Module 9 Flashcards

1
Q

the art of riding, handling, and training horses.

A

Horsemanship,

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2
Q

It is a
collective term for a variety of horse training techniques which have seen rapid
growth in popularity since

A

the 1980s.

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3
Q

The techniques were viewed to vary but
generally share principles of _________ to develop a
relationship with horses, using methods said to be derived from observation of the
natural behavior of free-roaming horses and rejecting abusive training methods.

A

“a kinder and gentler cowboy”

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4
Q

Good horsemanship requires that a rider control the animal’s direction,
gait, and speed with maximum effectiveness and minimum efforts.

A
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5
Q

emphasized operant conditioning and emphasized reassurance over punishment.

A

Horsemanship by Xenophon (c. 430 – 354 BCE),

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6
Q

The modern natural horsemanship movement, though not originally
described as such, developed primarily in the _________________
was the strongest.

A

United States Pacific Northwest and
Rocky Mountain states, where the “buckaroo” or vaquero-style cowboy tradition

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7
Q

were early modern practitioners,
who had background in the Great Basin buckaroo tradition. They had a
particularly strong influence on Ray Hunt, who in turn became a significant
influence upon Buck Brannaman.

A

Brothers Tom and Bill Dorrance

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8
Q

Other practitioners, such as Pat Parelli, came from the rodeo world.

A
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9
Q

The growth in the modern acceptance of the techniques (and the growth
in marketing of them) has been increasing since the ____, with initial slow growth
accelerating through the _________

A

1970s, 1980s and 1990s.

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10
Q

The proposed eight training principles were presented for the first time at
the satellite meeting of the

A

2003 congress of the International Society of Applied
Ethology held in Abano-terme, Italy:

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11
Q

The removal of physical pressure or discomfort
reinforces (rewards) whatever behaviour precedes the moment of removal (i.e.
leg(s) rein(s), spurs, whip-tap, headcollar).

A

The Pressure Principle:

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12
Q

Relaxation and attentiveness can only occur if the horse
responds to predictable signals that do not invade the pain threshold. Thus,
training the horse to respond unconditionally to light aids in hand and under
saddle is essential.

A

Pavlov’s Principle:

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13
Q

Each response should be trained and elicited
separately (do not pull on the reins (stop) and kick with the legs (go) at the same
time).

A

The Exclusivity Principle:

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14
Q

Responses should be progressively improved, step-
by-step, learned response by learned response, toward the final outcome.

A

The Shaping Principle:

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15
Q

Increasing pressures of aids should correspond
with increasing levels of response i.e. a small leg aid should result in a smaller go
reaction, while a bigger aid should produce a stronger go response.

A

The Proportional Principle:

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16
Q

The horse must travel in-hand and under saddle
free of any constant rein or leg pressure, otherwise he will switch off to them

A

The Self Carriage Principle:

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17
Q

Fear is quickly learned, not easily forgotten and is strongly
associated with the movement of the horse’s legs. It is important to learn to identify
the range of fear responses in horses and to diminish them to avoid the horse
experiencing them.

A

The Fear Principle:

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18
Q

Appreciating the similarities and differences in
mental ability between horses and humans is crucial to effective and humane
training.

A

The Mentality Principle:

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19
Q

There are three key things of training;

A

movement, touch
and sound

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20
Q

Horsemanship is of two types:

A

Western and English.

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21
Q

Devices
used for early training of horses include

A

a lead rope, halter, saddle pad, bridle with
a jointed snaffle bit and reins.

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22
Q

All forms of horsemanship involve the use of the
rider’s legs and the reins for control of acceleration and deceleration, changing
direction, and moving sideways.

A
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23
Q

where the horse is taught to accept
the halter in which the horse is approached from its left side.

A

The initial step of training is haltering

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24
Q

Haltering is repeated for a
_____ so that foal becomes used to it.

A

week or two

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25
Q

is designed to fit on the
horse’s head so the trainers can control the horses as they lead them.

A

The halter

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26
Q

started before weaning or just after weaning.

A

Leading

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27
Q

communication system between trainer and horse, built on
the six results; causing a horse to go forward, backward, right, left, up, or down.

A

Longeing

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28
Q

Working with the foal for
about __________ for several days will teach it to lead.

A

30 minutes a day

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29
Q

carrying something on its back while being longed.

A

Saddling

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30
Q

placed near the withers and extends down towards the center of the shoulder.

A

The saddle pad or blanket

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31
Q

are used for steering or directing the horses. It
consists of some leather straps that go around the horse’s muzzle and head, and
a bit that goes into the horse’s mouth.

A

Bridles

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32
Q

is basically the reverse of mounting.

A

Dismounting

33
Q

is considered as the
proper side for mounting and dismounting a horse.

A

The left side

34
Q

The natural gaits of the horse

A

walk, the trot, the canter or slow
gallop, and the gallop, although in dressage the canter and gallop are not usually
differentiated.

35
Q

slow, four-beat, rhythmic pace of distinct successive
hoof beats in an order such as near (left) hind, near fore, off (right) hind, off fore.

A

Walk.

36
Q

two-beat gait, light and balanced, the fore and hind
diagonal pairs of legs following each other almost simultaneously—near fore, off
hind, off fore, and near hind.

A

trot

37
Q

three-beat gait,
graceful and elegant, characterized by one or the other of the forelegs and both
hindlegs leading—near hind, off hind, and near fore practically together, then off
fore, followed briefly by complete suspension.

