MIDTERM Flashcards

1
Q

WHAT it is an energy emitted and transferred through matter and travels in the speed of light.

A

Radiation

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2
Q

Radiation – it is an energy emitted and transferred through matter and travels in the

A

speed of light.

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3
Q

SPEED OF LIGHT: can be measured by:

A

299792458 m / s
300,000 km/s
186,000 mi/s (miles)
3 x 10^8 m/s (S.I. unit)

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4
Q

Is an art and science of recording x-ray images as
x-ray passed through an object and recorded on x-ray film

A

RADIOGRAPHY

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5
Q

Is also know as X-ray film

A

IMAGE RECEPTOR

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6
Q

Also known as INVISIBLE image

A

LATENT IMAGE

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7
Q

Also known as VISIBLE image

A

MANIFEST IMAGE

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8
Q

MANIFEST IMAGE: Also known as

A

VISIBLE image

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9
Q

IMAGE RECEPTOR: Is also know as

A

X-ray film

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10
Q

LATENT IMAGE: Also known as

A

INVISIBLE image

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11
Q

is one of the most familiar forms of radiation.

A

Sunshine

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12
Q

Sunshine is one of the most familiar forms OF WHAT

A

forms of radiation.

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13
Q

A place where patient completes data gathered and schedule
for examination.

A

INFORMATION AREA OR RECEIVING AREA

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14
Q

An area where the patient change their dress to laboratory
gown for examination.

A

DRESSING ROOM

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15
Q

An area where the x-ray examination conducted.

A

EXPOSURE ROOM

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16
Q

EXPOSURE ROOM
* An area where WHAT

A

the x-ray examination conducted.

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16
Q

DIFFERENT AREAS IN RADIOLOGY
DEPARTMENT

A
  1. INFORMATION AREA OR RECEIVING AREA
  2. DRESSING ROOM
  3. EXPOSURE ROOM
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16
Q

A room where processing cycle of the exposed x-ray film
takes place.

A

DARK ROOM OR PROCESSING ROOM

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17
Q

in DARK ROOM on what rank or level, The most important room in Radiology Department

A

SECOND important

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17
Q

ININFORMATION AREA OR RECEIVING AREA
* A place where patient completes WHAT

A

Data gathered and schedule
for examination.

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17
Q

An area where diagnostic report or findings were interpreted
or rule-out based on the patient request through radiologist

A

READING ROOM OR INTERPRETATION ROOM

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17
Q

Radiograph was viewed by WHAT

A

Negatoscope or View Box

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17
Q

READING ROOM OR INTERPRETATION ROOM
* An area where the patient request through radiologist.

A

diagnostic report or findings were interpreted
or rule-out based

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18
Q

DARK ROOM OR PROCESSING ROOM
* A room where processing cycle of WHAT

A

the exposed x-ray film
takes place

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19
Q

in DARK ROOM, Is a room ______ of white light in which the processing cycle
takes place.

A

devoid

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19
Q

WHAT was viewed by the aid of Negatoscope or
View Box

A

Radiograph

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19
Q

The most SECOND important room in Radiology Department.

A

DARK ROOM

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19
Q

is a room devoid of white light in which the processing cycle
takes place.

A

DARK ROOM

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19
Q

in darkroom, Is a room of what

A

devoid of white light in which the processing cycle
takes place.

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19
Q

IN GENERAL REQUIREMENTS OF THE DARK ROOM: LOCATION

A

must be adjacent (close or near) to the x-ray
room.

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19
Q

in darkroom, A technologist can never hope to be a really good technologist unless he/she is a WHAT Because of the special importance of this room in
the handling, processing and even flow of works, both general
and detailed feature should be most thoughtfully worked out

A

a master of the darkroom and processing technique

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20
Q

WHAT ARE THE GENERAL REQUIREMENTS OF THE DARK ROOM

A

LOCATION: must be adjacent (close or near) to the x-ray
room.
* SIZE: 9.5 ft x 15 ft
* VENTILATION: Humidity range must be 40% - 60%
Temperature rate should be 19°C to 22°C
* COLOR OF THE WALL: Dark color but not shiny
* RADIATION PROOF
* LIGHT PROOF
* PROVIDED WITH ELECTRIC WIRING

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20
Q

IN DARKROOM, A technologist can never hope to be a really good technologist
unless he/she is a master of the darkroom and processing
technique. Because of the special importance of this room in
the handling, processing and even flow of works, both general
and detailed feature should be WHAT

A

most thoughtfully worked out

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20
Q

IN GENERAL REQUIREMENTS OF THE DARK ROOM: VENTILATION: Humidity range must be

A

40% - 60%

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20
Q

IN LAY OUT OF DARK ROOM
The processing room should be WHAT

A

adjacent to the exposure room,
and should have a source of electricity for operating of apparatus.

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21
Q

IN GENERAL REQUIREMENTS OF THE DARK ROOM: SIZE

A

9.5 ft x 15 ft

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21
Q

IN GENERAL REQUIREMENTS OF THE DARK ROOM: VENTILATION:
Temperature rate should be

A

19°C to 22°C

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21
Q

The processing room should be adjacent to the exposure room,
and should have a source of electricity for operating of apparatus.

A

LAY OUT OF DARK ROOM

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22
Q

IN GENERAL REQUIREMENTS OF THE DARK ROOM: COLOR OF THE WALL

A

Dark color but not shiny

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22
Q

The entire processing procedure in one room is divided into
TWO sections. WHAT ARE THOSE TWO

A
  1. DRY SECTION
  2. WET SECTION
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22
Q

WHAT minimum distance between these areas should be

A

4 feet

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22
Q

WHAT SHOULD distance between these areas should be 4 feet

A

A minimum distance

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23
Q

should be installed over the entrance to guard
against unauthorized or inadvertent entry

A

Warning light

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24
Q

Warning light should be installed WHERE

A

installed over the entrance to guard against unauthorized or inadvertent entry

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24
Q

WHAT ARE TYPES OF DARK ROOM DOORS

A
  1. SINGLE DOOR
  2. LIGHT LOCK / DOUBLE DOOR
  3. LABYRINTH OR MAZE
  4. REVOLVING DOOR
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25
Q

IN TYPES OF DARK ROOM DOORS
WHAT radiologic technologist are the only person who routinely utilizes the processing with an inside bolt or lock.

A

SINGLE DOOR

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25
Q

IN TYPES OF DARK ROOM DOORS
1. SINGLE DOOR: The radiologic technologist are the WHAT

A

the only person who routinely utilizes the processing with an inside bolt or lock.

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26
Q

IN TYPES OF DARK ROOM DOORS

This type of entrance
may be consisting of a small hall, with two doors.

A

LIGHT LOCK / DOUBLE DOOR

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26
Q

IN TYPES OF DARK ROOM DOORS
This door is used to make sure that accident due to sudden opening of the door or the 1st door wont exposed anything inside the dark room.

A

LIGHT LOCK / DOUBLE DOOR

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27
Q

IN TYPES OF DARK ROOM DOORS
The second door serves as a protection, safety and
assurance.

A

LIGHT LOCK / DOUBLE DOOR

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28
Q

IN TYPES OF DARK ROOM DOORS
Once the person is already inside the hall, the first door should be closed before opening the 2nd door entering the dark room.

A

LIGHT LOCK / DOUBLE DOOR

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29
Q

IN TYPES OF DARK ROOM DOORS
LIGHT LOCK / DOUBLE DOOR: This type of entrance
may be consisting of a small hall, with HOW MANY doors

A

TWO

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30
Q

IN TYPES OF DARK ROOM DOORS
LIGHT LOCK / DOUBLE DOOR: This type of entrance
may be consisting of a small hall, with two doors. This door is
used to make sure WHAT?

A

that accident due to sudden opening of the door or the 1st door wont exposed anything inside the dark
room

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30
Q

IN TYPES OF DARK ROOM DOORS

LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the WHAT
door should be CLOSED before opening the 2nd door entering the dark room.

A

1ST door

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30
Q

IN TYPES OF DARK ROOM DOORS

LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST
door should be WHAT before opening the 2nd door entering the dark room.

