Module 3 Flashcards

1
Q

Explain the difference between coffins, caskets, and burial cases:

A

They all refer to types of burial receptacles, coffin is the traditional term used by the English undertaker burial case is used as a generic term for all burial receptacles, casket is a type of burial receptacle that is a more modern rectangular form.

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2
Q

What materials were used to manufacture coffins? Who made them?

A

Carpenters and cabin makers made early American coffins of wood. Although the more expensive coffins were made of hardwood, polished, and stained, while the less expensive coffins were made of pine painted with a mixture of lampblack and glue water. later they used metals

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3
Q

What materials were used to manufacture burial cases? Who made them?

A

The first burial case was the Fisk metallic burial case it was made of cast or raised metal these cases reduced the weight of earlier metallic coffins and reduced the air space Almond D. Fisk held the patent to this

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4
Q

What materials were used to manufacture caskets? Who made them?

A

Metallic caskets were made of cast metal and sheet metal William Cooley of Crane Breed and Co. was the first to sale these caskets

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5
Q

Explain the change from “Gloomy to beauty”, and from “the Pragmatic to the Aesthetic”:

A

Before 1850 there was an apparent emerging impulse to encase the body in a receptacle whose primary claim to public acceptability lay in the fact that it was beautiful and thus suitable for use in funerals. The change from the pragmatic to the aesthetic can be seen in the development of the metallic burial case. then the new bronzed case with ornaments representing drapery, flowers and other emblems

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6
Q

Describe the Fisk Metallic Burial case: What claims did the manufacturer make?

A

The case was made of cast or raised metal and had a glass plate permitting the face to be visible. they reduced the weight of earlier metallic coffins and reduced air space due to its cast form of a human. and the manufacturer claimed to have created a new and useful manner of constructing an air tight coffin of cast or raised metal with the least possible quantity of metal

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7
Q

Mass producing the metallic coffin brought with it what claims by the makers?

A

They claimed the bodies of the dead have been preserved in metallic burial cases for months

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8
Q

What was the change of the “ogee design”?

A

Its rounded somewhat elliptical shape decreased wasted space and lightened the casket and a system of overlapping ribs was used

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9
Q

What were the construction methods and materials for cloth-covered caskets?

A

lyons velvet and presumed very costly, french plate glass was used atop and the handles, molding and hinges were all made of silver the inside of the casket boasted white satin silk venetian lace and heavy silken tassels

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10
Q

Describe the “Style E State casket”:

A

It was covered with the finest black broadcloth had heavy silver metal mountings a flat top full french plate glass and an inner metallic case especially finished on the interior with the presidents initials on the pillow

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11
Q

What were ‘life signals’ and why were they used?

A

Life signals were bizarre complex systems designed to allow people who were placed in caskets but who were not dead to signify that they were indeed alive by movement of a part of their body life signals prevented people getting buried alive

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12
Q

Give some examples of ‘life signaling caskets/coffins’:

A

The first patented by Christian Eisenbrandt, his invention had an arrangement of wires and pins and a spring lid to enable the occupant of the coffin by the slightest movement of hand or head to cause it to come right open. another one is Franz Vester of Newark his consisted of a square tube containing a ladder and a cord one end of which would be place in the persons hand in the coffin which the other end was hook to the bell

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13
Q

What were the materials and construction methods of burial vaults and outside boxes:

A

Early predecessors of burial vault were made of brick, stone, rock, or concrete slabs sealed together. slate was also used for a grave liner, metal burial case was made of wrought metal plates riveted together like boiler plates wooden outside boxes they were use more often as a outer container

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14
Q

When were concrete burial vaults first manufactured? Metal vaults?

A

Concrete burial vaults were origin after 1900 and metal vaults were originated in 1879

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15
Q

Explain embalming procedures in America up until the Civil War:

A

It was virtually non-existent in America until shortly before the civil war in England and France it had been practice but in America it had harldy been used. Procedures were mostly refrigeration, encasement in airtight burial containers or sanitizing temporarily

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16
Q

How and when were sawdust and tar utilized in embalming?

