midterm q 3 Flashcards
Which New York-born, Louisiana-raised, playwright (b. 1956) wrote a masterpiece of modern drama, Angels in America, that deals with the AIDS crisis, sexuality, gender, and politics?
Tony Kushner
Which quality of character began in realism and grew to become the dominant aspect of the theatrical experience by the mid-twentieth century, most notably in the plays of Checkov, Williams, and Miller?
the psychological dimension of character
The core element of every play is
Action
A play that relates in some fashion to the current personal concerns of the audience is said to possess gravity.(T or F)
False
A screenwriter, as well as a playwright, Neil LaBute’s contribution to today’s theatre is a return to highly romantic dialogue, at times written in poetic verse.(T or F)
False
Scenes of forced conflict are important because
climactic scenes define a play’s structure.
The playwright’s skill at condensing a story that may spans many days or years of chronological time into a theatrical time frame is called
compression
The playwright works with two fundamental tools:
dialogue and physical action.
The audience’s demand for internal consistency in a play, in which the characters, the situation, and the theatrical context are combined to generate the action, creates credibility. (T or F)
True
The term “playwright” refers to
a person who constructs and composes a play as a wheelwright makes a wheel.
An independence of thought and vision is perhaps the playwright’s most important characteristic.(T or F)
True
Which of the following is the most accurate statement of the audience’s response to the drama?
Intrigue draws us into the world of the play; credibility keeps us there.
One difference between the playwright in Shakespeare’s time and the contemporary playwright is that
the playwright no longer functions as a director but is now considered an independent artist.
A play in which events are connected to each other in strict, chronological, cause-effect continuity, and in which dramatic experience attempts to convey a lifelike progression of experience through time, is classified as
continuous in structure and linear in chronology.
A play in which every character possesses an independence of intention and expression, and whose motivation appears sensible in the light of our general knowledge of psychology and human behavior, possesses
depth of characterization.