Mediterranean world in late antiquity Flashcards
Sarcophagus of Junius Bassus, from Rome
Depicts stories from the bible
Daniel and the lions den, Adam and Eve, etc
Interior of the synagogue, Dura-Europos
abandoned
images from ot
Samuel anoints David
mural in synagogue
David one in front with different colored cloak
samuel is the biggest one
Restored cutaway view of the Christian community house
Church
wealthy Christian would turn home into church
Ark of the Covenant and two menorahs, painted wall in a Jewish catacomb
became more popular to bury dead
could not bury inside the city
created catacombs
The Good Shepherd, the story of Jonah, and orants, frescoed ceiling of a cubiculum in the Catacomb of Saints Peter and Marcellinus
Christian catacomb paintings often mixed Old and New Testament themes. Jonah was a popular subject because he emerged safely from a sea monster after three days, prefiguring Christ’s resurrection.
Sarcophagus with philosopher, orant, and Old and New Testament scenes
This Early Christian sarcophagus depicts the salvation of Jonah, Christ as Good Shepherd, and the baptism of Christ. The two figures with unfinished heads were to become portraits of the deceased.
Christ as the Good Shepherd
Although freestanding images of Christ were uncommon in Late Antiquity, several statuettes exist representing the Good Shepherd. The patrons were probably recent converts to Christianity.
Christ seated
no beard
old Saint Peter’s Basilica
Built by Constantine
stood over Saint Peter’s grave. The building’s plan and elevation resemble those of Roman basilicas, not temples
Old Saint Peter’s closely followed the plan of a Roman basilica and had a 300-foot-long nave with flanking aisles leading to an apse, but unlike other early churches, it also had a transept and an atrium.
what made up old saint peter’s basilica?
Nave (center)
Aisles
Transept (going in other direction, made to look like a cross)
Apse (barrel section from Roman design)
Narthex (lobby)
Atrium
Interior of Santa Costanza
Its central plan, featuring a domed interior, would become the preferred form for Byzantine churches.
Santa Costanza has antecedents in the domed temples and mausolea of the Romans, but its plan, with a circle of 12 pairs of columns and a vaulted ambulatory, is new.
Mosaic in the ambulatory vault of Santa Costanza
Depicts grape harvesting
the scenes evoked the Eucharist and Christ’s blood.