A

The use of saw dust and tar dates to the late very late 1600s and early 1700s. they were used to describe the way and manner in which embalming was practiced by undertakers

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17
Q

What was a ‘corpse cooler’?

A

It was a device for preserving the dead by means of refrigeration. it was a common cooling board which the body was laid out and concave

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18
Q

What was a ‘cooling board’?

A

It was a board on which the dead human body was placed as part of the process of a using a corpse cooler.

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19
Q

How was ice used to preserve the dead?

A

By lowering the temp. of the body putrefaction was slowed down and the body was preserved for a period of time.

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20
Q

Up until the Civil War in America, name 3 developments that greatly influenced the beginning of embalming:

A

The first was the change in the disposition of people to keep the body on display longer, thus proving impetus to find a better means of preservation than ice-cooling. Second, the spread of diseases such as smallpox, diphtheria, scarlet fever, yellow fever, and other diseases provided the impetus for the medical community to find better means of sanitation. the third development lies in the translation of gannels history of embalming into English by Richard Harlan and the development of production of embalming fluid made by chemists physicians and anatomists.

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21
Q

How was the hand pump used in embalming?

A

The hand pump was used to force embalming fluid into the body.

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22
Q

How was gravity used in injecting arterial chemical for embalming?

A

The force of gravity was used to inject the fluid into the body. (one-half pound of pressure per every foot that the container is raised above the body.)

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23
Q

What was/is a trocar? Who created it? When?

A

A trocar is an elongated, hollow, sword-like needle through which fluids can be injected into and throughout the body, or through which using an aspirator, fluid can be aspirated from the body. Samuel Rogers patented the trocar in 1878.

24
Q

Explain how each of these individuals affected the development of embalming: Dr. Thomas Holmes

A

Often referred to as the father of embalming was trained in the study of medicine. His early work involved trying to find alternatives to the arsenic, mercury, and zinc compounds commonly used as preservatives during the time. he produced an effective embalming fluid and made a name for himself as an embalmer performer, salesman, merchandiser, and trainer of undertakers and embalmers.

25
Q

Explain how each of these individuals affected the development of embalming: J. Anthony Gaussardia,

A

was the first person to patent a process of embalming the body by use of chemical injection

26
Q

Explain how each of these individuals affected the development of embalming: Dr. William Hunter

A

A great Scottish anatomist is known for his lectures in which he discussed the directions for use of arterial and cavity embalming for preserving the human body not only for laboratory use but also for burial. he was the first to fully report the fluid and method used and is generally considered to be the originator of the injection technique of preserving human remains

27
Q

Explain how each of these individuals affected the development of embalming: Dr. John Hunter

A

Brother to William Hunter. John is known for preparing anatomical specimens using the method of his brother. of note is the story concerning john hunters embalming of Martin Van Butchell that was highly celebrated. after the successful embalming of Mrs. Van Butchell her husband put her on display for some years in his home and many curiosity seekers viewed her body.

28
Q

Explain how each of these individuals affected the development of embalming: Leonardo Da Vinci:

A

Is known to have dissected over 50 cadavers in his anatomical studies. while engaged in his anatomical studies he developed a system of venous injection which years later may have served as an inspiration to Ruysch and Hunter.

29
Q

What role did the chemical manufacturers play in the development and spread of embalming in the United States:

A

The chemical manufacturers in an effort to create a broader market used salesmen to sell their embalming fluid. they sold embalming fluid as a new and better way of preserving the body. (over and above mutilation of the body, freezing it, and encasing it in heavy metal cases) by pushing their product they helped the process acceptance and favor throughout the country.

30
Q

Explain the beginnings of most of the early embalming schools in the United States:

A

There was interdependence between selling embalming fluid and supplies, promoting the process, and instructing people in the techniques. the Rochester school was started in 1882 by august Renouard, who had been teaching privately for many years prior to the beginning of the school. Joseph Clarke and C.M. Lukens at the Pulte medical college founded another school. Lukens, a demonstrator of anatomy, and Clarke, a casket salesman turned embalmer also started instruction in 1882. this school became known as the Cincinnati school of embalming.

