Midterm Flashcards

1
Q

year of the middle ages

A

450-1450

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2
Q

scared music

A

church was the center of musical life
most important musicians =pirests
only men allowed to sing
only voca;

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3
Q

when was organ used in church?

A

after 1100

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4
Q

what was the offical music of the Roman Catholic Church?

A

Gregorian Chant
melody set to sacred Latin texts
no accompaniment
represents the voice of the church
no meter, flexible rhythm

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5
Q

gregorian chant

A

named after Pope Gregory
the unique sound of the chants results from unfamiliar scales called church modes

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6
Q

church modes

A

the unique sound of Gregorian Chants created by unfamiliar scales

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7
Q

Alleluia Vidimus Stellam
We Have Seen His Star

A

chant
melisma- many notes sung on 1 syllable
monophonic
A B A form

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8
Q

melisma

A

many notes sung on 1 syllable

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9
Q

O Successores
You Successors

A

chant
by Hildegard of Bingen
1-4 notes to each syllable
large pitch range

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10
Q

Hildegard of Bingen

A

nun
1st women composer

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11
Q

secular music

A

1st large body of songs surviving in notation-no rhythm
composed during 12th and 13th century
performed by court minstrels
mainly about love
regular meter and defined beat

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12
Q

Estampie

A

secular
13th century
a medieval dance
1 of the earliest surviving forms of instrumental music
features a rebec, pipe, and psaltery
triple meter

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13
Q

rebec

A

string instrument for estampie

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14
Q

psaltery

A

plucked string instrument for estampie

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15
Q

organum

A

gregorian chant with 1 or more additional melodic lines

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16
Q

the development of polyphony: organum

A

secular
started between 700 + 900 years
monks in monastery choirs begain to improv 2nd melodic line

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17
Q

school of notre dame: measured rhythm

A

secular
after 1150, Paris became center of polyphonic music
2 chair masters =Leonin + Perotin
1st time notation indicated rhythm w/ definite time values, meter, and pitches

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18
Q

leonin +perotin

A

secular
1st composers known by name
them and their followers referred to as the School Of Notre Dame

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19
Q

14th Century Music: The New Art in France

A

secular became more important than sacred
polyphonic
improved notation

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20
Q

Since I Am Forgotten by You

A

secular
by Guilliaume De Machaut
written 1363
breakup song
vocal melody and 2 accompanying parts, low pitch
2 phrases that go back and forth

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21
Q

Agnus Dei From the Notre Dame Mass

A

secular
by Guilliaume De Machaut
1 of the greatest compostions from the Middles Ages
a prayer for mercy and peace
triple meter
2 upper and 2 lower parts
dissonance harmony

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22
Q

Renaissance years

A

1450-1600
printing enabled an increase in the amount of composers and performers
every educated person required to learn music
musical activity shifted to courts
higher status and pay

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23
Q

characteristics of renaissance msuic

A

vocal music still more important
used word painting to enhance meaning and emotions
mostly polyphonic
homophonic for dance music
expanded range and richer harmony

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24
Q

2 main forms of sacred music

A

1) motet- a shorter polyphonic choral work set to a sacred latin text
2) mass- longer polyphonic choral composition, made of 5 sessions: kyrie, gloria, credo, sanctus, agnus dei

