Music Flashcards

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1
Q

Music Adaptation? Sex + Music

A

Darwin: music = adaptation for courtship
Geoffrey Miller: honest signaling
Zahavi: handicap principle - 10 yrs to become expert
Miles Davis: sexual edge to play well

    • songbirds: protect territory & lure mates
    • whales: lure mates
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2
Q

Adaptation?

A

heritability: 0.79
Pinker: music is nothing but a by-product of language… cheesecake to our mental faculties

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3
Q

Neural parallels

A

Broca’s area when syntax-like, as with language

activation in L hemisphere enhanced in musicians w. perfect pitch

music training correlated to verbal (working) memory

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4
Q

Neural dissociations

A

“human ipod” - autistic // strong dissociation b/w language & music

  • neurons that would have been used for sight (blind) or language (autism) can be used for music
  • congenital amusics
  • epileptic seizures just cause of music
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5
Q

Emotional Power

A
  • to change emotions
  • preference for consonant music from infancy

unpleasant/disonnant: r parahippocampul gyrus

pleasant/consonant: r orbitofrontal; ventral striatum (reward area)

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6
Q

animals & music

A

dogs; cotton top tamarins

monkeys: can distinguish but have no preference for consonant over dissonant music

can distinguish but have no preference b/w unpleasant and neutral stimuli

PREFER chirp to scream
PREFER lullaby to techno
PREFER soft vs. loud music
PREFER slow clicks vs. fast clicks (less auditory stimuli in general?)
PREFER LESS STIMULI than humans (we like music)

can’t differentiate changes in random notes, but can in children’s melodies … machinery must have been around for a long time

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7
Q

Rhythm

A

humpbacks rhythmic sounds
elephant orchestra - drums
sea lion keep beat
bird w different bpm

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8
Q

Infants & emotional coloring

A

1st year of life & cross culturally, emotional tones of music detected

infant directed speech : 
approval = soothing
prohibition = quick
attention = ending high
SAME as way monkeys communicate ... did music or language come first?
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9
Q

Music development

A

perception of rhythm from infancy

significant neural plasticity (ie. finger reresentation .. same if IMAGINE – effective in music, sports, etc.)

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10
Q

Pitch

A

born w/perfect pitch, lost if not maintained w musical training

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11
Q

Sound localization

A

sensitivity to sounds in periphery vs. in front - conductors are much more sensitive to periphery

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12
Q

Musical knowledge

A

Passive exposure – scales, key, tonality, meter

Formal training - performance, music, explicit knowledge

Universal across cultures/present early in life - consonance, temporal regularity, multi-sensory interactions

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