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English > Measure for Measure blitz COPY > Flashcards

Measure for Measure blitz COPY Flashcards

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Proverbs and Idioms flashcards
1
Q

Duke - ‘the dribbling

A

dart of love’

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2
Q

Duke - ‘give me

A

your hand

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3
Q

Duke - ‘you will demand

A

of me why I do this’

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4
Q

Duke - ‘an Angelo for Claudio,

A

death for death’

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5
Q

Duke - ‘thou art

A

death’s fool’

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6
Q

Duke - ‘do not like to

A

stage me with their eyes’

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7
Q

Duke - ‘we have strict statutes

A

and most biting laws’

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8
Q

Angelo - ‘my authority bears

A

of a credent bulk’

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9
Q

Angelo - ‘give up your body to such sweet uncleanness

A

as she that he hath stained’

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10
Q

Angelo - ‘tis one thing to be tempted…

A

another to fall’

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11
Q

Angelo - ‘strong and swelling

A

evil of my conception’

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12
Q

Angelo - ‘lay down

A

the treasures of your body’

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13
Q

Angelo - ‘my false

A

o’erweighs your true’

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14
Q

Angelo - ‘hoping you’ll find good cause

A

to whip them all’

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15
Q

Angelo - ‘we must not make

A

a scarecrow of the law’

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16
Q

Angelo - ‘it is the law,

A

not I, condemn your brother’

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17
Q

Angelo - ‘heaven hath my empty words;

A

whilst my invention… anchors on Isabel’

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18
Q

Duke - ‘a man of stricture

A

and firm abstinence’

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19
Q

Isabella - ‘concupiscible

A

intemperate lust’

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20
Q

Isabella - ‘wishing a more

A

strict restraint’

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21
Q

Isabella - ‘strip myself to death

A

as to a bed’

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22
Q

Isabella - ‘then Isabel live chaste,

A

and brother die’

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23
Q

Isabella - ‘should meet

A

the blow of justice’

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24
Q

Isabella - ‘it is excellent to have the strength of a giant,

A

but it is tyrannous to use it like one’

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25
Q

Isabella - ‘you seemed of late

A

to make the law a tyrant’

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26
Q

Mariana - ‘I crave no other,

A

nor no better man’

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27
Q

Provost - ‘judgement hath

A

repented o’er his doom’

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28
Q

Duke - ‘the steeled gaoler

A

is the friend of man’ (Provost)

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29
Q

Claudio - ‘the demi-god

A

Authority’

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30
Q

Claudio - ‘a thirsty evil,

A

and when we drink, we die’

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31
Q

Claudio - ‘like unscoured armour

A

hung by th’wall’

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32
Q

Claudio - ‘now puts the drowsy

A

and neglected Act freshly on me’

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33
Q

Escalus - ‘rather cut a little

A

than fall and bruise to death’

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34
Q

Escalus - ‘some rise by sin

A

and some by virtue fall’

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35
Q

Escalus - ‘Pompey

A

the Great’

36
Q

Elbow - ‘two notorious

A

benefactors’

37
Q

Elbow - ‘prove it before

A

these varlets here’

38
Q

Barnadine - ‘I will not die today

A

for any man’s persuasion’

39
Q

Lucio - ‘Hail

A

virgin’

40
Q

Lucio - ‘Impiety has made

A

a feast of thee’

41
Q

Lucio - ‘Madam

A

Mitigation’

42
Q

Lucio - ‘I have purchased as many

A

diseases under her roof as come to… judge’

43
Q

Lucio - ‘you are

A

too cold’

44
Q

Lucio - ‘Ay, touch

A

him’

45
Q

Lucio - ‘a very superficial,

A

ignorant, unweighing fellow’

46
Q

Lucio - ‘ungenitured

A

agent’

47
Q

Pompey - ‘good counsellors

A

lack no clients’

48
Q

Pompey - ‘geld and splay

A

all the youth of the city’

49
Q

Overdone - ‘I am

A

custom-shrunk’

50
Q

‘competing claims

A

of order and disorder’ (Hillman)

51
Q

Society ‘founded paradoxically

A

upon a hideous moral compass’ (Smith)

52
Q

‘we are left hungry and thirsty

A

for some wholesome single grain of righteousness’ (Swinburne)

53
Q

‘meaning and nature

A

of death pervade the play’ (Spurgeon)

54
Q

‘what Angelo last articulated

A

was a longing for death’ (Hillman)

55
Q

Religious play, but needs bawdy humour to be

A

‘alienating and humanising’ (Brook)

56
Q

‘Isabella is mercy

A

as well as Chastity’ (Tillyard)

57
Q

Claudio and Juliet ‘represent

A

ungenerate mankind’ (Tillyard)

58
Q

Dramatic and ethic essence lies in ‘the irreconcilable

A

juxtaposition’ of Holy and Rough (Chedzgoy)

59
Q

Emphasis on Vienna is emphasis on

A

‘religious extremism’ (Gibbon)

60
Q

‘sexually appealing paradox

A

of the passionate nun’ (Stock)

61
Q

‘opposition between

A

law and passion’ (Eagleton)

62
Q

Sex emerges ‘in service

A

of the larger design’ (Hillman)

63
Q

‘semen and slander course through

A

the body politic like metaphorical bacteria’ (Gibbons)

64
Q

Issues raised ‘proclude

A

a completely satisfactory outcome’ (Boas)

65
Q

Lucio and Pompey ‘indirectly raise

A

controversial issues’ (McNamara)

66
Q

Pompey and overdone ‘stand for

A

professional immorality’ (Wilson-Knight)

67
Q

Barnadine ‘hard-headed,

A

criminal, insensitiveness’ (Wilson-Knight)

68
Q

Bawdy characters ‘follow their impulses

A

without scruple or restraint’ (L.C. Knights)

69
Q

‘self-righteous elevation

A

of chastity over charity’ (Skura)

70
Q

Isabella’s preoccupation with chastity shows ‘spiritual

A

arrogance’ (Gless)

71
Q

Isabella driven by

A

‘sexual nausea’ (Wardle)

72
Q

Isabellais the feminine counterpart in her ‘professed hatred

A

of sex’ but ‘underlying keen appetite’ (Hawkins)

73
Q

Isabella ‘innocent

A

not naive’ (Dionisotti)

74
Q

Isabella has ‘elevated the value of her chastity

A

into a religious principle’ (Jackson)

75
Q

Duke’s actions ‘riddled…

A

with dubious manipulations’ (Hillman)

76
Q

Duke ‘vain,

A

interested in image mongering’ (Coursen)

77
Q

Duke ‘more absorbed in his own plots

A

than anxious for the welfare of the state’ (Hazlitt)

78
Q

Duke want to maintain ‘a sinister form

A

of ideological control’ (Dallimore)

79
Q

If Duke is ‘an image

A

of providence’, there would be chaos in heaven (Barton)

80
Q

Angelo ‘tormented rather than

A

gratified by his desires’ (Smith)

81
Q

Angelo ‘the sadistic

A

superego’ (Skura)

82
Q

Angelo has a ‘split personality’

A

between public an private personae (Aronson)

83
Q

Angelo becomes ‘increasingly worthy

A

of reproach’ as the play goes on’ (Reed)

84
Q

Lucio represents ‘indecent

A

wit’ (Wilson-Knight)

85
Q

Lucio displays ‘a spirit of

A

irreverence and insubordination’ (Dodd)

English (15 decks)

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