31
Q

Explain how each of these persons contributed to the development of schools in the 19th century: Auguste Renouard

A

Known as the dean of early embalming instruction. he taught privately for many years until opening the Rochester School of embalming in 1882. This coincided with the first meeting of the funeral directors national association of the United States.

32
Q

Explain how each of these persons contributed to the development of schools in the 19th century: Dr. Richard Harlan

A

He was a professor of comparative anatomy at the Philadelphia Museum and a member of the Philadelphia City Health Council. He translated gannel’s history of embalming from the french and provided Americans with the first treatise dealing entirely with embalming and containing actual instructions on how to embalm.

33
Q

Explain how each of these persons contributed to the development of schools in the 19th century: Joseph H. Clarke

A

He was instrumental in setting up the earliest embalming schools or institutes. on the road, he met professor George Rhodes who sold him six bottles of embalming fluid and gave him advice on arterial and cavity embalming. He practiced on the bodies of those to whom he sold caskets and developed his skills. later he convinced Dr. C.M. Lukens that a embalming school should be set up at the Pulte Medical College in Cincinnati.

34
Q

Explain how each of these persons contributed to the development of schools in the 19th century: A. Johnson Dodge.

A

Was trained in St. Louis medical schools where he served as a demonstrator and a student. in 1893 at the age of 45 he became actively engaged in the teaching of embalming and was appointed the original principal of the Massachusetts College of embalming where he served until 1904. then became head of Barnes school of anatomy, sanitary science, and embalming. later he started the dodge school of embalming in Boston which was superseded in 1910 by the New England Institute and he was principal.

35
Q

What was the greatest disadvantage of arsenic-based embalming fluids?

A

Arsenic-based embalming fluids could poison the embalmer as well as anyone dissecting a body for scientific study.

36
Q

What is the origin of the word “hearse”?

A

The word hearse comes from the French word hearse that comes from the Latin word hirpex meaning rake or harrow. A herse or heasre was originally a stationary framework of wood to hold lighted tapers and decorations placed on a bier or coffin.

37
Q

Before hearses, how was the dead body transported, (by what methods)?

A

A simple forerunner of the hearse in the conventional sense, in which we use the term today, was a bier or bear in the form of a hand-stretcher on which the uncoffined body was carried to the grave. this bier was carried by bearers and in the event of a long journey; two sets of bearers might be employed.

38
Q

Explain how each of these persons/companies contributed to funeral transportation: James Cunningham

A

Made Horse-drawn Hearse featuring a “funeral Car” in 1884

39
Q

Explain how each of these persons/companies contributed to funeral transportation: Hudson Samson

A

Made Horse-drawn Hearse with an 8-column, oval decked funeral car in 1889

40
Q

Explain how each of these persons/companies contributed to funeral transportation: Crane, and Breed:

A

Exhibited most elaborate Horse-drawn funeral car of the 19th century at the Chicago’s World Fair in 1893

41
Q

What was a ‘limousine’? When was it first developed?

A

A limousine was a passenger car built to carry eight passengers. the limousine was named for a clock that popular in Limousin, a former province of France. which the projecting roof was thought to resemble. The limousine was first developed prior to 1909.

42
Q

What was an ‘undertaker’s buggy’?

A

an undertaker’s buggy was a buggy used a means of transportation for an undertaker in the 19th century.

43
Q

Describe how Fred Hulberg and Crane and Breed contributed to gasoline-powered hearses and their production:

A

Gasoline-powered hearse came with advent of automobile;

Innovators: Fred Hulberg, Crane & Breed

44
Q

What was a ‘side-service’ car? When was it first developed?

A

The side service car was a car for transporting a casket that had a special side door that allowed the casket to be placed in the car from the side as well as the rear, as was the norm until the introduction of the side-service car. The side service for hearses was introduced in 1926. Side service cars were made until the 1984

45
Q

Some hearses in the early 20th century were ‘limousine-styled’, what was this?

A

limousine hearses mark the beginning of the tendency toward the blending of hearse and other conveyance in the funeral procession in uniform, harmonious, and aesthetically pleasing style. the limousine styled hearse had windows all along the side without landau or s bar.

46
Q

What were the traditional color schemes for hearses of the 1800’s and 1900’s?

