9/11 and the War on Terror Flashcards
? and Pollards (200?)
- War on ? has become a source for ? in ?
Boggs and Pollars (2006)
- War on Terror has become a source for narrative in cinema
? (201?)
- ? re-? not to include world trade
= ? ? gives exceptionalism through ?, and the ? rules his life; he is the powerful ? (like?)
Dittmer (2011)
- Spiderman re-edited not to include world trade
= Tony stark gives exceptionalism through technology, and the MIC rules his life; he is the powerful individual (like Rambo?)
? (200?)
- ? doctrine apart of ? theory, where neo-? is justified as ?, and ? is hence expanded
Kirsch (2003)
- Bush doctrine apart of Empire theory, where neo-imperalism is justified as defence, and capitalism is hence expanded
?man (201?)
- ? ? supports the State’s ? for military
- ? intel agency embodies the war on ? by existing beyond the ? to quell large scale threats
- ? allows the ? of good ? to combat threats
Lofflman (2013)
- Iron man supports the State’s aspiration for military
- SHIELD intel agency embodies the war on terror by existing beyond the state to quell large scale threats
- Transformers allows the assimilation of good aliens to combat threats
? et al (201?)
- Man of ? can be read as post ? America trying to bring ? to a ? world
Birkenstien et al (2010)
- Man of Steel can be read as post 9/11 America trying to bring order to a corrupt world
?cet (200?)
- ? Story picks up on ? war sites: ? and toys of ?; ? and ? men
Doucet (2005)
- Toy Story picks up on cold war sites: bedrooms and toys of children; cowboys and space men
? (200?)
-The kids film, The ?, A relentless global ? requires a ? and ? superpower to ?, in order to ? their ? family
Dunn (2006)
-The kids film, The Incredibles, A relentless global threat requires a retired and peaceful superpower to respond, in order to protect their nuclear family
? and ?son (201?)
- Post 9/11 ? movies represent the ? side of humanity
- Marvel ? ? starts ? but realises clear evil is hard to ?
- ? Man involves the realisation of ? trade, ? puppets, and ?
Hagley and Harrison (2014)
- Post 9/11 superhero movies represent the dark side of humanity
- Marvel Captiain America starts patriotic but realises clear evil is hard to find
- Iron Man involves the realisation of weapons trade, terrorist puppets, and PTSD
/? (201?)
- Nolan’s ? considers ? to stop the joker
- The idea that ? ? his enemy, through the ? of his own ?
Anders (2011)
- Nolan’s Batman considers survillience to stop the joker
- The idea that Batman creates his enemy, through the challenge of his own existence
? Film
- the ? of ?-territroality through ? laws
- ? suffers from ?, like ? Vet
- ? Bucky with a ?-esque ?; 19?0s fears
- ? Widow and ? witch ? men
- ? damage of the ? state
Avengers Film
- the legality of Extra-territroality through Sokova laws
- Tony suffers from PTSD, like Vietnam Vet
- Brainwashing Bucky with a Soviet-esque HYDRA; 1950s fears
- Black Widow and Scarlett witch betray men
- Collateral damage of the Wakadan state
? of Oz, James ?:
- Reduced story of supporting American neo-? :
- ? failing ?/middle-class white male American travels to a strange, ?, colourful land with rich natural and human ?;
- gains ?’ trust; is the ? desire of native women;
- arms and ? the natives’ against an ? regime; evetually ? regime and is begged by the natives to stay and become ?.
Wizard of Oz, James Franco:
- Reduced story of supporting American neo-imperalism :
- midwestern failing working/middle-class white male American travels to a strange, exotic, colourful land with rich natural and human resources;
- gains natives’ trust; is the sexual desire of native women;
- arms and educated the natives’ against an oppressive regime; evetually topples regime and is begged by the natives to stay and become sovereign.