A

CLOSED

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30
Q

IN TYPES OF DARK ROOM DOORS

LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST
door should be CLOSED before opening the WHAT door entering the dark room.

A

2ND DOOR

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31
Q

IN TYPES OF DARK ROOM DOORS
LIGHT LOCK / DOUBLE DOOR: The second door serves as WHAT

A

a protection, safety and
assurance

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32
Q

WHAT TYPE OF DOOR CAN CAUSE TRAPPING

A

LIGHT LOCK / DOUBLE DOOR

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32
Q

IN TYPES OF DARK ROOM DOORS

This is not provided with doors.

A

LABYRINTH OR MAZE

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32
Q

WHAT TYPE OF DOOR IS ONE LEADING IN AND OTHER OUT WITH A SHORT HALLWAY IN BETWEEN

A

LIGHT LOCK / DOUBLE DOOR

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32
Q

IN TYPES OF DARK ROOM DOORS

LIGHT LOCK / DOUBLE DOOR: Once the person is already inside the hall, the 1ST
door should be CLOSED before opening the 2nd door entering WHAT

A

the dark room.

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32
Q

IN TYPES OF DARK ROOM DOORS

It prevents the entrance of white light to the processing room, yet
provides air circulation.

A

LABYRINTH OR MAZE

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33
Q

IN TYPES OF DARK ROOM DOORS

It requires, however at least twice as much floor space as a light lock.

A

LABYRINTH OR MAZE

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34
Q

WHAT TYPE OF DOOR HAS NO DOORS

A

LABYRINTH OR MAZE

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34
Q

IN TYPES OF DARK ROOM DOORS The walls and the ceiling should be painted with dark and flat
non-reflective paint and be illuminated by safe light.
The walls and the ceiling should be painted with dark and flat
non-reflective paint and be illuminated by safe light.

A

LABYRINTH OR MAZE

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34
Q

WHAT TYPE OF DOOR PEOPLE CAN ENTER AND EXIT AND ANY MOMENT

A

LABYRINTH OR MAZE

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34
Q

WHAT TYPE OF DOOR CAN TAKES UP TOO MUCH BUILDING SPACE

A

LABYRINTH OR MAZE

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35
Q

IN TYPES OF DARK ROOM DOORS
LABYRINTH OR MAZE: This is not provided with WHAT

A

doors

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36
Q

IN TYPES OF DARK ROOM DOORS
LABYRINTH OR MAZE
It prevents WHAT

A

the entrance of white light to the processing room, yet
provides air circulation.

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36
Q

IN TYPES OF DARK ROOM DOORS
LABYRINTH OR MAZE
It requires WHAT

A

however at least twice as much floor space as a light lock.

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36
Q

IN TYPES OF DARK ROOM DOORS
LABYRINTH OR MAZE
The walls and the ceiling should be painted with WHAT COLOR and flat
non-reflective paint and be illuminated by safe light

A

with dark

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37
Q

IN TYPES OF DARK ROOM DOORS
LABYRINTH OR MAZE
The walls and the ceiling should be painted with dark and WHAT

A

and flat non-reflective paint and be illuminated by safe light

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37
Q

A TYPE OF DOOR THAT Is not being used anymore.

A

REVOLVING DOOR

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38
Q

SAFE LIGHT: Is design to give WHAT

A

enough visibility to
accomplish all necessary duties in the handling and
processing x-ray film without harmful effect to any
unprocessed film

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38
Q

WHAT TYPE OF DOOR THAT IS THE MOST EFFICIENT BUT MOST ESPENSIVE TYPE

A

REVOLVING DOOR

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38
Q

WHAT TYPE OF DOOR COMPOSED OF TWO BLACK CYLINDERS

A

REVOLVING DOOR

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38
Q

WHAT ARE Different lights used in DARKROOM

A
  1. White Light
  2. SAFE LIGHT
  3. WRATTEN 6B (AMBER) FILTER
  4. GBX FILTER
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38
Q

WHAT TYPE OF DOOR THE OUTER IS FIXED

A

REVOLVING DOOR

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39
Q

WHAT Is design to give enough visibility to accomplish all necessary duties in the handling and processing x-ray film without harmful effect to any unprocessed film

A

SAFE LIGHT

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39
Q

IN White Light: Use to perform many activities, such as:

A
  • Mixing chemicals
  • Cleaning tanks
  • Unloading film hangers
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39
Q

WHAT IS Different lights used in DARKROOM

A

ILLUMINATION

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39
Q

WHAT TYPE OF DOOR INNER IS THE REVOLVNG DOOR WITH ONLY ONE OPENING

A

REVOLVING DOOR

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40
Q

WHAT Is the recommended
type of filter that the light produce is not in the same spectral range as the film sensitivity. (monochromatic)

A

WRATTEN 6B (AMBER) FILTER

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40
Q

A safe light consist of WHAT, that it does not fog the film / expose to it for reasonable handling
period.

A

consist of all filter used in a lamp housing to provide light such as spectral quality and intensity

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40
Q

WRATTEN 6B (AMBER) FILTER: - Is WHAT that the light produce is not in the same spectral range as the film sensitivity. monochromatic)

A

Is the recommended type of filter

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40
Q

WRATTEN 6B (AMBER) FILTER: - Is the recommended type of filter that the light produce is not in the same spectral range as the film sensitivity. ALSO KNOWN AS

A

(monochromatic)

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40
Q

A safe light consist of all filter used in a lamp housing to
provide light such as spectral quality and intensity, that it
does not WHAT

A

it does not fog the film / expose to it for reasonable handling
period.

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41
Q

WRATTEN 6B (AMBER) FILTER: - Is the recommended type of filter that WHAT the light produce

A

is not in the same spectral
range as the film sensitivity. (monochromatic)

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41
Q

IN THE SOURCE, Distance of safelight from the working bench WHAT FEET

A

NOT less than 1.5 meters or 5 feet

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41
Q

filter used for blue-sensitive film.
(orthochromatic

A

GBX FILTER

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41
Q

GBX FILTER: filter used for WHAT

A

blue-sensitive film.
(orthochromatic

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41
Q

15 Watts, WHAT BULB is recommended which is widely
used

A

tungsten bulb

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42
Q

IN SOURCE,
* Therefore, distance of safelight from the floor is WHAT

A

2.5 meters.

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42
Q

FOR THE SOURCE, HOW MANY WATTS tungsten bulb is recommended which is widely
used

A

15 Watts

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42
Q

IN DRY SECTION: This is the area in a darkroom where
WHAT

A

loading and unloading of film and film holder takes place

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42
Q

This is the area in a darkroom where loading and unloading of film and film holder takes place

A

DRY SECTION

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43
Q

It contains an area for loading and unloading film holders.

A

LOADING BENCH

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43
Q

IN LOADING BENCH
* It contains an area for WHAT .

A

loading and unloading film holders.

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43
Q

IN LOADING BENCH
* The proper height of a loading bench for the average
standing person is WHAT METER

A

3 Feet or 1 meter

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43
Q

The primary components of the dry section of the processing room.

A

LOADING BENCH

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44
Q

IN LOADING BENCH
WHAT for the average
standing person is 3 Feet or 1 meter

A

The proper height of a loading bench

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44
Q

IN LOADING BENCH
* The depth is determined by the distance a person can easily
reach on the surface without WHAT

A

without undue leaning or stretching, 24 inches is recommended.

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44
Q

IN LOADING BENCH
* The maximum length of the working surface should
WHAT

A

accommodate TWO (2) 14 x 17 inch cassette, end to end to
permit unloading and reloading of two cassettes.

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44
Q

IN FILM BIN: It is customary (usual practice) to deep supply of
opened x-ray film boxes sufficient for WHAT

A

immediate needs, located underneath the loading bench.

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44
Q

IN LOADING BENCH

  • The depth is determined by the distance a person can easily
    reach on the surface without undue leaning or stretching, WITH HOW MANY INCHES RECOMMENED
A

24 inches is recommended.

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45
Q

It is customary (usual practice) to deep supply of
opened x-ray film boxes sufficient for immediate needs,
located underneath the loading bench.

