MUSC 2226 - unit 1 Flashcards

1
Q

genre

A

stylistic category

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2
Q

popular music

A

music that appeals to a mass audience, is intended to have wide appeal, and has a sound and a style distinct from classical or folk music

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3
Q

mainstream

A

prevailing styles

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4
Q

instrumentation

A

literally, the instruments chosen to perform a particular score; broadly, the instrumental and vocal accompaniment for a recording.

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5
Q

rhythm

A

the time dimension of music. The cumulative result of musical events as they happen over time

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6
Q

melody

A

the most musically interesting part of a musical texture. It is typically distinguished from other parts by the interest and individuality of its contour and rhythm.

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7
Q

harmony

A

chards and the study of chord progressions

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8
Q

form

A

the organization of a musical work in time

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9
Q

dynamics

A

levels or changes in intensity.

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10
Q

texture

A

the relationship of the parts in a musical performance

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11
Q

timbre

A

the distinctive tone quality of a voice or an instrument

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12
Q

pitch

A

the relative highness or lowness of a musical sound, determined by the frequency with which it vibrates

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13
Q

intensity

A

the degree of loudness of a musical sound

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14
Q

duration

A

the length of time of a musical event

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15
Q

instrumentation

A

literally, the instruments chosen to perform a particular score; broadly, the instrumental and vocal accompaniment for a recording

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16
Q

performance style

A

the way musicians sing and play their instruments

17
Q

inflection

A

moment-to-moment changes in dynamic level

18
Q

rhythm section

A

the part of a musical group that supplies the rhythmic and harmonic foundation of a performance. Usually includes at least one chard instrument (guitar, piano or keyboard), a bass instrument, and a percussion instrument (typically a drum set)

19
Q

beat

A

1) the rhythmic quality of a piece of music that invites a physical response (“that song has a good beat”) 2) the (usually) regular marking of time at walking/dancing/moving speed (usually between 72 and 144 beats per second). 3) the rhthymic foundation of a style or substyle, distinguished by the consistent use of regular rhythms and rhythmic patter: a two-beat, a rock beat, a shuffle beat

20
Q

tempo

A

the speed of the beat

21
Q

measure (bar)

A

a consistent grouping of beats. A waltz has measures containing three beats; a march has measures containing two beats.

22
Q

two-beat rhythm

A

the division of the measure into two primary beats or accents; the rhythmic basis of the fox trot and other early syncopated instrumental styles

23
Q

backbeat

A

a percussive accent occurring regularly on the second beat of beat pairs: 1 2 1 2 or 1 2 3 4

24
Q

four-beat rhythm

A

a rhythmic foundation in which each beat receives equal emphasis; the common rhythmic basis for jazz

25
Q

style beats

A

a distinctive beat which is associated with the music of a particular era

26
Q

syncopation

A

accents that come between the beats of a regular rhythm, rather than with them

27
Q

accent

A

a musical even that stands out from its neighbors because of a change in one or more musical elements. The most common sources of accent are intensity (the event is louder), duration (longer), density (the event contains more parts), or pitch (higher or lower)

28
Q

harmony

A

chords and the study of chord progression

29
Q

chords

A

a group of pitches considered as a single unit. The notes of a chord may be played simultaneously, or they may be played ina series as an arpeggio

30
Q

arpeggio

A

a chord whose pitches are performed one after the other instead of simultaneously. Also called a broken chord

31
Q

chord progression

A

a sequence of chords. Many of these in popular music follow well-used patterns, such as those for “Heart and Soul” and “La Bamba”

32
Q

chorus (refrain)

A

1) a large singing group; 2) in verse/chorus and rock songs, that part of a song in which both melody and lyrics are repeated; 3) in blues and Tin Pan Alley songs, one statement of the melody

33
Q

twelve-bar blues form

A

the most widle used form for one chorus of a blues song. It is defined principally by its chord progression, which features I, IV, and V in a consistent pattern over twelve bars: I (1), I (3) / IV (5), I (7) / V (9), I (11). The 12-bar blues form is used in both vocal and instrumental songs. In sung songs, the typical lyric is a rhymed couplet, with the first line repeated

34
Q

style

A

the set of those common features found in music of a time, place, culture, or individual