media language theorists Flashcards
barthes’ semiotic theory
there are five common elements in all narratives which convey some type of meaning
- proairetic (action) = anything in a text that signifies an action that will happen in the story, which drive the progression of the narrative forwards (eg. gun signifies a shooting about to happen)
- heuristic (enigma) = anything that raises questions and causes the audience to be intrigued
- semantic - a connotation, an element in a text means more than its surface meaning
- symbolic = examples of symbols appearing in a narrative to convey a deeper meaning or theme
- referential = allusions or direct reference to existing works outside the text
post modernism - baudrillard
- there have been three disctinct cultural phases: pre-modernity, modernity and post-modernity - we live in the post modern age
- the postmodern age is marked by a proliferation in media content and messaged which create hyperreal inertia
- media blending has resulted in the construction of fictionalised reality - a simulacra
- audiences yearn for this simulacra to become authentic and try to make their lives mirror the media - the simulacra becomes more real and desirable than reality
steve neale - genre theory
two major components in the natural establishment and the evolution of genres are repetition and variety
- repetition: a genre category is formed and established through repetition as conventions have to ne repeatedly used throughout multiple texts over a period of time in order for audiences to recognise them
- variation: repetition on its own can be detrimental which is why it needs variety so that audiences don’t become bored - it keeps a genre in public consciousness
narratology - todorov
- narrative refers to the underlying structure of a story
narrative structure of equilibrium:
- equilibrium (balanced, neutral, stable)
- disruption (disrupts equilibrium, creates conflict)
- recognition (must recognise problem and work things out to fix things)
- repair (overcome obstacles and challenges to repair the situation)
- resolution (final step in regaining equilibrium)
- todorov also looked at the way that these narratives have ideological significance
- the way a story unfolds in a narrative speaks to the views and beliefs of a creator or the social norms of the culture or community it emerges from
structuralism - levi strauss
you cannot separate something from the broader context it exists in
the theory looks at underlying structures of meaning
- binary oppositions are a two way relationship
- it could be argued though, that superiority still plays a part in the creation of these opposites
character archetypes - propp
propp looked at archetypes which are broader underlying categories than stereotypes and that have roles in a narrative
- the hero
- the villain
- the helper
- the donor
- the princess/ prize
- the false hero
- the oracle/ sage
other types of narrative:
- non linear
- intersecting (where different, seemingly separate narrative threads eventually combine and connect)
- cyclical
- non narrative text (you have the control to choose what you do/ what the narrative is)