A

FILM BIN

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45
Q

IN FILM BIN: It is WHAT THAT,
located underneath the loading bench.

A

It is customary (usual practice) to deep supply of opened x-ray film boxes sufficient for immediate needs

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46
Q

WHAT IS The ideal way to store cassette and film holders is in vertical compartment, so that they are readily accessible but not encroach (INTRUDE) on the working surface of
the loading bench

A

STORAGE COMPARTMENT

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47
Q

IN STORAGE COMPARTMENT: The ideal way to store cassette
and film holders is in WHAT POSITION compartment, so that they are readily
accessible but not encroach (INTRUDE) on the working surface of
the loading bench

A

vertical compartment

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48
Q

IN STORAGE COMPARTMENT: The ideal way to store cassette
and film holders is in vertical compartment, so that they are WHAT

A

readily accessible but not encroach (INTRUDE) on the working surface of the loading bench

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49
Q

WHAT cabinet which you can store,
different accessories used in processing such as:
* A. Package chemicals
* B. Mixing accessories
* C. Towels and etc

A

STORAGE CABINET

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50
Q

STORAGE CABINET: A cabinet which you can store,
different accessories used in processing such as:

A
  • A. Package chemicals
  • B. Mixing accessories
  • C. Towels and etc
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50
Q

Is an opening to the exposure room that makes the cassette
readily available to the technologist.

A

CASSETTE TRANSFER CABINET OR PASSBOX

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51
Q

VENTILATION: A well functioning darkroom should be
no WHAT?

A

no odor

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51
Q

CASSETTE TRANSFER CABINET OR PASSBOX
* Is an opening to the exposure room that makesWHAT

A

the cassette readily available to the technologist.

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52
Q

A well functioning darkroom should be no odor. Proper ventilation will also tend to reduce dust artefacts and improve processor operation.

A

VENTILATION

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53
Q

VENTILATION: A well functioning darkroom should be
no odor. Proper ventilation will also tend to reduce WHAT

A

to reduce dust artefacts and improve processor operation.

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54
Q

VENTILATION: HAS ALWAYS WHAT ventilation inside the darkroom must be
observed, for the help and efficiency of the Technologist in
processing

A

Always satisfactory

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55
Q

IN VENTILATION Always
satisfactory ventilation inside the darkroom mustWHAT

A

must be observed, for the help and efficiency of the Technologist in processing

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56
Q

This is the area in a darkroom where the
processing of x-ray film takes place.

A

WET SECTION: This is the area in a darkroom where the
processing of x-ray film takes place.

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57
Q

IN WET SECTION: This is the area in a darkroom where WHAT

A

the processing of x-ray film takes place.

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58
Q

WHAT ARE THE PROCESSING TANKS

A

MANUAL PROCESSING
MASTER TANK
INSERT TANK

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59
Q

Includes wetting, developing,
rinsing, fixing, washing and drying of x-ray film. It should be
done in an area separated from the loading bench.

A

MANUAL PROCESSING

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60
Q

IN MANUAL PROCESSING: IncludesWHAT? THAT It should be done in an area separated from the loading bench.

A

Includes wetting, developing,
rinsing, fixing, washing and drying of x-ray film

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61
Q

MANUAL PROCESSING: Includes wetting, developing,
rinsing, fixing, washing and drying of x-ray film. It should be
done in an area separated from WHAT

A

the loading bench.

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62
Q

IN MANUAL PROCESSING This arrangement avoids WHAT

A

splashing of solution on screen, film and loading areas.

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63
Q

WHAT IS A PROCESSING IS A SERIES OF ACTIONS by which exposed xray field yields an image.

A

film processing (manual)

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64
Q

in processing a film, the sequnec of actions should be as follows:

A

a. mark the patient’s name on the film
b. develop the film
c. rinse developer from the film
d. fix the film
e. wash the fixer from the film
f. dry the film

steps (a-d) must be carried out with only the (colored) safelights on)

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65
Q

Serve as water jackets to hold the insert
tanks, and usually provides space between the insert tanks for
rinsing and washing of films.

A

MASTER TANK

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66
Q

in MASTER TANK: Serve as WHAT to hold the insert
tanks, and usually provides space between the insert tanks for
rinsing and washing of films.

A

water jackets

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67
Q

IN MASTER TANK: Serve as water jackets to hold the WHAT , and usually provides space between the insert tanks for
rinsing and washing of films.

A

insert tanks

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68
Q

IN MASTER TANK: Serve as water jackets to hold the insert
tanks, and usually provides WHAT

A

space between the insert tanks for rinsing and washing of films.

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69
Q

It is removable container for individual processing solution and are placed in the water jacket of a master tank

A

INSERT TANK

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70
Q

IN INSERT TANK: It is removable container forWHAT and are placed in the water jacket of a
master tank

A

for individual processing solution

71
Q

IN INSERT TANK: It is removable container for individual
processing solution and are placed inWHAT

A

in the water jacket of a
master tank

72
Q

It holds the x-ray film during
processing procedure. It consists of cross bar and right frame
which are attached four clips, two of which are mounted on a
bow spring welded to the cross bar.

A

SHEET FILM HANGER

73
Q

IN SHEET FILM HANGER: It holds the WHAT during processing procedure. It consists of cross bar and right frame
which are attached four clips, two of which are mounted on a
bow spring welded to the cross bar.

A

the x-ray film

73
Q

SHEET FILM HANGER: It holds the x-ray film during processing procedure. It consists of WHAT, two of which are mounted on a
bow spring welded to the cross bar.

A

cross bar and right frame
which are attached four clips

74
Q

SHEET FILM HANGER: It holds the x-ray film during
processing procedure. It consists of cross bar and right frame
which are attached four clips, WHICH are mounted on a
WHAT

A

two of which are mounted on a
bow spring welded to the cross bar.

74
Q

Used in dental clinics, consist of a
bar to which are attached the film clips

A

DENTAL FIM HANGER

75
Q

IN DENTAL FIM HANGER: Used in WHERE, consist of a
bar to which are attached the film clips

A

dental clinics

75
Q

IN DENTAL FIM HANGER: Used in dental clinics, consist of WHAT

A

consist of a bar to which are attached the film clips

76
Q

Where it is necessary to process 10 mm roll film for photo fluorography or various widths of
cardiography film paper.

A

ROLL FILM HANGER

77
Q

IN ROLL FILM HANGER: Where it is necessary to process HOW MM OF ROLL FILM for photo fluorography or various widths of
cardiography film paper.

A

10 mm roll film

78
Q

IN ROLL FILM HANGER: Where it is necessary to process 10
mm roll film for WHAT.

A

for photo fluorography or various widths of cardiography film paper.

79
Q

IN LABORATORY APRON: A waterproof apron should be
WHAT to prevent solution stains on uniform and other clothing

A

worn during processing operation

80
Q

A waterproof apron should be
worn during processing operation to prevent solution stains on uniform and other clothing

A

LABORATORY APRON

81
Q

IN LABORATORY APRON: A waterproof apron should be
worn during processing operation to prevent WHAT

A

to prevent solution stains on uniform and other clothing

82
Q

Processing of radiographs requires an accurate check on the temperature of the solution to maintain at all times, by using of an accurate WHAT

A

THERMOMETER

83
Q

IN THERMOMETER: Processing of radiographs requires a
WHAT FOR the solution to maintain at all times, by using of an accurate thermometer.

A

accurate check on the temperature

84
Q

IN THERMOMETER: Processing of radiographs requires an
accurate check on the temperature of the solution to maintain at all times, by using of WHAT

A

an accurate thermometer.

85
Q

IN THERMOMETER: Processing of radiographs requires an
accurate check on the temperature of the solution to WHAT, by using of an accurate thermometer.

A

maintain at all times

86
Q

IN THERMOMETER:
The optimum temperature of WHAT is recommended
by the American Standard Association.

A

20°C or 68°F

87
Q

IN THERMOMETER
The optimum temperature of 20°C or 68oF is recommended
by WHAT Association.

A

American Standard Association.

88
Q

Are essential tools in any hospital, diagnostic center, research and development laboratory. They work to remove moisture from the air, which can help prevent the spread of infections and other health concerns.

