Mi session 2 Flashcards
Theorie de la reaction sociale
- A more micro-sociological approach to interpreting society
- Takes interest into social interactions
- Interested in social interactions
- Interested in the institutionalization of laws and norms
- Considered to be a subjective dimension
- Seeks to interpret the meaning given to situation rather than explaining facts
What are the 2 approaches that influence the criminology of social reaction?
- Work on the construction of self and others (identity)
(Travaux sur la construction de soi et des autres (identité)
- Work on the construction of social issues
(Travaux sur la construction des enjeux sociaux)
Interactionnisme symbolique
Social Reality is constructed through daily interactions between individuals.
Meaning that we attribute meaning to symbols, gestures, words
- Construction of my social identity
- Construction of meaning
- Relationship to self and others
- Focuses on the interpretation given to behaviours and marker individuals interaction.
- How this interaction contributes to the construct of the social world
- The way in which this interpretation in interactions contribute to construction of social identities
- How this interpretation in interaction contributes to one’s actions socially.
What is the concept of Le soi et l’identités Sociale (Mead)
This notion of self is an active and progressive construction of social identity in and through interactions with others.
Example: 3 enfant mets dans 3 diff environment, 1 vas devenir docteur 1, vas de venir teacher, et j’en ferrai un criminel
” Le JE regarde le MOI comme de l’extérieur “
Explanation of le soi et l’identité sociale
Mead refers to this reflexive process where an individual can take himself or herself to be both the subject and the object. The self is a concept that develops rather than exists at birth because of social experiences, activity and interactions that develops in the given individual as a result of his relations to that process as a whole and to other individuals within that process. One’s self- identity emerges out of external social interactions and internal feelings of oneself.
“We divide ourselves into all sorts of different selves when we interact
relationships with people we know…All sorts of different selves selves respond to all kinds of different social creations”
Cooley: Le soi comme miroir
“Le soi comme miroir”
- You imagine how you appear to others
- You imagine how they judge you
- You feel shame, pride and joy, and this influences your behavior.
-Self and identity cannot be separated from the social
What is Le sens et What is l’interaction (in the interactions) Par Mead (3 parts)?
-Meaning is neither objective and constant, nor simply subjective; it is in the interaction (existing only between individuals).
- Our actions are guided by the response we think we’ll receive.
- A three-way relationship between A’s gesture, B’s response and the fact that the interaction is completed in the way A intended
-The gesture was not significant (meaningless) if it did not receive a response from the other person
Example and Explanation of le sens et l’interaction
Our actions are guided by perception what we create and answer we receive.
Meaning is neither objective and constant, nor simply subjective (just in our heads). It is within the interaction between people.
If you raise your hand in class, the teacher will know that you have a question, but if you raise your hand on the bus, it will have no meaning.
Blumer: Trois principes de l’interactionnisme
(Wha, Where, How)
Invented the term: symbolic interactionalism
- Humans act towards things according to the meaning they attribute to these things (definition of the situation)
- This meaning comes from the social interaction that everyone has with others
- These meanings are manipulated and modified through an interpretative process (the way we interpret things)
Becker “Devenir Deviant”
Deviance is an interactive process
- Labeling process by which we become deviant for others (arises from interaction)
-Learning process by which we learn to appreciate experiences and activities considered deviant and to reject standards
Social groups create deviance by instituting standards including the
Transgression constitutes deviance, by applying these standards to some
Individuals and by labeling them as deviants. From this point of view, deviance
Is not a quality of the act committed by a person, but rather a
Consequence of the application, by others, of standards and sanctions to a
“Transgressor”. The deviant is the one to which this label has been applied
Successfully and deviant behavior is the one to which the community attaches this label
What is an example of becoming deviant by Becker?
Smoking marihuana
1) Transgression of a standard
2) Public designation (labeled as “outsider”) = impact on identity
3) Integration or attendance of a group that practices these activities (Feeling of belonging) and construction of the majority as “Outsider” to this group.
Dramaturgie: performance de soi (Goffman)
Takes the idea that the self (identity) is multiple and interactive. It’s in our daily performance the self it builds.
- Inspiration of symbolic interactionist sociology
- Inspiration of phenomenological philosophy
- Inspiration from social psychology
- Refuses theoretical labels
What are the three big axes of study for dramaturgiques
-Studies on professional performance
-Studies on stigma and identity
-Studies on total institutions
What are the four concepts associated with the performance of self
- Impression Management
- Facade
- Actor and personage
- Equip de representation
Impression Management
(Maitrise de l’impression)
Verbal and non-verbal practices that we use to present an acceptable, coherent image of ourselves to others to give a good impression
L’ordre interactionnel
These practices take place in presence with others. We define the situation, we perform our identity and interactions (in a relatively structured order)
-Different performance in different situations)
Social situation or environments in which two or more individuals are physically in one another’s presence
Métaphore théâtrale : façade (Front stage)
Facade (front stage): the part of the performance that follows a definition of the situation largely fixed by others and the context and where a character is played
-Decor: accessories, places, staging
-Personal facade: way of acting, clothing, appearance, expression
-Allows for credibility to the role, whether the firefighter is in uniform or not, symbolizing self-styled credibility and validity (like a police officer in uniform)
Métaphore théâtrale: Coulisse (Back Stage)
The part of the performance that is usually hidden form view and unobserved
the waiter who goes to the kitchen to see the preparation of the meal versus when the dish has been delivered
What is an example of front stage and back stage?
An employee at Starbucks who always smiles and accompanies customers with a beautiful attitude even if in a bad mood (façade). The employee goes back where no one sees him and relaxes, he takes a breath, he stops playing the character always happy (backstage)
Le travail émotionnel (Hochschild)
-The mastery of printing always implies a mastery of emotions
-Self-performance always implies a performance of emotions
Emotional work at the heart of self-presentation
- Emotions are produced and performed in the facade
- They can be false or superficial, but they are
Also often true or deep
- Self-presentation must follow “rules of feelings”
Socially organized.
- Significant gender dimension
Ex: flight assistants in training (smiling, happy)
Ex: collection agents (serious, intimidating
Équipe de représentation
We know that we play characters but we respect the performance of others, we are loyal, we do not question the scene
-Ex: if all the students in class get up and leave, the teacher will no longer be able to perform (people normally respect the individual’s performance)
The concept of multiple selves by Mead
We share each other between all kinds of different be (selves) during Of relationships with the people we know… All kinds of different
Be respond to all kinds of different social creations
Acteur (je) + personnage (moi) = identité (soi)
-Actor: behind the scenes
-Character: on the facade
-Self = actor as he sees himself and acts behind the scenes + character as he is seen by others
Deux problèmes de la présentation de soi avec des conséquences pour l’identité
- Stigmatization
- Totalitarian institutions