Neoclassic-Romantic Arts Flashcards

1
Q

In the middle of the 18th century, _________ was born out of rejection of the Rococo and late Baroque styles.

A

Neoclassicism

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2
Q

Romanticism began in the same era but its approach had to do with the Romanticism began in the same era but its approach had to do
with the ______?

A

modern or new rather than the traditional

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3
Q

The word neoclassic came from the Greek word neos meaning new and the Latin word ______ which is similar in meaning to the English phrase “first class”

A

classicus

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4
Q

The Western movement in decorative and visual arts was called ______.

A

Neoclassicism

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5
Q

It also applies to literature, theater, music, and architecture that were influenced by the classical art and culture of Ancient Greece and Ancient Rome

A

Neoclassicism

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6
Q

The Neoclassical movement coincided with the 18th century _______ also known as the Age of Enlightenment.

The art style in this period was brought about by the renewed interest in Greek and Roman classics.

A

Age of Reason

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7
Q
  • portrayal of Roman history
  • formal composition
  • the use of diagonals to show the peak of an emotion or moment (versus a regular moment)
  • local color
  • overall lighting
  • classic geostructure
A

Neoclassicism

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8
Q

This is the period in which Greek and Roman principles and styles were reflected in society.

A

Classicism

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9
Q

It also refers to the art forms created after but inspired by the ancient times. This period was derived from the Classicism movement.

A

Neoclassicism

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10
Q

refers to the art forms produced in antiquity or inspired by it afterward

A

Classicism

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11
Q

always refers to the art forms
inspired by ancient times, but created later.

A

Neoclassicism

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12
Q

Neoclassical artists embraced the ideals of order and moderation in which artistic interpretations of classic Greek and Roman history were restored to realistic portrayals

A

NEOCLASSICAL PAINTING

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13
Q

-Was an influential French painter in the
Neoclassical style, and considered
to be the pre-eminent painter of
the era.

-His subjects of paintings
were more on history.

A

JACQUES-LOUIS DAVID

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14
Q

-was a pupil of Jacques-Louis David.
-He was influenced by Italian Renaissance painters

A

JEAN-AUGUSTEDOMINIQUE INGRES

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15
Q

His paintings were usually nudes, portraits and
mythological themes.

He was regarded as one of the great exemplars of academic art and one of the finest Old Masters of
his era.

A

JEAN-AUGUSTEDOMINIQUE INGRES

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16
Q

The Neoclassical period was one of the great ages of public sculpture. Artists looked to Roman styles during the time of Alexander the Great for inspiration as well as to mimic their style.

A

NEOCLASSICAL SCULPTURES

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17
Q

-was a prolific Italian artist and sculptor who became famous for his marble sculptures that delicately rendered nude flesh.

-He opened the idea for portraying discrete sexual pleasures by using pure contours with his mythological compositions.

A

ANTONIO CANOVA

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18
Q

was the first internationally acclaimed Danish
artist.

He executed sculptures of mythological and religious themes characters.

A

BERTEL THORVALDSEN

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19
Q

Neoclassical architectural styles started in the mid-18th century. It turned away from the grandeur of Rococo style and the Late Baroque.

A

NEOCLASSICAL ARCHITECTURE

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20
Q

was a style principally derived from the
architecture of Classical Greece and Rome and the
architectural designs of the Italian architect Andrea Palladio

A

NEOCLASSICAL ARCHITECTURE

21
Q

These buildings were uncommon during the Renaissance as architects of that period focused mainly on applying classical elements to churches and modern buildings like palazzos and villas

A

TEMPLE STYLE

22
Q

Many temple style buildings feature a peristyle (a
continuous line of columns around a building), a rare feature of Renaissance architecture

A

TEMPLE STYLE

23
Q

The building features a rectangular or square plan, with a flat roof and an exterior rich in classical
detail.

A

CLASSICAL BLOCK STYLE

24
Q
  • buildings were based on Andrea Palladio’s style of villa construction.
  • There are vertical supports within a balustrade known as “balusters” or spindles”.
  • It is also a classical method of crowning a building that has a flat or low lying roof.
A

PALLADIAN STYLE

25
Q

-He was known as the Palladian architect of the Neoclassical who designed two well known American civic buildings
-The White House and the United States Capitol. He had also designed many country houses.