A

DEHUMIDIFIER

89
Q

IN DEHUMIDIFIER: Are essential tools in any hospital, diagnostic center, research and development laboratory. They
work to WHAT, which can help prevent the spread of infections and other health concerns.

A

to remove moisture from the air,

89
Q

IN DEHUMIDIFIER: Are essential tools in any hospital,
diagnostic center, research and development laboratory. They
work to remove moisture from the air, which can help prevent
WHAT

A

the spread of infections and other health concerns

90
Q

IN DEHUMIDIFIER:
A dehumidifier removes water from the air in the facility until
relative humidity is reduced to the level you choose. Once it
has reached this level, a good dehumidifier should
automatically maintain HOW MANY PERCENT OF READING humidity in the
facility to make sure that every parts/device of the machine is
safe and to prevent any incident/accident in the facility

A

maintain 60% (max reading)

90
Q

IN DEHUMIDIFIER:
A dehumidifier removes WHAT in the facility until
relative humidity is reduced to the level you choose. Once it
has reached this level, a good dehumidifier should
automatically maintain 60% (max reading) humidity in the
facility to make sure that every parts/device of the machine is
safe and to prevent any incident/accident in the facility

A

removes water from the air

91
Q

IN DEHUMIDIFIER
A dehumidifier removes water from the air in the facility until
relative humidity is reduced to the level you choose. Once it
has reached this level, a good dehumidifier should
automatically maintain 60% (max reading) humidity in the
facility to make sure WHAT

A

that every parts/device of the machine is safe and to prevent any incident/accident in the facility

92
Q

Instrument used to measure the humidity,
or amount of water vapor in the air.

A

HYGROMETER

93
Q

IN HYGROMETER: Instrument used to measure WHAT,
or amount of water vapor in the air.

A

measure the humidity

94
Q

IN HYGROMETER:
This device is excellent for detecting water vapor in soil, air, or any other WHAT place. This is a particularly helpful tool for
monitoring humidity

A

confined place

95
Q

IN HYGROMETER:
This device is excellent for detecting water vapor in soil, air, or any other confined place. This is a particularly helpful tool for
WHAT

A

monitoring humidity

96
Q

IN HYGROMETER:
In an x-ray facility, HOW PERCENT FOR HUMDITY reading is the maximum
limit, once the limit is reach, corrective action must be applied

A

60% in humidity reading

97
Q

IN HYGROMETER:
In an x-ray facility, 60% in humidity reading is the WHAT limit, once the limit is reach, corrective action must be applied

A

maximum limit

98
Q

IN Characteristic of a Good Dark Room
* Darkroom should WHAT, the doors and outlet must be lightproof and all safelight filters must be in good condition.

A

exclude all white light

99
Q

IN Characteristic of a Good Dark Room
* Darkroom should be WHAT with relation to the
radiographic rooms.

A

centrally located

99
Q

IN Characteristic of a Good Dark Room
* Darkroom should exclude all white light, the doors and
outlet must be WHAT and all safelight filters must be in
good condition.

A

lightproof

100
Q

IN Characteristic of a Good Dark Room

  • A method of entrance into the darkroom should be
    constructed with WHAT type of doors.
A

either maze or labyrinth type of doors

101
Q

IN Characteristic of a Good Dark Room

  • The size of darkroom will vary with the condition of
    WHAT. One must realize
    that there should be adequate space to all necessary
    equipment for good darkroom operation.
A

operations and the size of the department

102
Q

IN Characteristic of a Good Dark Room

  • The size of darkroom will vary with the condition of
    operations and the size of the department. One must realize
    that there should be WHAT
A

should be adequate space to all necessary equipment for good darkroom operation

102
Q

IN Characteristic of a Good Dark Room

  • A good darkroom WHAT, a view
    box by which used to inspect radiograph and over head or
    general illumination to be used when the darkroom need to
    be clean
A

should be properly illuminated with various type of lighting, including a proper safelight

103
Q

IN Characteristic of a Good Dark Room

  • A good darkroom should be properly illuminated with
    various type of lighting, including
A

including a proper safelight, a view box by which used to inspect radiograph and over head or general illumination to be used when the darkroom need to be clean

103
Q

Dark Room Cleanliness
* Test Frequency –

A

Weekly

104
Q

IN Dark Room Cleanliness
WHAT in the darkroom can result
in artifacts in the radiographic image. A clean darkroom
reduces artifacts and the amount of effort required for
cleaning the cassettes and screens.

A

Dust or dirt

104
Q

The darkroom is a major source of problems in any
radiographic facility. Dust or dirt in the darkroom can result
in artifacts in the radiographic image. A clean darkroom
reduces artifacts and the amount of effort required for
cleaning the cassettes and screens.

A

Dark Room Cleanliness

105
Q

IN Dark Room Cleanliness
Dust or dirt in the darkroom can result in artifacts in the radiographic image. A clean darkroom reduces WHATand the amount of effort required for
cleaning the cassettes and screens.

A

reduces artifacts

106
Q

IN Dark Room Cleanliness
Dust or dirt in the darkroom can result
in artifacts in the radiographic image. A clean darkroom
reduces artifacts and the amount of effort required for
WHAT

A

cleaning the cassettes and screens.

107
Q

IN The following are some
tips on darkroom maintenance:
* 2. The counter top used for loading and unloading the
cassettes should WHAT

A

should be clear of unnecessary items

108
Q

IN The following are some
tips on darkroom maintenance:

    1. WHATmakes cleaning more difficult and
      provides a place for dust and dirt to accumulate.
A

Clutter (untidily)

109
Q

IN The following are some
tips on darkroom maintenance:

    1. The ceiling of the darkroom should be constructed of a
      WHAT.
A

solid material such as drywall

110
Q

IN The following are some
tips on darkroom maintenance:

    1. The ceiling of the darkroom should be constructed of a
      solid material such as drywall. WHAT, often set in metal
      channels, allow dust and dirt to shift through the ceiling and
      fall on the surfaces used for handling cassettes. In addition,
      light can often enter the darkroom through such tiles,
      resulting in fog on the radiographic film.
A

Ceiling tiles

110
Q

IN The following are some
tips on darkroom maintenance:

    1. The heating and air conditioning vents should WHAT
      the room over the counter used for handling cassettes.
A

should not enter

110
Q

IN The following are some
tips on darkroom maintenance:

    1. Cassettes stored on the floor will accumulate dust that may
      be carried into the darkroom. Cassettes should WHAT between exposure and being taken into the darkroom for processing.
A

should not be placed
on the floor

110
Q

IN DARKROOM CLEANLINESS, Equipment Required

(Note! This test is WHAT for the Polaroid Instant film
System.)
Records: None required

A

not required for the Polaroid Instant film System.

110
Q

IN The following are some
tips on darkroom maintenance:

    1. The pass box, if present, should be cleaned HOW MANY DAYS to prevent dust and dirt from being introduced into the
      darkroom
A

every day

110
Q

IN DARKROOM CLEANLINESS, Equipment Required
Records: IS WHAT

A

None required

110
Q

IN The following are some
tips on darkroom maintenance:

    1. The ceiling of the darkroom should be constructed of a
      solid material such as drywall. Ceiling tiles, often set in metal
      channels, allow WHAT. In addition,
      light can often enter the darkroom through such tiles,
      resulting in fog on the radiographic film.
A

dust and dirt to shift through the ceiling and fall on the surfaces used for handling cassettes

110
Q

IN DARKROOM CLEANLINESS, Equipment Required

(Note! This test is not required for WHAT)
Records: None required

A

the Polaroid Instant film
System

110
Q

it is used in the context of quality assurance or quality control, it refer to ensure that the images obtained from test films are not affected by issues such as artifacts, unintended exposure, or contamination from other sources. in this sense would mean that the test films provide accurate and reliable information about the imaging system’s performance

A

in Crossover in Quality Assurance “control film crossover”

110
Q

in Crossover in Quality Assurance: If the term “control film crossover” it is used in the context of quality assurance or quality control, it refer to ensure that WHAT?

