of Painting, 1670-75, Dutch Baroque

Nicolas Poussin, Et in Arcadia Ego, c.1655, French Baroque

Hyacinthe Rigaud, Louis XIV, 1701, French Baroque

palace and gardens of Versailles, France, begun 1669, French Baroque

Jules Hardouin-Mansart and Charles Le Brun, Galerie des Glaces (Hall of Mirrors), palace of Louis XIV, Versailles, c.1680, French Baroque

Christopher Wren, Saint Paul’s Cathedral, London, Baroque in England, 1675-1710

Germain Boffrand and Charles-Joseph Natoire, decoration of Salon de la Princesse, Hôtel de Soubise, Paris, France, 1737-40, Rococo

François de Cuvilliés, Hall of Mirrors, the Amalienburg, Nyphenburg Palace park, Munich, Germany, early 18th century, Rococo

Watteau, Pilgrimage to Cythera, France, 1717, Rococo

Jean-Honoré Fragonard, The Swing, France, 1766, Rococo

Giambattista Tiepolo, Apotheosis of the Pisani Family, ceiling fresco in the Villa Pisani, Stra, Italy, 1761-62, Rococo

Joseph Wright of Derby, A Philosopher Giving a Lecture at the Orrery, England, c.1763-65, Enlightenment

Jean-Baptiste Chardin, Saying Grace, France, 1740, Enlightenment

Jean-Baptiste Greuze, Village Bride, France, 1761, Enlightenment

William Hogarth, Breakfast Scene from Marriage à la Mode, England, c.1745, Enlightenment

Joshua Reynolds, Lord Heathfield, England, 1787, Enlightenment

Benjamin West, Death of General Wolfe, America, 1771, Enlightenment

John Singleton Copley, Paul Revere, c.1768-70, America, Enlightenment

Robert Adam, Etruscan Room, Osterley Park House, Middlesex, England, begun 1761, Neo-Classicism

Angelica Kauffmann, Cornelia Presenting Her Children as Her Treasures or Mother of the Gracchi, England, c.1785, Neo-Classicism

Jacques-Louis David, Oath of the Horatii, France, 1784-85, Neo-Classicis

David, Death of Marat, France, 1793, Neo-Classicism

Richard Boyle and William Kent, Chiswick House, near London, England, begun 1725, Neo-Classicism

Jacques-Germain Soufflot, Panthéon (Sainte Geneviève), Paris, France 1755-92, Neo-Classicism

Thomas Jefferson, Monticello, Charlottesville, VA, 1770-1806, Neo-Classicism

Jefferson, Rotunda and Lawn, University of Virginia, Charlottesville, 1819-26, Neo-Classicism

Jean-Antoine Houdon, George Washington, France, 1788-92, Neo-Classicism

David, Coronation of Napoleon, France, 1805-1808, Neo-Classicism under Napoleon

Pierre Vignon, La Madeleine, Paris, France, 1806-43, Neo-Classicism

Canova, Pauline Borghese as Venus, Italy, 1808, Neo-Classicism

Antoine-Jean Gros, Napoleon at the Pesthouse at Jaffa, France, 1804, Neo-Classicism under Napoleon

Anne-Louis Girodet, Burial of Atala, France, 1808, Neo-Classicism

Jean-Auguste-Dominique Ingres, Grande Odalisque, France, 1814, Neo-Classicism

Ingres, Apotheosis of Homer, France, 1827, Neo-Classicism

Henry Fuseli, The Nightmare, 1781, England, Romanticism

William Blake, Ancient of Days, frontispiece to Europe: A Prophecy, 1794, England, Romanticism

Goya, The Sleep of Reason Produces Monsters, from Los Caprichos, 1796-98, Spain, Romanticism

Goya, The Family of Charles IV, 1800, Spain, Romanticism

Goya, The Third of May, 1808, at Madrid: The Shootings on Principe Pio Mountain, 1814, Spain, Romanticism

Goya, Saturn Devouring One of His Children, 1819-23 (fresco, transferred to canvas), Spain, Romanticism