A

ROBERT ADAM

26
Q

was also known as “Beaux-Arts style”, since it was developed principally by the French École des Beaux-Arts (School of Fine Arts).

A

CLASSICAL BLOCK STYLE

27
Q

His masterpiece is the Library of Sainte-Geneviève.

A

HENRI LABROUSTE

28
Q

He designed the most famous
classical block of all which is the Palais Garnier (a
Neobaroque opera house).

A

CHARLES GARNIER

29
Q

was a movement in which the artists of Neoclassical period sought to break new ground in the expression of emotion, both subtle and stormy.

A

ROMANTICISM

30
Q

It embraced a number of distinctive themes, such as a longing for history, supernatural elements, social injustices, and nature.

was a reaction to the classical, contemplative
nature of Neoclassical pieces

A

ROMANTICISM

31
Q
  • shows the height of action
  • emotional extremes
  • celebrated nature as out of control
  • dramatic compositions
  • heightened sensation (life and death moments)
A

ROMANTICISM

32
Q

-The paintings of this period gave more emphasis on emotion.

-Artists expressed as much feeling and passion as it could be on a canvas.

A

ROMANTIC PAINTING (Portraits/Figures)

33
Q

was the first French master and the leader of the
French realistic school.

His masterpieces were energetic, powerful, brilliantly colored, and tightly composed

A

JEAN LOUIS THÉODORE
GÉRICAULT

34
Q

-was considered the greatest French Romantic painter of all.

-He achieved brilliant visual effects using small, adjacent strokes of contrasting color.

A

EUGÈNE DELACROIX

35
Q

He was the most influential to most of Romantic painters and eventually, his technique was
adopted and extended by the Impressionist artists.

A

EUGÈNE DELACROIX

36
Q
  • depicts the physical world that surrounds us and includes features such as mountains, valleys, vegetation, and bodies of water
A

ROMANTIC PAINTING (Landscape Painting)

37
Q

ranges from highly detailed and realistic to impressionistic, romantic and idealized.

A

ROMANTIC PAINTING (Landscape Painting)

38
Q

They were members of the Barbizon School (a circle of artists who held meetings in the village of Barbizon) that led the Romantic landscape painting in France.

A
  1. Théodore Rousseau
  2. Jean-Baptiste-Camille Corot
39
Q

can be divided into works that concern about the human world and those that concern the natural world.

A

ROMANTIC SCULPTURE

40
Q

-was best known for his social art which aimed to inspire and capture the interest of a broad public.

was best known for his social art which aimed to inspire and capture the interest of a broad public.

A

FRANÇOIS RUDE

41
Q

He was the most famous animal sculptor of all time.

He studied the anatomy of his subjects by sketching residents of the Paris zoo.

A

ANTOINE-LOUIS BARYE

42
Q

also referred to as Victorian Gothic or _______, is an architectural movement that began in the late 1740s in England.

A

GOTHIC REVIVAL ARCHITECTURE (NEOGOTHIC)

43
Q

heavily castellated Neogothic buildings have
been often referred to as “castles”, even though they never served as a defensive structure.

A

GOTHIC REVIVAL ARCHITECTURE

44
Q

Among them was __________ (demolished and restored), the most famous work of the decorative phase of the Gothic Revival

A

Strawberry Hill

45
Q

was the name behind Britain’s foremost Gothic Revival monument, the Westminster Palace (a.k.a. the Houses of Parliament).

A

CHARLES BARRY

46
Q

was a National Artist in Painting.

He was a portraitist and painter of rural Philippine landscapes, and he was popularly known for his
craftsmanship and mastery of the use of light.

A

FERNANDO CUETO AMORSOLO

47
Q

is a Filipino sculptor who was named National Artist for the Visual Arts in 1973, and is hailed as the “Father of Philippine Arts.”

A

GUILLERMO ESTRELLA TOLENTINO

48
Q

-is a National artist for Sculpture.
-He was entitled as the “Father of Modern Philippine Sculpture”.
-He has been the only Boholano to be given the distinction of National Artist of the Philippines in the field of Visual Arts

A

NAPOLEÓN ISABELO VELOSO ABUEVA