A

to ensure that the images obtained from test films are not affected by issues such as artifacts, unintended exposure, or contamination from other sources

110
Q

in Crossover in Quality Assurance: Crossover in this sense would mean that the test films provide WHAT

A

accurate and reliable information about the imaging system’s performance

111
Q

in Crossover in Quality Assurance:
Radiographic film is manufactured in ________.

A

BATCHES

111
Q

in Crossover in Quality Assurance: Radiographic film is manufactured in batches. Consequently,
there may be WHAT? in the film characteristics
between batches

A

slight variations

111
Q

in Crossover in Quality Assurance: WHAT can affect the sensitometric characteristics of the film

A

FILM AGING AND STORAGE

111
Q

in Crossover in Quality Assurance: This means that the WHAT ARE THE values may
not be the same between the two batches of film.

A

the MD, HD, LD and DD values

111
Q

in Crossover in Quality Assurance: FILM AGING AND STORAGE can affect the sensitometric characteristics of the film. This means that the MD, HD, LD and DD values may
WHAT?.

A

may not be the same between the two batches of film.

111
Q

in Crossover in Quality Assurance:
* Changes in these density levels may cause the processor TO WHAT?.

A

to appear to be operating out of tolerances when it is not

111
Q

in Crossover in Quality Assurance:

When the number of films in the QC box is low and another box
with the same emulsion batch number is not available, WHAT is needed.

A

a crossover to a new box of film is needed

111
Q

in Crossover in Quality Assurance:

WHAT is performed when the emulsion batch number of the QC film (not the clinical film) changes.

A

Crossover

111
Q

in Crossover in Quality Assurance:

When the number of films in the QC box is low and another box
with the same emulsion batch number is not available, a
crossover to a new box of film is needed. Crossover is performed when the emulsion batch number of the QC film (not the WHAT?) changes.

A

clinical film

111
Q

in Crossover in Quality Assurance:

  • NOTE: Facilities using the same box of film for both QC
    testing and clinical imaging must WHAT? procedure while 5 sheets of film remain. Crossover must be performed each time QC film with a different emulsion batch
    number is purchased.
A

must perform crossover

111
Q

in Crossover in Quality Assurance:

  • NOTE: Facilities using the same box of film for both QC
    testing and clinical imaging must perform crossover
    procedure while 5 sheets of film remain. Crossover must WHAT?
A

must be performed each time QC film with a different emulsion batch number is purchased.

111
Q

IN Crossover in Quality Assurance:

  • NOTE: The facility must plan ahead. If there are no five
    sheets of the old QC film available to perform a cross-over, it will be necessary to WHAT?
A

to re-establish the operating limits (Procedure 2A Establish Processor Operating Levels and
Control Limits).

111
Q

WHAT ARE THE Equipment Required IN Control Film Crossover

A

Sensitometer
Densitometer
Five sheets of film from old control film
Fresh Box of control film.
Form 1 Processor Quality Control Chart
Form 3 Crossover Data Sheet
Digital thermometer accurate to at least “ 0.5o F

111
Q

in Equipment Required IN Control Film Crossover:
1. While you have at least five sheets of the old QC film
remaining, select a new box of QC film and WHAT?

A

label it for QC purposes only

111
Q

in Equipment Required IN Control Film Crossover:
2. The chemicals in the processor should be WHAT?. A
crossover procedure cannot be performed immediately
after routine preventative processor maintenance. Ensure
that the processor is operating within the ± 0.10 control
limits.

A

seasoned

111
Q

in Equipment Required IN Control Film Crossover:
2. The chemicals in the processor should be seasoned. A
crossover WHAT?
after routine preventative processor maintenance. Ensure
that the processor is operating within the ± 0.10 control
limits.

A

cannot be performed immediately

111
Q

in Equipment Required IN Control Film Crossover:
2. The chemicals in the processor should be seasoned. A
crossover procedure cannot be performed immediately
after routine preventative processor maintenance. Ensure
that the processor is operating within WHAT?

A

within the ± 0.10 control
limits.

111
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on sensitometer and follow manufacturer’s
    instructions for warm up. Ensure glass surface of
    sensitometer is clean. If necessary clean with a small
    amount of glass cleaner and allow WHAT?. Be
    sure sensitometer is set to the proper light, blue or green, to
    match the film being used
A

allow drying before using

111
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on sensitometer and follow manufacturer’s
    instructions for warm up. Ensure glass surface of
    sensitometer is clean. If necessary clean with a small
    amount of glass cleaner and allow drying before using. Be
    sure sensitometer is set to WHAT?
A

proper light, blue or green, to
match the film being used

111
Q

PARTS OF THE SENSITOMEER WITH THE STEP WEDGE

A

COVER WITH FOAM TO ENSURE GOOD FILM-WEDGE CONTACT

OPTICAL STEP WEDGE

PULSED STROBOSPIC LIGHT

111
Q

WHAT IS AN INSTRUMENT DESIGNED TO EXPOSE A REPRODUCICLE, UNIFORM, OPTICAL STEP-WEDGE PATTERN ONTO A FILM

A

SENSITOMETER

111
Q

in Equipment Required IN Control Film Crossover:

  1. At the same time that processor QC is normally performed, Expose and immediately WHAT? and five sensitometric control strips from the new QC box of film alternating between the two emulsion batches. When completed you will have 10 sensitometric strips
A

process five sensitometric control strips from the old box of QC film

112
Q

in Equipment Required IN Control Film Crossover:

  1. At the same time that processor QC is normally performed, Expose and immediately process five sensitometric control strips from the old box of QC film and five sensitometric control strips from the WHAT?. When completed you will have 10 sensitometric strips
A

the new QC box of film alternating between the two emulsion batches

112
Q

in Equipment Required IN Control Film Crossover:

  1. At the same time that processor QC is normally performed, Expose and immediately process five sensitometric control strips from the old box of QC film and five sensitometric control strips from the new QC box of film alternating between the two emulsion batches. When completed you will have WHAT?
A

sensitometric strips

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    HOW MANY WHAT the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the NULL button until
    0.00 is displayed. The densitometer must be zeroed before
    each use. The densitometer must be calibrated before each
    use by using the calibration tablet supplied by the
    manufacturer. If the densitometer has several aperture sizes,
    use the 2mm aperture.
A

ZERO

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    zero the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the what? button until
    0.00 is displayed. The densitometer must be zeroed before
    each use. The densitometer must be calibrated before each
    use by using the calibration tablet supplied by the
    manufacturer. If the densitometer has several aperture sizes,
    use the 2mm aperture.
A

NULL button

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    zero the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the NULL button until
    WHAT?. The densitometer must be zeroed before
    each use. The densitometer must be calibrated before each
    use by using the calibration tablet supplied by the
    manufacturer. If the densitometer has several aperture sizes,
    use the 2mm aperture.
A

0.00 is displayed

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    zero the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the NULL button until
    0.00 is displayed. The densitometer must be WHAT?
A

must be zeroed before
each use

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    zero the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the NULL button until
    0.00 is displayed. The densitometer must be zeroed before
    each use. The densitometer must be calibrated before each
    use by using the calibration tablet supplied by the
    WHAT? . If the densitometer has several aperture sizes,
    use the 2mm aperture.
A

manufacturer

112
Q

in Equipment Required IN Control Film Crossover:

  1. Turn on the densitometer and follow manufacturer’s
    procedures for warm up. Follow manufacturer’s procedure to
    zero the densitometer. This is usually done by holding down
    the optical sensory arm and pressing the NULL button until
    0.00 is displayed. The densitometer must be zeroed before
    each use. The densitometer must be calibrated before each
    use by using the calibration tablet supplied by the
    manufacturer. If the densitometer has several aperture sizes,
    use the WHAT?
A

2mm aperture

112
Q

in Equipment Required IN Control Film Crossover:

  1. For the five strips from the WHAT? batch read the
    densities of the steps.
    Operating Levels and Control Limits, for MD, HD and LD
    and the base + fog. You should write the densities and the date
    on the film with permanent marker.
A

old emulsion

113
Q

in Equipment Required IN Control Film Crossover:

  1. For the five strips from the old emulsion batch read the
    densities of the steps.
    Operating Levels and Control Limits, for MD, HD and LD
    and the base + fog. You should write the densities and the date
    on the film with WHAT?
A

permanent marker

113
Q

in Equipment Required IN Control Film Crossover:

  1. For the five strips from the old emulsion batch read the
    densities of the steps.
    WHAT Levels and Limits, for MD, HD and LD
    and the base + fog. You should write the densities and the date
    on the film with permanent marker.
A

Operating Levels and Control Limits

113
Q

in Equipment Required IN Control Film Crossover:

  1. For the five strips from the old emulsion batch read the
    densities of the steps.
    Operating Levels and Control Limits, for WHAT?. You should write the densities and the date
    on the film with permanent marker.
A

MD, HD and LD and the base + fog

113
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the Density Difference (DD) of the old QC film
    by WHAT?
A

by subtracting the average density of the LD step from the
average density of the HD step ( DD = HD-LD).

