Making sense of Geopolitics and Film Flashcards
? and Dixon (200?)
- ? is a ? of the real world, ? loaded with ? and ?
Cresswell and Dixon (2002)
- Film is a mimic of the real world, representations loaded with bias and propaganda
? and ? (200?)
- A ? of popular culture is ?, and suggestion that the media has successfully ‘?’ a ?
Dittmer and Dodds (2008)
- A fan of popular culture is performative, and suggestion that the media has successfully ‘produced’ a citizen
? and Gray (201?)
- ? media actively seeks to create ?
Dittmer and Gray (2010)
- Popular media actively seeks to create affect
? (200?)
- ? films portrayed the idea of a ? war, in response
Dixon (2004)
- 9/11 films portrayed the idea of a just war, in response
? (200?)
- ? and ? is intertwined in ? settings: ? films on the ?; Hollywood and ? support
Dodds (2005)
- Film and Government is intertwined in agenda settings: Soviet films on the revolution; Hollywood and Pentagon support
? (200?)
- ? sees US-Uk co-operation with ? ?
- Daniel Craig meeting with ? as bond blurs the ? and ?
Dodds (2006)
- Bond sees US-Uk co-operation with CIA Felix
- Daniel Craig meeting with queen as bond blurs the real and reel
> (200?)
- ? films are fought ?: ?, and then ? (fought and then thought)
- Film orientates global ? on ?, to give citizens greater ? the state is strong
Dodds (2007)
- American films are fought twice: battlefield, and then film
- Film orientates global threats on America, to give citizens greater reassurance the state is strong
? (200?)
- Film crafts a ? ? for military power: ? using ? wars
- ? aided USA arguments of ? war by reducing to ?
Dodds (2008)
- Film crafts a visual language for military power: Regean using star wars
- LOTR aided USA arguments of righteous war by reducing to binary
? (199?)
- Film provides a ? picture of ?
- Power of ? media demonstrated in failed ?, and ? Gulf war
- Nazi ? in film
Gregg (1999)
- Film provides a distorted picture of geopolitics
- Power of coercive media demonstrated in failed Vietnam, and successful Gulf war
- Nazi iconography in film
? (200?)
- ? goes beyond ?, allowing audience to feel ?
Higgins (2008)
- Spectacle goes beyond reality, allowing audience to feel escapism
? and ? (199?)
- American films focus on the ? scale of ? ?, to better convey messages to ?
Kennedy and Lukinbeal (1997)
- American films focus on the intimate scale of everyday families, to better convey messages to citizens
? (201?)
- ? life is linked back to political ?, through ?
Kuus (2010)
- Everyday life is linked back to political climates, through film
? and Zonn (200?)
- Film is a ? ? that citizens ? themselves in the heavily ? world
Lukinbeal and Zonn (2004)
- Film is a social cartography that citizens situate themselves in the heavily represented world
O ? et al (200?)
- ? is apart of state ? to ? ?
O Toal et al (2008)
- Film is apart of state apparatus to steer culture
? and ?ton (200?)
- ? movies provide the ? and ? to make sense of ?
Power and Crampton (2007)
- Hollywood movies provide the language and imagery to make sense of geopolitics
? (200?)
- ? and ? collide, such as ? re-namings ? after ?? names
- ? fiction allows ? possibilities and ? to be considered
Weldes (2003)
- reality and fiction collide, such as NASA re-namings expeditions after Star Trek names
- Science fiction allows alternative possibilities and solutions to be considered
? (200?)
- viewers feel they’ve ? geopolitical ? after watching a film
Zoonen (2007)
- viewers feel they’ve gained geopolitical knowledge after watching a film
? (200?)
- ? dominates as it is a magnet for ?, and has ? power
Austin (2002)
- Hollywood dominates as it is a magnet for talent, and has economic power
? (198?)
- Film has ? significance that we ? pick up on
Bordwell (1989)
- Film has ideological significance that we unconsciously pick up on
? (200?)
- ? forged the American identity, and ? played apart of national identity
Coyne (2008)
- Mythology forged the American identity, and Hollywood played apart of national identity
? (200?)
- ? is a ? politic, playing ? in public ?
Giroux (2002)
- Film is a cultural politic, playing ideologies in public conversation
? (200?)
- ? ? epics of the post war period, where ? were mistreated by ? overlords, and rescued by ? ? men
- ? takes solace in defending the ? and ? within
Flint (2006)
- Roman biblical epics of the post war period, where women were mistreated by foreign overlords, and rescued by white Western men
- Nationalism takes solace in defending the motherland and females within
? (199?)
- lone ? ? of ? give him ?
- ? critique of films attack the ? of white ?
Kellner (1995)
- lone camera angles of Rambo give him individualism
- Feminist critique of films attack the supremacy of white males
? (200?)
- ? is important, as some films ? themselves to ideas (?, ? effects) better
Lacey (2000)
- Genre is important, as some films lend themselves to ideas (geopolitics, special effects) better
