midterm ch 5 Flashcards

1
Q

What alternate meaning of “presence” explains the power of the actor beyond virtuosity?

A

The projection of an aura of magic and divine

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2
Q

What is “The method”

A

an American acting style derived from the Russian actor-director Konstantin Stanislavsky’s self-proclaimed system

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3
Q

Actors who studies human behaviors from a broad range of historical periods, countries, and social classes, so as to apply them when creating characters from a variety of dramatic styles, demonstrates a technique of the _________ mode of acting.

A

External

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4
Q

The term “subtext” refers to?

A

x

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5
Q

Who maintained that the actor should be “an unmoved and disinterested onlooker” and imitate emotion rather than feel it?

A

x

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6
Q

The term mimesis means

A

mimicry

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7
Q

An expressive voice and a solid education in literature are the two components of training an actor’s instrument.(T or F)

A

False

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8
Q

The three stages of the actor’s routine are personal training, premiering, and running the show.(T or F)

A

False

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9
Q

Stanislavsky’s system stresses the actor’s work with the zadacha, which refers to

A

the character’s “problem” or “goal;” that is, what the character desires to achieve.

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10
Q

Directed stage actions that are precisely scripted physical behaviors worked out in blocking are called

A

stage business

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11
Q

The actor’s instrument is his or her

A

x (voice)?

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12
Q

Directors typically look for a performer’s personal history that exactly matches that of the character in an audition.(T or F)

A

False

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13
Q

The mid-twentieth century saw an emphasis on “reality” and inner emotional life in both film and theatre.(T or F)

A

True

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14
Q

Most auditions consist of performing:

A

one- or two-minute monologues from plays or short narrative cuttings from novels, stories, or poems which display a contrast.

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15
Q

The term used for the technical skills needed for professional acting, focusing primarily on the voice and body, is

A

Virtuosity

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16
Q

What are the two fundamental notions of acting?

A

Internal and external

17
Q

Acting is a low-income life, more often than not depressing, anxious, and beset by demands for sacrifice from every direction—psychologically, financially, and morally.(T or F)

A

True

18
Q

Konstantin Stanislavsky, founder of the Moscow Art Theatre (1898), said “You must live the life of your character on stage.” Which style of acting does this statement describe most closely?

A

x

19
Q

Today, the debate over inside or outside styles of acting

A

is largely diminished, with Stanislavsky and classical techniques both emphasized.

20
Q

Which faculty keeps the actor within established bounds and at the same time ensures artistic agility?

A

discipline