113
Q

in Equipment Required IN Control Film Crossover:
8. Record these values on the Crossover Data Sheet under
WHAT?

A

under Old Emulsion Data.

113
Q

in Equipment Required IN Control Film Crossover:
8. Record these values on the WHAT? under
Old Emulsion Data

A

Crossover Data Sheet

113
Q

in Equipment Required IN Control Film Crossover:

  1. For the five strips from the WHAT batch read the
    densities of the steps established in Procedure 2A, Establish
    Operating Levels and Control Limits, for MD, HD and LD
    and the base + fog. You should write the densities and the date
    on the film with permanent marker.
A

new emulsion batch

113
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the difference in the MD, DD, and Base plus
    Fog between the WHAT? E.G.. If the value of the new strip is higher than the old, the
    difference will be a positive number. If the value of the new
    strip is lower than the old, the difference will be a negative
    number.
A

between the new and old strips (i.e., new value – old
value)

113
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the difference in the MD, DD, and Base plus
    Fog between the new and old strips (i.e., new value – old
    value). If the value of the new strip is higher than the old, the
    difference will WHAT?. If the value of the new
    strip is lower than the old, the difference will be a negative
    number.
A

will be a positive number

114
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the difference in the MD, DD, and Base plus
    Fog between the new and old strips (i.e., new value – old
    value). If the value of the new strip is higher than the old, the
    difference will be a positive number. If the value of the new
    strip is lower than the old, the difference will be WHAT?
A

will be a negative number

114
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the difference in the MD, DD, and Base plus
    Fog between the new and old strips (i.e., new value – old
    value). If the value of the new strip is WHAT?, the
    difference will be a positive number. If the value of the new
    strip is lower than the old, the difference will be a negative
    number.
A

higher than the old

114
Q

in Equipment Required IN Control Film Crossover:

  1. Determine the difference in the MD, DD, and Base plus
    Fog between the new and old strips (i.e., new value – old
    value). If the value of the new strip is higher than the old, the
    difference will be a positive number. If the value of the new
    strip is WHAT?, the difference will be a negative
    number.
A

lower than the old

114
Q

in Equipment Required IN Control Film Crossover:

  1. Using the numbers obtained in WHAT?, adjust the old operating
    levels for MD, DD, and Base plus Fog. This is accomplished
    by adding the old operating level to the difference obtained in
    10.
A

10

115
Q

in Equipment Required IN Control Film Crossover:

  1. Using the numbers obtained in 10, adjust WHAT? This is accomplished
    by adding the old operating level to the difference obtained in
    10.
A

the old operating levels for MD, DD, and Base plus Fog

115
Q

in Equipment Required IN Control Film Crossover:

  1. Using the numbers obtained in 10, adjust the old operating
    levels for MD, DD, and Base plus Fog. This is accomplished
    by adding WHAT?
A

by adding the old operating level to the difference obtained in
10.

115
Q

in Equipment Required IN Control Film Crossover:
14. Record the new operating levels, control limits and new
emulsion batch number on a WHAT?

A

new Processor QC Chart (Form

115
Q

in Equipment Required IN Control Film Crossover:

15). In WHAT? section indicate that crossover was
performed and the date.

A

“Remarks”

115
Q

in Equipment Required IN Control Film Crossover:

  1. The old Processor QC Chart is WHAT? but must be maintained for at
    least one year.
A

no longer used for daily
processor QC data recording

115
Q

in Equipment Required IN Control Film Crossover:

  1. The old Processor QC Chart is no longer used for daily
    processor QC data recording but must be maintained for at
    least HOW MANY YEARS?
A

for at least one year

115
Q

in Equipment Required IN Control Film Crossover:

  1. If the new box of QC film produces densities such that the
    previously established steps for WHAT? are no
    longer the best choices, then new steps must be established
    using Procedure 2A - Establish Processor Operating Levels
    and Control Limits
A

MD, HD and LD

115
Q

in Equipment Required IN Control Film Crossover:

  1. If the new box of QC film produces densities such that the
    previously established steps for MD, HD and LD are WHAT?
A

no longer the best choices

116
Q

in Equipment Required IN Control Film Crossover:

  1. If the new box of QC film produces densities such that the
    previously established steps for MD, HD and LD are no
    longer the best choices, then new steps must be established
    using WHAT?
A

Procedure 2A - Establish Processor Operating Levels
and Control Limits

117
Q

IN Manual Processing by the Time Temperature Method:
WHO? requires that manual
processing be performed using the time and temperature
method. Manual developing by sight is not permitted because
it decreases image quality. The film is not completely
developed and exposure to enough light to “see” the image
before the film is fixed may cause film fogging and a loss of
contrast.

A

NJ regulation [N.J.A.C. 7:28-22.5(c)]

118
Q

IN Manual Processing by the Time Temperature Method:
NJ regulation [N.J.A.C. 7:28-22.5(c)] IT IS NOT REQUIRED OR REQUIRED? that manual
processing be performed using the time and temperature
method. Manual developing by sight is not permitted because
it decreases image quality. The film is not completely
developed and exposure to enough light to “see” the image
before the film is fixed may cause film fogging and a loss of
contrast.

A

requires

119
Q

IN Manual Processing by the Time Temperature Method:
NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual
processing be performed using the time and temperature
method. Manual developing by WHAT?. The film is not completely
developed and exposure to enough light to “see” the image
before the film is fixed may cause film fogging and a loss of
contrast.

A

by sight is not permitted because
it decreases image quality

120
Q

IN Manual Processing by the Time Temperature Method:
NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual
processing be performed using the time and temperature
method. Manual developing by sight is not permitted because
it decreases image quality. The film is not completely
developed and exposure to enough light to WHAT? may cause film fogging and a loss of
contrast.

A

to “see” the image
before the film is fixed

121
Q

IN Manual Processing by the Time Temperature Method:
NJ regulation [N.J.A.C. 7:28-22.5(c)] requires that manual
processing be performed using the time and temperature
method. Manual developing by sight is not permitted because
it decreases image quality. The film is not completely
developed and exposure to enough light to “see” the image
before the film is fixed may cause WHAT?

A

may cause film fogging and a loss of contrast

122
Q

IN Manual Processing:
1. Remove what? from tanks. Rubber apron and gloves
should be worn to prevent contact with chemicals and
protect clothing.

A

covers

122
Q

IN Manual Processing
WHAT ARE THE Equipment Required:

A
  • Manual tanks
  • Film holder(s)
  • Protective apron and gloves
  • Thermometer
  • Timer
122
Q

IN Manual Processing by the Time Temperature Method:
Between developing sessions keep covers on tanks to decrease
WHAT?

A

to decrease evaporation and oxidation of chemicals.

123
Q

IN Manual Processing:
1. Remove covers from tanks. Rubber apron and gloves
should be worn to prevent WHAT?

A

To prevent contact with chemicals and
protect clothing

124
Q

IN Manual Processing:
1. Remove covers from tanks. WHAT?
should be worn to prevent contact with chemicals and
protect clothing.