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25
Ave Maria Virgo Serena
by Josquin Desprez 1475 4-voice motet polyphonic meter changes (duple, triple, duple)
26
Kyrie from the Pope Marcellus Mass
by Palestina 1562-1563 his most famous mass written for a capella of 6 parts: soprano, alto, 2 tenors, + 2 basses polyphonic
27
The Renaissance Madrigal
secular originated in Italy 1520 for several solo voices set to a short poem homo amd poly word painting, unusual harmonies
28
As Vesta was Descending
by Thomas Weekles 1601 to honor Queen Elizabeth 6 voice parts word painting
29
Passamezzo and Galliard
by Pierece caroubel instrumental duple meter written for 6 instruments same melody in 5 different parts
30
baroque years
1600-1750 2 main composers: Handel and Bach divided into 3 phases: 1) early 1600-1640 2) middle 1640- 1680 3) later 1680-1750
31
who created opera
Italian composers of early Baroque
32
early baroque
homo dissonance
33
middle baroque
church modes gave way to major and minor scales instruments became important
34
later baroque
produced most baroque played today harmony developed dominant chord to tonic chord polyphonic instrumental as important as vocal
35
characteristics of late baroque
unity of mood- 1 mood through whole piece rhythm- patterns repeated melody- repetitions of melody dynamics- stays the same but sudden shift texture- mainly poly some homo chords + basso continuo- chords became important lots of word painting
36
the baroque orchestra
10-40 players instrumentation flexible tone color less important
37
baroque forms
multiple movements 3 part form ABA 2 part AB
38
concerto grosso
small group of soloists pitted against a larger group of players called "tutti" 2-4 soloists play with 8-20 players tutti mainly strings several movements and diff tempos, 1st and 3rd ritornello form
39
ritornallo form
tutti opens themes called ritornello (refrain), theme has different varaitions
40
the fugue
polyphonic voices imitate subject (main theme) 3-5 voices form is flexible but subject will presents w/ unaccompanied voice has countersubject paired with subject episodes
41
other common devices for fugue
1) stretto- subject imitated before completed, 1 voice tries to catch the other 2) pedal point- single tone by bass, is held while other voices produce a series of changing harmonies
42
subject can be varied in 4 ways:
1) inversion- each interval reversed in direction to turn the line upside down 2) retrograde- begins w/ last note of the subject and proceeds backwards to the 1st 3) augmentation- time values lengthened 4) diminution- shortened
43
elements of opera
a drama started in italy around 1600 libretto- the text aria- main attractions for fans, song or solo voice recitative- lead into aria, vocal lines that imitates rhythms and pitch
44
Claudio Monteverdi
1567-1643 employed by court of Mantua for 21 years wrote Orpheus 1613- appointed music director at St. Mark's in venice (most important church in Italy) music for voice only developed new orchestral effects (pizzicato + tremolo)
45
Orpheus
1607 by Monteverdi opera uses recitatives, arias, duets, choruses and instrumental interludes
46
Act 2: Recitative- "You Are Dead"
sung by Orpheus after his wife's death vocal line accompanied by basso continuo homophonic little sense of beat
47
Henry Purcell
1659-1695 born in London prodigy wrote Dido and Aeneas 1st native English composer of international rank until the 20th century wrote church, secular, and music for small groups of instruments employed device known as "ground bass/ bass ostinatio"- bass repeated over and over
48
Act 3: "Dido's Lament"
1689 by Purcell tragic song that Dido sang before killing herself melodic recitative starts the piece accompanied by basso continuo repeated text "Remember Me"
49
baroque sonata
originated in Italy composition in several movements for 1-8 instruments "Trio Sonatas" popular-had 3 melodic lines
50
Antonio Vivaldi
1678-1741 towering figure of late Italian Baroque nickname "red priest" from religious background and red hair violinist, composer, conductor, teacher died in poverty known for his concerti grossi and solo concertos
51
The Four Seasons
1725 by Vivaldi depicts sounds and events associated with each season concertos example of baroque program music
52
1st movement: allegro 4 seasons
ritornello form, terrace dynamics, word painting, homo high trills for birdsong soft running notes for stream string temolos and rapid scales for thunder
53
Bach
1685-1750 born in Germany very religious-spent most of career in church considered the most eminent organist, harpischordist, and improviser wrote everything BUT opera poly and homo
54
2nd Mv: Largo 4 seasons
much slower/ quieter only violins, violas, and solo violin expansive melody for solo depicts goatherd's slumber violins=rustling leaves violas= barking of dog unchanging texture, rhythm and dynamic level
55
the baroque suite
by Bach dance inspired mov all in same key but different tempo, meter 2 part form A section= tonic key
56
the chorale
hymn sung in vernacular and congregation easy to sing/remember 1 note to each syllable melodies were harmonized harmony has 3 lower partd
57
church cantata
principal means of expression in the Lutheran service sung by chorales written for chorus, vocal soloists, organ and small orch religious text-either new or from Bible
58
oratorio
large scale composition for chorus, vocal soloists and orch narrative text differs from opera- no acting based on biblical stories but not intended for religious services narrator has recitatives
59
Handel
1685-1759 born in germany child prodigy at 21, went to italy to write operas became England's most important composer and fav of Queen Anne director of Royal Academy of Music (commerical opera company) made his own company later on composed performed and directed at his company almost blind before he died considered master of Italian opera and English oratorios
60
Messiah
1741 by Handel most famous oratorio 2 and 1/2 hours long 53 movements composed in 24 days commentary on jesus Christ's nativity, passion and resurrection lacks plot action and characters only English oratorio that uses New Testament and Old
61
Hallelujah Chorus
1 of the most famous choral pieces sudden changes poly, homo, and mono most famous from Messiah took his text from the Relevation of St. John, which celebrates God as almighty ruler