A

Canter.

38
Q

four-beat gait, especially in an extended run.

A

gallop

39
Q

artificial gaits.

A

running walk, slow gait, pace and rack

40
Q

________ of harness racing is performed at the pace gait, which is
faster than the trot.

A

Eighty percent

41
Q

the gait characteristic of the Tennessee
Walking Horse.

A

Running Walk.

42
Q

performed by the five-gaited Saddlebred.

A

Slow Gait.

43
Q

a fast two beat lateral gait where the feet on the same
side strike the ground simultaneously.

A

Pace.

44
Q

is a flashy, faster, more exaggerated four beat walk
performed by the American Saddlebred and the Tennessee Walking Horse. Each
foot meets the ground independently of each other.

A

rack

45
Q

The simplest is the snaffle, also

A

bridoon.

46
Q

is used for racing and frequently for cross-country riding.

A

The snaffle

47
Q

It consists of a
single straight or jointed mouthpiece
with a ring at each end for the reins.

A

snaffle

48
Q

It is
appropriate for preliminary schooling.

A

snaffle

49
Q

is used for
advanced schooling. It consists of
a jointed snaffle and a straight bit
placed together in the mouth, first
the snaffle, then the bit, both
functioning independently and
attached to separate reins. The
mouthpiece of the bit can have a
port or indentation in its centre to
give more control. The slightest pull
on the bit rein exerts pressure on
the mouth.

A

The double bridle

50
Q

a snaffle with
a straight mouthpiece;
cheekpieces with rings at the lower
ends for curb action; and a curb
chain, with which pressure may be
applied to the lower outside of the
mouth.

A

The Pelham

51
Q

The Pelham gives control
with only slight discomfort and is
popular for

A

polo.

52
Q

is a set of straps that makes the bit secure in the animal’s mouth
and thus ensures human control by means of the reins

A

The bridle

53
Q

The principal features of a horse’s mentality are

A

acute powers of
observation, innate timidity, and a good memory.

54
Q

The natural aids are

A

the voice, the hands through the
reins and the bit, the legs and heels, and the movement of the rider’s weight.

55
Q

artificial aids\

A

The
whip, the spur, and devices such as martingales, special nosebands, and reins are

56
Q

make a useful aid in teaching a horse in its early schooling to walk, trot, canter, and halt.

A

The rider’s voice and its tone

57
Q

The horse is said to be collected and light in
hand when

A

the action of the bit can cause it to flex, or relax, its jaw with its head
bent at the poll, or top.

58
Q

Riders achieve unity of balance by means of the _______, that is, by
moving the body in harmony with the movements of the horse, forward,
backward, or to the side.

A

weight aid

59
Q

Meanwhile the hands
keep the horse headed straight to maintain its balance.

A
60
Q

is used chiefly to reinforce the leg aid for control, to command
attention, and to demand obedience, but it can be used as a punishment in cases
of deliberate rebellion.

A

The whip

61
Q

A horse may show resistance by

A

gnashing its teeth and
swishing its tail.

62
Q

should always be on the quarters, behind the saddle girth,
and must be immediate since a horse can associate only nearly simultaneous
events.

A

Striking

63
Q

types of reward.

A

A friendly tone of voice or a pat on the
neck are

64
Q

should always be blunt, assist the legs in directing the precision movements
of advanced schooling. Their use must be correctly timed.

A

spur

65
Q

Martingales are of three types:

A

running, standing, or Irish.

66
Q

are attached to the saddle straps at one end and the bit
reins or bridle at the other.

A

The running and
standing martingales

67
Q

, a short strap below the horse’s chin
through which the reins pass, is used for racing and stops the horse from jerking the
reins over its head.

A

The Irish martingale

68
Q

, a strap of the bridle that encircles the horse’s nose, may be
either a cavesson, with a headpiece and rings for attaching a long training rein,
or a noseband with a headstrap, only necessary if a standing martingale is used.
A variety of other nosebands are intended for horses that pull, or bear, on the reins
unnecessarily.

A

The noseband

69
Q

The first use of the stirrup is to
enable the rider to get on the horse, normally from the near ____ side.

A

(left)

70
Q

The forward seat, favoured for _____________ , is generally considered to conform with the natural action of
the horse.

A

show jumping, hunting, and
cross-country riding

71
Q

Though now not so fashionable, the elegant and classical
it was formerly favoured and considered correct by many
horsewomen.

A

side-saddle seat

72
Q

is appropriate for ranchers but is
also used at rodeos and by many pleasure and trail riders.

A

The stock saddle seat

73
Q

means riding without saddle or blanket, the rider sitting in the
hollow of the horse’s back and staying there chiefly by balance.

A

Bareback

74
Q

Originally intended for military use, dressage training was begun early in the

A

16th century.

75
Q

term used for elementary but thorough training, including
work on the longeing rein.

A

Campagne

76
Q

Other elements of
campagne include

A

riding in a straight line, turns, and lateral movements.

77
Q

is the most elaborate and specialized form of dressage,
reaching its ultimate development at the Vienna school in its traditional white
Lippizaner horses.

A

Haute école

78
Q

The most sensitive parts of the horse when ridden are the _____________, particularly in jumping.

A

mouth and the
loins

79
Q

If possible
the horse is warmed up by at least a _______ walking and trotting before
entering the ring.

A

half-hour’s