A

Rubber apron and gloves

124
Q

IN Manual Processing:

    1. Check WHAT? in tanks. If low, add chemistry.
A

fluid level

125
Q

IN Manual Processing:

    1. Check fluid level in tanks. If low, add WHAT?
A

chemistry

125
Q

IN Manual Processing:

    1. Measure WHAT? of THE developer. If temperature is
      below 64°, increase developer temperature using tank
      manufacturer’s recommended method. Allow time for
      developer temperature to increase before developing films.
      Check temperature again before starting procedure.
A

temperature of developer

126
Q

IN Manual Processing:
1. Remove covers from tanks. Rubber apron and gloves
should be worn to prevent contact with chemicals and
protect clothing.
* 2. Check fluid level in tanks. If low, add chemistry.
* 3. Stir chemistry well.
* 4. Measure temperature of developer. If temperature is
below 64°, increase WHAT? Allow time for
developer temperature to increase before developing films.
Check temperature again before starting procedure.

A

increase developer temperature using tank manufacturer’s recommended method

126
Q

IN Manual Processing:

    1. Measure temperature of developer. If temperature is
      below WHAT?, increase developer temperature using tank
      manufacturer’s recommended method. Allow time for
      developer temperature to increase before developing films.
      Check temperature again before starting procedure.
A

64°

127
Q

IN Manual Processing:

    1. Measure temperature of developer. If temperature is
      below 64°, increase developer temperature using tank
      manufacturer’s recommended method. Allow WHTA? for
      developer temperature to increase before developing films.
      Check temperature again before starting procedure.
A

time

127
Q

IN Manual Processing:

    1. Measure temperature of developer. If temperature is
      below 64°, increase developer temperature using tank
      manufacturer’s recommended method. Allow time for
      developer temperature to WHAT?
      Check temperature again before starting procedure.
A

increase before developing films

128
Q

IN Manual Processing:

    1. Measure temperature of developer. If temperature is
      below 64°, increase developer temperature using tank
      manufacturer’s recommended method. Allow time for
      developer temperature to increase before developing films.
      Check WHAT? again before starting procedure.
A

temperature

129
Q

IN Manual Processing:

    1. All of the following steps except for WHAT? should be
      performed in the darkroom under safelights only. Ensure
      that the safelight used meets film manufacturer’s
      specifications.
A

drying

129
Q

IN Manual Processing:
5. Depending on temperature of developer, film should be
left in developer solution as follows:

A

a. Developer is 64° - 66°
= 7 minutes

b. Developer is 68° - 70°= 5 minutes.

Optimal
for most films.

c. Developer is 72°- 76° = 4 minutes

130
Q

IN Manual Processing:

    1. Measure temperature of developer. If temperature is
      below 64°, increase developer temperature using tank
      manufacturer’s recommended method. Allow time for
      developer temperature to increase before developing films.
      Check temperature again before WHAT?.
A

before starting procedure.

131
Q

IN Manual Processing:

    1. All of the following steps except for drying should be
      performed in the darkroom under safelights only. Ensure
      that the safelight used meetsWHAT?
A

used meets film manufacturer’s
specifications.

131
Q

IN Manual Processing:

    1. All of the following steps except for drying should be
      performed in the darkroom under WHAT?. Ensure
      that the safelight used meets film manufacturer’s
      specifications.
A

safelights only

132
Q

IN Manual Processing:
8. Immerse film completely in developer. Agitate film gently
for the entire development time. WHAT? will ensure that all
parts of the film are developed to the same extent and ensure
that air bubbles do not stay on the film and cause artifacts.
Use a timer to ensure accurate timing.

A

Agitation

132
Q

IN Manual Processing:
8. Immerse film completely in WHAT?. Agitate film gently
for the entire development time. Agitation will ensure that all
parts of the film are developed to the same extent and ensure
that air bubbles do not stay on the film and cause artifacts.
Use a timer to ensure accurate timing.

A

developer

133
Q

IN Manual Processing:
8. Immerse film completely in developer. Agitate film gently
for the entire development time. Agitation will ensure that all
parts of the film are WHAT?
Use a timer to ensure accurate timing.

A

are developed to the same extent and ensure that air bubbles do not stay on the film and cause artifacts.
Use a timer to ensure accurate timing.

134
Q

IN Manual Processing:
8. Immerse film completely in developer. Agitate film gently
for the entire development time. Agitation will ensure that all
parts of the film are developed to the same extent and ensure
that air bubbles do not stay on the film and cause artifacts.
Use a timer to ensure WHAT?

A

to ensure accurate timing

134
Q

IN Manual Processing:
8. Immerse film completely in developer. Agitate film gently
for the entire development time. Agitation will ensure that all
parts of the film are developed to the same extent and ensure
that air bubbles do not stay on the film and cause artifacts.
Use a WHAT? to ensure accurate timing.

A

timer

135
Q

IN Manual Processing:

    1. When the required development time is completed,
      carefully remove film from WHAT? AND WHAT?. Film should be drained over the
      developer tank or wash tank. Care must be taken not to
      drain developer into fixer tank.
A

from developer tank and allow excess developer to drain off

136
Q

IN Manual Processing:

    1. When the required development time is completed,
      carefully remove film from developer tank and allow excess
      developer to drain off. Film should be drained over WHAT? Care must be taken not to
      drain developer into fixer tank.
A

over the developer tank or wash tank

136
Q

IN Manual Processing:

    1. When the required development time is completed,
      carefully remove film from developer tank and allow excess
      developer to drain off. Film should be drained over the
      developer tank or wash tank. Care must be taken WHAT?
A

Care must be taken not to
drain developer into fixer tank.

137
Q

IN Manual Processing:

    1. WHAT? in stop bath or wash tank for at least 30
      seconds. Drain well over wash tank.
A

Immerse film

138
Q

IN Manual Processing:
* 11. Immerse film in fixer tank for HOW MANY MINUTES?. Use film
manufacturer’s specifications to determine the amount of
time to leave film in fixer tank. Film should be agitated for
the first minute of fixation.

A

for 5 to 10 minutes

138
Q

IN Manual Processing:

    1. Immerse film in stop bath or wash tank for at least HOW MANY SECONDS?. Drain well over wash tank.
A

at least 30 seconds

139
Q

IN Manual Processing:

    1. When the required development time is completed,
      carefully remove film from developer tank and allow excess
      developer to drain off. Film should be drained over the
      developer tank or wash tank. Care must be taken not to
      drain developer into fixer tank.
    1. Immerse film in stop bath or wash tank for at least 30
      seconds. Drain well over TO WHAT?
A

wash tank.

140
Q

IN Manual Processing:
* 11. Immerse film in fixer tank for 5 to 10 minutes. Use film
manufacturer’s specifications to determine WHAT? Film should be agitated for
the first minute of fixation.

A

the amount of
time to leave film in fixer tank

140
Q

IN Manual Processing:
* 11. Immerse film in fixer tank for 5 to 10 minutes. Use WHAT? to determine the amount of
time to leave film in fixer tank. Film should be agitated for
the first minute of fixation.

A

Use film manufacturer’s specifications

140
Q

IN Manual Processing:
* 11. Immerse film in fixer tank for 5 to 10 minutes. Use film
manufacturer’s specifications to determine the amount of
time to leave film in fixer tank. Film should be WHAT?

A

should be agitated for
the first minute of fixation

141
Q

IN Manual Processing:

    1. Remove film from WHAT ? tank. Drain well over fixer or
      wash water tank. Care should be taken not to drain fixer into
      developer tank.
A

fixer tank

142
Q

IN Manual Processing:

    1. Remove film from fixer tank. Drain well over WHAT?. Care should be taken not to drain fixer into
      developer tank.
A

fixer or wash water tank

142
Q

IN Manual Processing:

    1. Remove film from fixer tank. Drain well over fixer or
      wash water tank. Care should be taken not to drain WHAT?
A

fixer into developer tank

143
Q

IN Manual Processing:

    1. Immerse film in wash water tank for HOW MANY MINUTES?
A

5 to 30 minutes

144
Q

IN Manual Processing:

    1. If HOW MANY FILM is being processed at a time be
      sure that films are as widely spaced as possible in the tank to
      ensure that the water can clear the fixer from the film. Water
      should be over top of film holder. Films should not touch
      each other.
A

more than one film

145
Q

IN Manual Processing:

    1. If more than one film is being processed at a time be
      sure that films are as widely spaced as possible in the tank to
      ensure that the water can clear the fixer from the film. WHAT?
      should be over top of film holder. Films should not touch
      each other.
A

Water

146
Q

IN Manual Processing:

    1. If more than one film is being processed at a time be
      sure that films are WHAT? Water
      should be over top of film holder. Films should not touch
      each other.
A

as widely spaced as possible in the tank to ensure that the water can clear the fixer from the film

147
Q

IN Manual Processing:

    1. If more than one film is being processed at a time be
      sure that films are as widely spaced as possible in the tank to
      ensure that the water can clear the fixer from the film. Water
      should be over WHAT?. Films should not touch
      each other.
A

over top of film holder

147
Q

IN Manual Processing:

    1. If more than one film is being processed at a time be
      sure that films are as widely spaced as possible in the tank to
      ensure that the water can clear the fixer from the film. Water
      should be over top of film holder. WHAT? should not touch
      each other.
A

Films

148
Q

IN Manual Processing:
15. Rate of WHAT? exchange in wash tank should be
approximately eight times per hour. This will ensure fresh
water to wash the chemicals from the film completely.