A

Until the civil war hearses were nearly always black. after the war variation in color slowly came about. children hearses were white, adult hears continued to come in dark colors with light gray becoming popular later for carved hearses. around the time of World War 1 hearses became available in various shades of grey.

47
Q

What was a ‘flower car’? When was it developed?

A

A flower car was an automobile for the transportation of flowers. with the advent of the automobile the first flower cars put into service were the large seven passenger phaeton type or open touring cars on which the top was let down. after this type had been in vogue for a few years, an entirely new style flower car was designed and built. these new cars were and are used principally in the larger cities.

48
Q

What was the first response to death in the mid-to-late 19th century American home?

A

Most deaths occurred at home during this time. a hush fell over the household, the blinds were drawn and people walked about on tiptoe and spoke in restrained tones. the first gestures toward the dead would be made by the women of the house who closed the eyes and straightened the limbs.

49
Q

To what lengths would a family go to produce overwhelming gloom within a household?

A

The house in which the death had occurred had not only its scarf or crepe on the door, but it was not unknown for the bereaved to drape the room in which the dead lay, or possibly the whole downstairs of the house, in black or deep shades of gray. deeply covered veils were often hung in the doorway, servants attired in mourning livery were stationed at the doorway to attend the callers. Even the funeral and widow wore black

50
Q

Explain how the home was the central point of mourning for most Americans:

A

Most deaths occurred at the home during times and if the death occurred elsewhere, the body was taken to the house as soon as possible. the house therefore became the central point of mourning. the body was prepared in the home in most cases, the families would receive visitors in the home, the body was viewed in the home and in some instances, the services was held in the home also.

51
Q

How did the preparation of the body and casketing differ between rural funeral homes and city homes?

A

In the city, an undertaker would be called upon to help with the preparation of the body. In both the city and rural areas, at the time of death, members of the family or neighbors would lay out the body. The undertakers in the city would offer several methods of preserving the dead, including, embalming, and cooling with ice. In the rural areas neither might be available.

52
Q

How were most caskets selected between rural America and urban America in the late 19th century?

A

More casket selections were available in the cities because of the availability of catalogs and the possibility of shipping within the obvious time limits. undertakers in the cities also offered warehouses and selection rooms and this provided more options. in the rural areas, casket selection was a simple matter. Either the local cabinetmaker was called upon to build one or a ready-made model was purchased from the furniture store.

53
Q

How were most caskets selected between rural America and urban America in the late 19th century?

A

More casket selections were available in the cities because of the availability of catalogs and the possibility of shipping within the obvious time limits. Undertakers in the cities also offered warehouses and selection rooms and this provided more options. In the rural areas, casket selection was a simple matter. Either the local cabinetmaker was called upon to build one or a ready-made model was purchased from the furniture store.

54
Q

Explain differences between an urban funeral undertaker and an urban funeral undertaker of the late 19th century:

A

The urban funeral director released the family and friends of many responsibilities which the rural folk traditionally accepted as their own. the undertaker took on an advisory role as the men of the family decided on the funeral and burial plans. he also took the majority of the responsibility of the preparation of the dead.

55
Q

Explain differences between a rural funeral undertaker and an urban funeral undertaker of the late 19th century:

A

The rural and village areas of America, during the late 19th, the role of the funeral director was considerably different from what it was in the city. he played a much smaller part in the funeralization of the dead. oftentimes, the funeral director did not lay out the corpse, but ordered the casket made by the local furniture factory, helped place the body in it and generally arranged things so that the preacher could play the dominating role.

56
Q

Describe the funeral procession and graveside procedures of the late 19th century:

A

Similar to usual sequence of today (Public viewing of body; Ceremony: Prayers, scripture, eulogy; Last viewing; Procession to cemetery; Music; Flowers; Memorialization at cemetery)

57
Q

Define the appearances of personal dress, the home, stationery, as well as music and mourning behavior of the late 19th century:

A
  • First 6 months after death: deep mourning
  • Refrain from social and recreational affairs
  • Dark veils hung in doorways
  • Widow wore black for the first year
  • But…caskets were objects of beauty
    Late 19th Century Undertaking