Géricault, Raft of the Medusa, 1818-19, France, Romanticism

Géricault, Insane Woman (Monomania of Envy), 1822-23, France, Romanticism

Eugène Delacroix, Death of Sardanapalus, 1827, France, Romanticism

Delacroix, Liberty Leading the People, 1830, France, Romanticism

Delacroix, Lion Hunt, 1854, France, Romanticism

Rude, The Departure of the Volunteers in 1792 (La Marseillaise), Arc de Triomphe, Paris, 1833-36, France, Romanticism

Caspar David Friedrich, Abbey in an Oak Forest, 1809-10, Germany, Romanticism

John Constable, The Hay Wain, 1821, England, Romanticism

Joseph Mallord William Turner, The Slave Ship, 1840, England, Romanticism

Thomas Cole, The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, 1836, America, Romanticism

Albert Bierstadt, Among the Sierra Nevada Mountains, California, 1868, America, Romanticism

Frederic Edwin Church, Twilight in the Wilderness, 1860s, America, Romanticism

Charles Barry and A.W.N. Pugin, Houses of Parliament, London, England, 1835- [Neo-Gothic]

John Nash, Royal Pavilion, Brighton, England, 1815-18 [Indian Gothic]

Charles Garner, the Opéra, Paris, France, 1861-74 [Neo-Baroque]

Gustave Courbet, The Stone Breakers, 1849, France, Realism

Courbet, Burial at Ornans, 1849-50, France, Realism

Jean-François Millet, The Gleaners, 1857, France, Realism

Honoré Daumier, Rue Transnonain, 1834, France, Realism

Daumier, Third-Class Carriage, c.1862, France, Realism

Rosa Bonheur, The Horse Fair, 1853-55, France, Realism

Wilhelm Leibl, Three Women in a Village Church, 1878-82, Germany, Realism

Winslow Homer, Veteran in a New Field, 1865, America, Realism

Thomas Eakins, The Gross Clinic, 1875, America, Realism

Henry Ossawa Tanner, The Thankful Poor, 1894, America, Realism

Edmonia Lewis, Forever Free, 1867, America, Realism

Henri Labrouste, reading room of the Bibliothèque Sainte-Geneviève, Paris, France, 1843-50 [Renaissance Revival using cast iron]

Joseph Paxton, Crystal Palace, London, England, 1850-51; enlarged and relocated at Sydenham, England, 1852-54 [‘undraped construction’ in cast iron]

Nadar [Gaspard-Félix Tournachon] Eugène Delacroix, c.1855 [wet-plate photograph, modern print from the original negative]

Louis-Jacques-Mandé Daguerre, Still Life in Studio, 1837, daguerreotype

Timothy O’Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, July 1863, 1863 [negative by O’Sullivan, albumen print by Alexander Gardner]

Eadweard Muybridge, Horse Galloping, 1878, calotype multiple camera motion studies

John Everett Millais, Ophelia, 1852, England, Pre-Raphaelite Brotherhood

Dante Gabriel Rossetti, Beata Beatrix, c.1863, England, Pre-Raphaelite Brotherhood

Édouard Manet, Le Déjeuner sur l’Herbe (Luncheon on the Grass), 1863, France, Impressionism

Manet, Olympia, 1863, France, Impressionism

Manet, A Bar at the Folies-Bergère, 1881-82, France, Impressionism

Claude Monet, Impression - Sunrise, 1872, France, Impressionism

Monet, Saint-Lazare Train Station, 1877, France, Impressionism

Monet, Rouen Cathedral: The Portal (in Sun), 1894, France, Impressionism

Gustave Caillebotte, Paris: A Rainy Day, 1877, France, Impressionism

Camille Pissarro, La Place du Théátre Français, 1898, France, Impressionism

Berthe Morisot, Villa at the Seaside, 1874, France, Impressionism

Pierre-Auguste Renoir, Le Moulin de la Galette, 1876, France, Impressionism

Edgar Degas, Ballet Rehearsal, 1874, France, Impressionism

Degas. The Tub, 1886, France, Impressionism

Mary Cassatt, The Bath, c.1892, America, Impressionism

James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, c.1875, America, Impressionism