A

RATE OF water exchange

149
Q

IN Manual Processing:
15. Rate of water exchange in wash tank should be
approximately eight times per hour. This will ensure WHAT?

A

ensure fresh water to wash the chemicals from the film completely

149
Q

IN Manual Processing:

    1. It is recommended to immerse film in a tank containing
      WHAT AND BEFORE?
A

a wetting agent before drying

149
Q

IN Manual Processing:
15. Rate of water exchange in wash tank should be
WHAT hour. This will ensure fresh
water to wash the chemicals from the film completely.

A

should be approximately eight times per hour

150
Q

IN Manual Processing:

    1. It is recommended to immerse film in a tank containing
      aN agent before drying. WHAT agent will
      minimize the water spots on the film.
A

wetting agent

150
Q

IN Manual Processing:

    1. It is recommended to immerse film in a tank containing
      a wetting agent before drying. The wetting agent will WHAT
A

will minimize the water spots on the film

151
Q

IN Manual Processing:

    1. Drain as much liquid from the film back into the wash
      water tank as possible before WHAT?
A

before hanging film to air dry or
placing in dryer

151
Q

IN Manual Processing:

    1. If dryer is used, do not WHAT?. Over drying film
      may cause cracking.
A

do not over dry film

152
Q

IN Manual Processing:
19. When dry, remove film from WHAT?. Label film, if not
previously done, with patient information.

A

holder

152
Q

IN Manual Processing:

    1. If dryer is used, do not over dry film. Over drying film
      may WHAT?
A

may cause cracking.

153
Q

IN Manual Processing:
19. When dry, remove film from holder. WHAT TO DO, if not
previously done, with patient information.

A

Label film

154
Q

IN Manual Processing:
19. When dry, remove film from holder. Label film, if not
previously done, with WHAT?

A

patient information

155
Q

IN Manual Processing:

    1. Add fresh chemicals to tank to WHAT?.
A

to replenish the chemistry.

156
Q

IN Manual Processing:

    1. Cover WHAT until next use.
A

tanks until next use.

157
Q

IN Laser Film Printer
Quality Control:

SMPTE Test Pattern IN:
0% patch

A

2.45” 0.15 OD

157
Q

IN Laser Film Printer
Quality Control:

SMPTE Test Pattern IN:
10% patch

A

2.10” 0.15 OD

157
Q

IN Laser Film Printer
Quality Control:

Inverted gray scale IN:
0% patch

A

2.50+ 0.15 OD

157
Q

IN Laser Film Printer
Quality Control:

In most clinical settings, the physician makes the diagnosis by
WHAT?

A

by reading the images from a transparency recorded with a
multiformat camera

157
Q

IN Laser Film Printer
Quality Control:

SMPTE Test Pattern IN:
40% patch

A

1.15” 0.15 OD

157
Q

IN Laser Film Printer
Quality Control:

Inverted gray scale IN:
40% patch

A

1.35” 0.15 OD

157
Q

OD MEANS

A

Optical Density

158
Q

IN Laser Film Printer
Quality Control:

SMPTE Test Pattern IN:
90% patch

A

0.30” 0.08 OD

158
Q

IN Laser Film Printer
Quality Control:

Inverted gray scale IN:
90% patch

A

0.30” 0.08 OD

158
Q

IN Laser Film Printer
Quality Control:
* The transparency should reproduce WHAT?

A

the quality and gray
scale of the original image displayed on the system monitor

158
Q

IN Laser Film Printer
Quality Control:

WHAT IS THE TEST FREQUENCY:

A

WEEKLY

158
Q

IN Laser Film Printer
Quality Control:

Inverted gray scale IN:
10% patch

A

2.25” 0.15 OD

158
Q

SMPTE MEANS

A

Society of Motion Pictures &
Television Engineers

159
Q

IN Laser Film Printer
Quality Control:

  • The following procedure uses the WHAT FOR digital test pattern. This
    pattern is supplied with most laser printers or it can be
    obtained from accessory vendors.
A

Society of Motion Picture
and Television Engineers (SMPTE)

160
Q

IN Laser Film Printer
Quality Control:

  • The following procedure uses the Society of Motion Picture
    and Television Engineers (SMPTE) FOR WHAT?. This
    pattern is supplied with most laser printers or it can be
    obtained from accessory vendors.
A

digital test pattern

161
Q

IN Laser Film Printer
Quality Control:

  • As determined by procedure 3A, WHAT? should be consistent over time and match the gray
    scales presented on monitor.
A

the laser film printer
quality

162
Q

IN Laser Film Printer
Quality Control:

  • The following procedure uses the Society of Motion Picture
    and Television Engineers (SMPTE) digital test pattern. This
    pattern is supplied with WHAT?
A

with most laser printers or it can be obtained from accessory vendors

163
Q

IN Laser Film Printer
Quality Control:

  • As determined by procedure 3A, the laser film printer
    quality should be WHAT?
A

should be consistent over time and match the gray
scales presented on monitor.

164
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:

  • If possible, WHO? should assist with the initial
    establishment of the laser film printer quality control
    operating levels. The medical physicist should determine the
    most appropriate gray scale test pattern to use for the
    facility’s laser film printer system configuration or acquire a
    step-wedge phantom image if no gray scale test pattern is
    available.
A

the medical physicist

164
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:
* If possible, the medical physicist should assist with the initial establishment of the WHAT?

A

the laser film printer quality control operating levels

164
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:
Frequency: Initial setup and when significant change is
made in imaging procedures such as WHAT?

A

such as different type of film,
chemicals, or processing conditions

165
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:
* If possible, the medical physicist should assist with the initial establishment of the laser film printer quality control
operating levels. WHO? should determine the
most appropriate gray scale test pattern to use for the
facility’s laser film printer system configuration or acquire a
step-wedge phantom image if no gray scale test pattern is
available.

A

The medical physicist

165
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:

  • If possible, the medical physicist should assist with the initial
    establishment of the laser film printer quality control
    operating levels. The medical physicist should determine the
    most appropriate WHAT? to use for the facility’s laser film printer system configuration or acquire a step-wedge phantom image if no gray scale test pattern is
    available.
A

the most appropriate gray scale test pattern

166
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:
If possible, the medical physicist should assist with the initial
establishment of the laser film printer quality control operating levels. The medical physicist should determine the
most appropriate gray scale test pattern to use for WHAT?

A

for the facility’s laser film printer system configuration or acquire a
step-wedge phantom image if no gray scale test pattern is
available.

166
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels: WHAT ARE THE Equipment Required:

A
  • Densitometer
  • Laser Film Printer Quality Control Chart
  • Gray Scale test Pattern - SMPTE (Society of Motion Picture
    and Television Engineers)
167
Q

IN Establishment of Laser Film
Printer Quality Control
Operating Levels:
If possible, the medical physicist should assist with the initial
establishment of the laser film printer quality control operating levels. The medical physicist should determine the
most appropriate gray scale test pattern to use for the facility’s laser film printer system configuration or acquire a
WHAT? if no gray scale test pattern is
available.

A

step-wedge phantom image